| | Pinon Fijo Bailando Como Pinon CD Pinon Fijo Discography of CDs
BAILANDO COMO PINON is a 2004 release that features famed Argentinean clown Pinon Fijo.
Import exclusive release from the popular Argentine clown with his own popular children's show & best-selling albums to his credit. BMG. 2004. Bailando Como Pinon Music Pinon Fijo Bailando Como Pinon Songs | 1. | Bailando Como Piñón |
| 2. | Corazonci Tom Tom |
| 3. | Son Son De Mi Sombra |
| 4. | Un Mosquito Muy Pesadito |
| 5. | We We We Web |
| 6. | Upa Mis Sueños |
| 7. | Vals De Los Dias |
| 8. | Ojo Al Piojo |
| 9. | Para La Mano |
| 10. | Arbolito De Dean Funes |
| 11. | Por El Parque |
| 12. | Esto Fue Todo |
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Bailando Como Pinon Review
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Purchase Bailando Como Pinon CD To buy, Click on price to add to cart | Child's Gift Of Lullabyes CD (1986)
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Arranger: Cengiz Yaltkaya.
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Principally recorded at Radio City Music Hall, New York, New York between September 1984 and September 1985. Includes liner notes by Robert Polito and David Bither.
THE BIG GUNDOWN documents the meeting of two brilliant compositional minds. Here, in something that resembles a multi-dimensional, kaleidoscopic dream, saxophonist and musical deconstructionist John Zorn interprets selections from Ennio Morricone's legendary film scores. Long enjoyed and admired by artists and the general public alike, Morricone's music for films like A Fistful of Dollars and Once Upon A Time In The West is fertile ground for Zorn's wildly inventive arrangements.
Joined by talented friends like Fred Frith, Arto Lindsay, Bill Frisell, Diamanda Galas and Vernon Reid, Zorn translates these familiar pieces into completely new idioms: employing batucadas, trombones, shakuhachi, tapes and turntables, saws, screaming electric guitars, surdos and duck calls. Treatments of "Tre Nel 5000," and "Milano Odea," for example, become explorations of a fragmented, vital, startling, whimsical and always compelling nature. Recommended for fans of either artist and lovers of unique, intelligent music.
This reissue contains 6 newly recorded bonus tracks.
All tracks have been digitally remastered.
Additional Tracks
Personnel includes: John Zorn (spoken vocals, alto saxophone, piano, harpsichord, saw); Arto Lindsay (vocals, guitar); Bobby Previte (vocals, tympani, percussion); Luli Shioi, Diamanda Galas (vocals); Mike Patton (spoken vocals); Tim Berne (alto saxophone); Jim Stanley (trombone, bass trombone); Vicki Bodner (oboe, English horn); Toots Thielmans (harmonica, whistling); Orvin Aquart (harmonica); Mark Feldman (violin); Erik Friedlander (cello); Wayne Horvitz (piano, organ, celeste); John Patton (organ); Fred Frith (acoustic & electric guitars); Bill Frisell, Jody Harris, Vernon Reid, Richard Quine, Melvin Gibbs, Marc Ribot (guitar); Melvin Gibbs (bass); Mark Miller (drums, tympani); Anton Fier, Joey Baron (drums).
Composer: ...
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Recorded in India between 1950 & 1958. Includes liner notes by Amy Catlin and Nazir Jairazbhoy.
The producers at Rounder Records deserve highest praise for reissuing a body of recordings that document and preserve musical traditions from all over the world. In 1949, Alan Lomax obtained from Goddard Lieberson, the president of Columbia Records, enough financial backing to initiate a global research project involving a number of the most knowledgeable musicologists alive at that time. The end result is now known as the World Library of Folk and Primitive Music, and Rounder's stated intention is for the series to include more than 150 volumes. When Lomax set out to document the music of India he wisely chose Alain Daniélou as recorder, photographer and editor for this installment of the World Library. Daniélou's documentation took place between 1950 and 1958. This edition contains meticulous, informative liner notes that place each recording in geographic, historic and cultural context. The instruments encountered throughout India are famously diverse and endlessly fascinating. Examples heard here are the double-reed sahnai or musette; an end-blown bamboo flute known as the tippera; the Indian harmonium; the sruti peti or hand-pumped reed drone, various members or relatives of the lute family (dotar, vina, ekatara, sarangi and tambura) as well as the svaramandala or 40-stringed trapezoidal zither (here at one point played using a stone or hard object resulting in tones that are not too different from the North American slide guitar). Percussion instruments predominate. The roster of drums, gongs, cymbals and wooden clappers is colorful and deserving of more textual space than this review will allow. Nine of these performances feature the human voice. Singers include a group of Ahir cowherds, a "syncretistic mystic cult of wandering minstrels" known as the Bauls, and the aboriginal Gonds, a tribe said to have originated in Africa, Australia and/or New Guinea; once displaced by invading Aryans, they still live mainly in mountainous forests. The songs themselves are marvelously varied. There is an ecstatic Muslim ...
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Pass the Flask was originally issued on the Fiddler label, went out of print since shortly after it was issued, and is reissued here by the Bled's current label, Vagrant, with a whopping 11 bonus cuts, many coming from the band's earliest EPs. This is post-hardcore with just enough metal and screamo thrown in for good measure to make the Bled a thing unto itself. The set has been issued as a stop-gap between 2005's Found in the Flood and an album to be issued later in 2007. It's not like the band's sound changed appreciably between 2003 and 2005, through production values did. Songs have enough strange melodic territory ...
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