| | Craig Chaquico Midnight Noon CD Craig Chaquico Discography of CDs
 (3 Customer Reviews)
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2004's MIDNIGHT NOON is another in a growing collection of inspired releases from the former Jefferson Starship guitarist. Although Craig Chaquico comes from a pop and rock background, the music on this release focuses on catchy smooth-jazz charts. And while this album does contain some singing from April Hendrix, ultimately, the focus remains on the guitar.
Each song on MIDNIGHT NOON features soaring guitar melodies, many of which are supported by keyboard-generated brass, and a funky rhythm section. Songs such as "Girls Night Out" and "El Gato" best epitomize this approach, though the latter is also influenced by contemporary Latin music (ala Carlos Santana). In contrast, "Jazz Noon" features the noir stylings of tenor saxophonist Kevin Paladini. On this tune, Paladini's smoky playing is backed up by an electric piano and some rather tasty brush work from drummer Wade Olson. In general, this release will please a wide range of listeners since it is, at once, so musically sophisticated yet so pleasing to the ear.
Liner Note Authors: Craig Chaquico; Ozzie Ahlers.
Recording information: Heller Studios, Long Island, NY; Lunatunes, Ashland, OR; Moon Dog, Alameda, CA; Oak View Hotel Rm #224, Oak View, CA; Ozworld, Novato, CA.
Photographers: Craig Chaquico; Jim Reitzel; George Bates; Chris Verespej.
Personnel: Craig Chaquico (guitar); Craig Chaquico; April Hendrix (vocals); Kevin Paladini (saxophone); Bill Heller (keyboards, programming, loops); Jim Reitzel (bass guitar); Ozzie Ahlers (keyboards); Wade Olson (drums); Ramon Yslas, Marquinho Brasil (percussion).
Audio Mixers: Craig Chaquico; Ozzie Ahlers; William Aura.
Craig Chaquico Midnight Noon Songs Midnight Noon Music Review Average Rating: (4.7 out of 5 stars)   Very tasty effort by Craig Chaquico
If you're a fan, this new title is a must for the CD changer in your car. Best road trip music in a ling time.
Submitted by teaj (So Cal)
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 Best Chaquico CD Ever!!!
If I was stranded on a desert island and had to pick one cd, this one would be it!All the songs on this cd are first rate and uplifting positive happy tunes.Some standouts are "Dia Del Zorro", "Bobby Sox" "Dream Date" and "Outlaw In The City".My new favorite Chaquico song is "Dia Del Zorro" which features all electric guitar on the song with piano and drums.This cd is the best, you wont be dissapointed.
Submitted by felipeignaciosahurie (NOYB(None Of Your Business))
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Chaquico's latest is first rate
New Age/Jazz/Rock guitarist Craig Chaquico's latest release, Midnight Noon is possibly one of his best discs.
The former Jefferson Starship axeman converted to New Age acoustic god newest cd is a great mix of jazz, new age and light rock.
From start to finish it's a first rate recording.
Submitted by Doug (Arundel, ME, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Midnight Noon CD To buy, Click on price to add to cart | Craig Chaquico Acoustic Highway CD (1993)
Midnight Noon
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Digitally remastered by Alan Yoshida using XRCD (Extended Resolution Compact Disc) technology (Ocean Way/JVC Mastering).
In 1975, Tony Bennett was not known for small-scale, cabaret-style sonic settings. Nor was jazz innovator Bill Evans known for working with "pop" singers. As this landmark collaboration (so satisfying it prompted a successor) proved, the pair were eminently compatible. Both possessed an unparalleled sensitivity and an ability to scale dynamic extremes from subtlety to bravura. Bennett sings with unprecedented delicacy and intimacy over Evans's technicolor arrangements. The latter's piano textures are complex, elegant and endlessly shifting as they accompany Bennett's tender ministrations on a program of mostly standards. So definitive is the singer's work here that Bennett neophytes could safely begin their exploration with this album.
Having completed his relatively brief sojourn with MGM/Verve in 1973, Tony Bennett was in the midst of forming his own label, Improv Records, when he made a deal with jazz pianist Bill Evans to cut two LPs, this one for Evans' label, Fantasy Records, with another to follow on Improv. The singer and his collaborator ("accompanist" does not adequately describe Evans' contribution, and in any case he received co-billing) got together in a recording studio over four days in June 1975 with no one other than the producer, Helen Keane, and an engineer present, and quickly recorded one of the best albums of either's career. For Bennett, it was a dream project; for years (decades, actually), he had been balancing the demands of commerciality with his own inclinations toward jazz and affection for the songs of Broadway masters and of the Great American Songbook. Left to himself with a jazz partner, he naturally gravitated toward both interests. There were songs here that he had already recorded, but never in so unadorned, and yet fully realized a fashion. Evans was an excellent accompanist, using his steady left hand to keep his singer centered, but ready, whenever the vocals were finished, to go ...
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