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Alexander, Eric - Dead Center CD Cover Art
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Eric Alexander Dead Center CD

 Eric Alexander Discography of CDs
4.5 stars (2 Customer Reviews)

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 Our Price: $13.85  CD
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Personnel: Eric Alexander (tenor saxophone); Eric Alexander ; John Webber (double bass); Harold Mabern (piano); Joe Farnsworth (drums).
Audio Mixer: Rudy Van Gelder.
Liner Note Author: Neil Tesser.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (06/10/2004).
Photographer: John Abbott .
Recalling the moody and atmospheric mid-to-late-'60s work of fellow reedmen Wayne Shorter and Hank Mobley, tenor saxophonist Eric Alexander's Dead Center has a reflective quality that lends itself to such timely compositions as McCoy Tyner's "Search for Peace." It also reveals Alexander's lithe and gentle touch on standards including "Almost Like Being in Love," while lesser known works like Herbie Hancock's "Sonrisa" showcase his deft harmonic invention and superb rhythmic sense. Similarly, pianist Harold Mabern's groove-oriented "A Few Miles From Memphis" is propelled along by drummer Joe Farnsworth's soul-inflected beat with Alexander nudging lines back and forth deep inside the rhythm pocket. While not a significant departure from his past work, Dead Center nonetheless finds Alexander revealing himself as a grounded and muscular improviser who never takes his eye off the target. ~ Matt Collar
Dead Center Music


Detailed Dead Center Music Information



List Price $16.98 (You save $3.13)
Category Rock/Pop Albums, Jazz Instrument CDs, Tenor Sax, Jazz
Label Highnote Records, Inc.
Orig Year 2004
All Time Sales Rank   10400  
CD Universe Part number 6771343
Catalog number 757131
Discs 1
Release Date Sep 14, 2004
Studio/Live Studio
Mono/Stereo Stereo
Producer Todd Barkan
Engineer Rudy Van Gelder
Personnel Eric Alexander - tenor saxophone
Joe Farnsworth - drums
John Webber - double bass

Also: Harold Mabern
Eric Alexander Dead Center Songs


Eric Alexander Dead Center Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.One For Steve
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Sonrisa
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Almost Like Being in Love
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.It's Magic
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Few Miles From Memphis, A
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Search For Peace
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Dead Center
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.I Could Have Danced All Night

Dead Center Music Review


Customer Dead Center Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

5 stars another masterpiece
they keep getting better and better...long live E.A.
Submitted by ztlos123 (mays landing, nj) Verified Buyer
Was This Review Helpful? Yes No

4 stars Very good album
Dead Center is a good album along the lines of Eric's earlier recordings. It is not as "burnin" as the 2nd Milestone, but Alexander fans(I'm one)will enjoy this record(I did).
Submitted by frank_levell (Dallas, TX, USA) Verified Buyer
Was This Review Helpful? Yes No

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Nightlife In Tokyo
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CD $10.85  Audio Samples
Personnel includes: Eric Alexander (tenor saxophone); Harold Mabern (piano); Ron Carter (bass); Joe Farnsworth (drums).
Recorded in New York, New York on December 19, 2002.
Personnel: Eric Alexander (tenor saxophone); Harold Mabern (piano); Joe Farnsworth (drums).
Audio Mixer: David Luke.
Liner Note Author: Ted Panken.
Recording information: Avatar Studios, New York, NY (12/19/2002).
Photographer: John Abbott .
First off, while its title might suggest otherwise, this is not a live album; the CD takes its name from a piece by Eric Alexander's pianist, the veteran Harold Mabern. This is a fitting gesture, as Mabern is a key to this session's many pleasures and has been a mentor to Alexander during the saxophonist's steady rise to the top ranks of his art form. For this December 2002 session, Alexander offers a sustained program of fresh, creative, and advanced hard bop that unequivocally establishes him as a player who is not only fully aware of the tradition, but who is now among those most eminently qualified to develop it further. The consistent high quality of the outing is, naturally, a measure of the cohesion and communication within Alexander's crack quartet. Mabern fuels the performances with a driving, spacious melodicism. Drummer Joe Farnsworth, another Alexander regular, combines ...

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Live Recording Personnel: Eric Alexander (tenor saxophone); Eric Alexander ; John Webber (double bass); Vincent Herring (alto saxophone); Mike LeDonne (piano); Carl Allen (drums).
Liner Note Author: Bill Milkowski.
Recording information: Smoke, New York, NY (04/01/2005-04/02/2005).
Tenor saxophonist Eric Alexander and alto saxophonist Vincent Herring pair up for two nights of fireworks at Smoke on this 2005 release. Unlike the various two-tenor battles that have appeared on numerous releases over the decades, the contrast provided by featuring two different reeds is easier on one's ears. The furious take of "Blues Up and Down" (penned by the two-tenor team of Gene Ammons and Sonny Stitt) is a long workout starting with Alexander's ...

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Liner Note Authors: Larry Appelbaum; Robin D.G. Kelley; Ira Gitler; Lewis Porter; Amiri Baraka; Stanley Crouch; Ashley Kahn.
Recording information: Carnegie Hall, New York, NY (11/29/1957).
Larry Appelbaum, the recording lab supervisor at the Library of Congress, came across this tape by accident while transferring the library's tape archive to digital. What a find. Forget the Five Spot recording that sounds like it was recorded inside of a tunnel from the far end. The sound here is wonderfully present and contemporary. More importantly, this band -- which also included drummer Shadow Wilson and bassist Ahmed Abdul-Malik -- had it right on November 29, 1957, at Carnegie Hall. The John Coltrane on this date is far more assured than he had been four months earlier on the Five Spot date and on the initial Prestige side Thelonious Monk with John Coltrane. He'd been with Monk for four months and had absorbed his complex, multivalent musical system completely. It's clear from the opening track, "Monk's Mood," where the pair play in duet, that Coltrane is confident and moving into his own. Monk feels that confidence with his nearly Baroque entrance on the tune. This is a hard-swinging band with two front-line players who know how to get the best from one another. Coltrane knows the music ...

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Kenny Barron: Kenny Barron (piano); Ray Drummond (double bass); Ben Riley (drums).
Bradley's was a legendary New York City jazz club that for 25 years acted as a gathering place for many of the Big Apple's top musicians, a place to hang out. In 1996, the Kenny Barron Trio dug in before the illustrious audience and played at their best. Barron and drummer Ben Riley were members of Sphere, a quartet (with tenor saxophonist Charlie Rouse and bassist Buster Williams) that initially paid tribute to Thelonious Monk. On this trio set, "The Only One" is based on Monk's "Hackensack," Barron takes Thelonious' "Shuffle Boil" as an unaccompanied piano solo, and the threesome jams on "Well You ...

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Recording information: Van Gelder Studios, Englewood Cliffs, NJ (07/29/2005).
Over the dozen years since his debut recording as a leader, Eric Alexander has developed into one of the most important tenor saxophonists of his generation. Joined once again by one of his favorite pianists, Harold Mabern, along with bassist Nat Reeves and drummer Joe Farnsworth, Alexander kicks off this studio affair with a gritty hard bop treatment of "Where or When." "It's All in the Game" dates from the early part of the 20th century (written by future Vice President Charles Dawes), yet this is hardly a dated melody, as Alexander gives his best with a lush ballad treatment, ...

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