| | Janis Joplin Golden Highlights CD Janis Joplin Discography of CDs
This 12-track collection of the best music by rock legend Janis Joplin features the hits "Me and Bobby McGee" and "Mercedes Benz."
Budget price 12-track collection includes 'Me And Bobby Mcgee' & 'Mercedes Benz'. Columbia. 1988. Golden Highlights Music | List Price | $12.99 (You save $2.50) | | Category | Rock/Pop Albums, Rock CDs, Hard Rock | | Label | Columbia | | Orig Year | 2004 | | CD Universe Part number | 6775312 | | Discs | 1 | | Release Date | Nov 16, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Import |
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Purchase Golden Highlights CD To buy, Click on price to add to cart | John Mayer Battle Studies CD (2009)
Golden Highlights album
$11.18 It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and builds the bulk of Battle Studies upon them: the elegant "Half of My Heart," the softly soulful "Perfectly Lonely." Here, Mayer is effortlessly ...
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$19.34 It's a commonly held opinion among fans and band alike that Tom Petty & the Heartbreakers' lone live album, 1986's Pack Up the Plantation, didn't quite capture the group at its peak, so there has been a long-standing need for another live set, which 2009's Live Anthology finally provides. Like its closest cousin, Bruce Springsteen's Live 1975-1985, Live Anthology almost overcompensates for the long wait by offering almost too much music, cherrypicking highlights from 1978 to 2007. In its simplest incarnation, Live Anthology is a super-affordable, four-disc box set running 48 tracks, which is eight cuts longer than Springsteen's box, plenty long enough for most fans, but in its deluxe version, available only through Best Buy, there's an additional CD, plus two previously unreleased DVDs ...
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$11.18 Lou Reed never struck anyone as one of the happiest guys in rock & roll, so some fans were taken aback when his 1984 album New Sensations kicked off with "I Love You, Suzanne," a catchy up-tempo rocker that sounded a lot like a pop tune. After reaffirming his status as one of rock's greatest poets with The Blue Mask and Legendary Hearts, what was Reed doing here? Lou was having a great time, and his pleasure was infectious -- New Sensations is a set of straight-ahead rock & roll that ranks with the most purely enjoyable albums of Lou's career. Reed opted not to work with guitarist Robert Quine this time out, instead overdubbing rhythm lines over his own leads, and if the guitars don't cut quite as deep, they're still wiry and in the pocket throughout, and the rhythm section of Fernando Saunders and Fred Maher rocks hard with a tough, sinewy groove. And while much of New Sensations finds Reed in a surprisingly optimistic mood, this isn't "Don't Worry, Be Happy" by any stretch of the imagination. On "Endlessly Jealous," "My Friend George," and "Fly Into the Sun," ...
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$17.79 EARTHLING was nominated for 1998 Grammy Awards for Best Rock Album and Best Alternative Music Performance. "Dead Man Walking" was nominated for a 1998 Grammy Award for Best Male Rock Vocal Performance.
Exclusive remastered import version includes an additional disc of rare tracks, remixes, b-sides, and more.
EARTHLING is a strange album title coming from a man who's made a career out of ruminating on rock and rollers from Mars and other faraway places. But after all this time, it makes sense. Bowie's 1970s experiments in dance music, art-rock and other space-age pop forms helped lay the groundwork for modern styles like ambient and techno, and now he comes across as an astronaut inspired by what he's found and looking for a way to bring it all back home. If his most daring '70s albums were a conscious separation from rock and roll, then EARTHLING, for all its jungle beats, ambient noises and industrial dynamics, is a kind of return, an attempt to incorporate all he's learned into the music he started with.
EARTHLING sounds like no other rock album. The beats, which combine live drumming with loops, have the fast, herky-jerky drive of the techno style known as drum-and-bass; the guitars are an explosive mix of live action and samples; there's an occasional dub-reggae synth line; and Bowie's voice doesn't always come clearly through the clanging music. The disjointed arrangements alternately recall danceable rock bands like Big Audio Dynamite and rocking dance artists like Moby. But it's rock nonetheless, with strong, melodic verse-chorus-verse songs like "Little Wonder" and "Dead Man Walking" that use these sounds the way Nirvana used metal and Madonna used house music--as slaves in the service of the ...
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