| | Chris Whitley Weed CD Chris Whitley Discography of CDs
(1 Customer Review)
 |
|
Our Price: $10.49 CDFor Sale Usually ships in 1-2 days
|  |
Weed is one of two albums issued by Chris Whitley as interim offerings between Hotel Vast Horizon and his forthcoming studio outing available only at gigs or from the Messenger Records web site. This volume features solo acoustic versions of songs from his catalog while the other, War Crime Blues, contains eight new songs and three cover tunes, also done solo. Weed is revelatory because it showcases the depth and breadth of Whitley's abilities as a songwriter. When Living With the Law was issued, its many fans identified at least as much with the sound of the record as its material. Over a decade later, it's the songs, naked and alone, that continue to haunt with their spectral power and West Texas desert blues ethos. Tracks like "Big Sky Country," "Kick the Stones," "Living With the Law," "Bordertown," and "I Forget You Everyday," become more poignant, offering their beautiful, raw sexuality and seductively brutal images without hesitation or artifice. Alternately, songs from Din of Ecstasy, Terra Incognita, and Rocket House can be re-evaluated as the work of a master songwriter. Apart from their overdriven beat consciousness and razored guitar scree, they come off as vulnerable yet taut, nocturnal yet still insistent, and as lyrically sophisticated as they are musically anchored to American roots music in all its off-kilter, rhythm-saturated adventurousness. Whitley is a true bluesman, pure and simple, and the evidence lies in his songs. If the studio albums don't immediately give that impression, the immediacy of this humble project, recorded live to Mini Disc, makes that determination unmistakable. For anyone who has ever considered or dismissed him, Weed is the document that demands a new hearing. For those familiar with the material, this set will come as a bolt of lightning across the night sky. For others who have never heard him, the album is the sound of pure unabashed seduction. ~ Thom Jurek
Recording information: Katharinenstrasse, Dresden Neustadt (08/2003); Sebnitzer Strasse (08/2003); Space House (08/2003); Susann's Bathroom (08/2003).
Photographer: Sue. Purchase Weed CD To buy, Click on price to add to cart | Lucinda Williams Live @ The Fillmore CDs (2005) Digipak
Weed album
$15.09 Never one to tread the expected path, Lucinda Williams ...
| | Chris Whitley War Crime Blues CD (2004)
Weed CD music
$10.45 War Crime Blues is the second of two internet-and-gig-purchase-only albums by Chris Whitley on the Messenger label. The other is Weed, a collection of songs from earlier albums done acoustically, sans band. War Crime Blues is solo acoustic as well, but it makes a hell of a racket. Recorded completely live without overdubs of any kind, Whitley accompanies himself on bottleneck guitar and stomping board. There are eight new cuts here, and three covers: Lou Reed's "I Can't Stand It," the Clash's "The Call Up From Sandinista," and the jazz standard "Nature Boy." If there were any lingering doubts as to Whitley's abilities as either a brilliant and original songwriter, or as a bona fide American bluesman in the tradition handed down from the American South, this disc should eliminate them for all but the most ignorant. ...
| | Chris Whitley Soft Dangerous Shores CD (2005)
Weed music CDs
$12.15 After a pair of internet-only live solo acoustic releases -- the excellent Weed and War Crime Blues -- the ...
| | Satantango DVDs (1994) Widescreen; Black & White; Subtitled
Weed songs
$53.35
| | Maya Beiser Almost Human CD (2007)
Weed album
$14.65
| | R Crumb & His Cheap Suit Serenaders Chasin' Rainbows CD (1993)
Weed CD music
$14.45 The underground cartoonist's side project ...
| | John Surman Coruscating CD (2000)
Weed music CDs
$15.55 In John Surman's wildly diverse recorded catalog, two things remain constant: his dedication to finding the players he wants and getting the sonic atmosphere he needs to accomplish his musical ideas. There are few players and/or composers whose record is as consistent or as prolific as Surman's. John Zorn may be as diverse, but he's got a long way to go to match Surman's recorded output. Surman is one of those artists who is the creative musician ECM is named for. His career can be categorized according to the definition of this album's title, "flashing brightly." On Coruscating Surman assembles a string quartet, a bassist, and his own array of saxophones and clarinets to embark upon a journey that texturally resembles a suite, but is actually a series of compositions by Surman of settings for strings and soloists. The atmospheric backdrop that the string quartet drapes the scene with is chilling in its beauty. Bassist Chris Laurence and Surman are soloists in another world, full of color, balance, and harmonic space. That said, there are two pieces on the record written strictly for strings and bass where Surman doesn't appear at all. On "Stone Flower," a tribute to the late baritone saxophonist Harry Carney, Surman bleeds the opening with the strings playing glissandi and states a minimal melodic theme before allowing Laurence to move into this space and paint it with a deeply moving and melodically intricate bass solo. Surman's own solo restates the theme twice (sounding like something out of 1940s Hollywood -- Charlie Haden eat your heart out) before reaching into Carney's fake book for a phraseology that is equal parts his own and the late musician's -- particularly in the glides to the lower register of the baritone. ...
| | George Benson Give Me The Night CD (1980)
Weed songs
$12.79
| | Chris Spedding I'm Not Like Everybody Else CD (1981)
Weed album
$16.69
| | Sax Gordon Jolly Jump Jive: A Swingin' Rockin' Goodtime Christmas CD (2006)
Weed CD music
$14.29
| | Essentially Yes CDs (2006) Special Edition; Box Set
Weed music CDs
$35.49
| | Shelley Berman Live At The Improv CD (1995)
Weed songs
$12.45 Shelley Berman devoted much of his time to acting in the '90s after spending the lion's share of the previous two decades semi-retired, but this album, recorded at one of Los Angeles's best-known comedy clubs, shows his talent and instincts as a standup comic remained as sharp as ever. Live at the Improv features both fresh material and Berman reprising routines from his classic albums of the '50s and '60s. While somewhere along the line Berman seems to have developed a fondness for dialect gags (such as the Latino room service operator in "Hotels" or the presumably Eastern European translator in ...
|
|
|