| | Georges Brassens Pour Toutes Les Oreilles CD Georges Brassens Discography of CDs
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Our Price: $13.25  CDFor Sale Usually ships in 1-2 days
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One of France's most beloved singers is feted here with a first-class roundup of some of his best work. Mostly just accompanying himself on guitar, Brassens is in top form on tracks culled from 1952-1966, the majority of which are done up-tempo with more than a touch of café wit to keep one entertained throughout. Brassens keeps the chanson tradition in good stead while also indulging in a bit of rustic country-folk (Stateside style) on the closing track, "Le Mercent." Francophiles need not worry, though, because Brassens' beguiling mother tongue is heard for the entire session. ~ Stephen Cook Pour Toutes Les Oreilles Music Georges Brassens Pour Toutes Les Oreilles Songs | 1. | Le Gorille | $0.99 | |
| 2. | Brave Margot | $0.99 | |
| 3. | La Mauvaise Reputation | |
| 4. | Le Parapluie | $0.99 | |
| 5. | Le Fossoyeur | $0.99 | |
| 6. | La Chasse aux Papillons | $0.69 | |
| 7. | Les Amoureux des Bancs Publics | $0.99 | |
| 8. | Le Petit Cheval | $0.69 | |
| 9. | Le Mauvais Sujet Repenti | $0.99 | |
| 10. | Hecatombe | |
| 11. | Comme Hier  | $0.69 | |
| 12. | La Cane de Jeanne | $0.69 | |
| 13. | Le Vent | $0.99 | |
| 14. | Corne D'Aurochs | $0.99 | |
| 15. | J'ai Rendez-Vous Avec Vous | $0.69 | |
| 16. | La Marine | $0.69 | |
| 17. | Il N'y a Pas d'Amour Heureux | $0.99 | |
| 18. | Ballade des Dames du Temps Jadis | $0.99 | |
| 19. | Il Suffit de Passer le Pont | $0.99 | |
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Pour Toutes Les Oreilles Music Pour Toutes Les Oreilles Review
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Purchase Pour Toutes Les Oreilles CD To buy, Click on price to add to cart | Trans-Siberian Orchestra Night Castle CDs (2009)
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.
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Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here ...
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Well into his third decade as a country singer, Randy Travis continued to weather the changes in country music by remaining true to his own aesthetic. Travis was at the frontline of country's New Traditionalists in the 1980s, and, on 2004's PASSING THROUGH, he remains as roots-conscious as ever. For instance, the album's opening cut, the inspirational "Pick Up the Oars and Row," neatly splits the difference between Western Swing and barroom ballad, while the relatively up-tempo (Travis generally likes things slow and steady) "My Poor Old Heart" ventures into vintage George Jones honky-tonk territory. Travis retains one of the finest baritones in all of country music. On such ballads as the devotional "I'm Your Man" (not to be confused with the Leonard Cohen song of the same name) and the heart-on-a-sleeve "I Can See It in Your Eyes," he digs in deep to find every ounce of emotion in the song, twisting his captivating vocal chords around the melodies with an easy sense ...
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