| | Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry CD
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Purchase Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry CD To buy, Click on price to add to cart | Lady Gaga Fame Monster CDs (2009) Deluxe Edition
Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry album
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, ...
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Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry CD music
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| | Mariah Carey Merry Christmas CD (1994)
Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry music CDs
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At this stage of her career Mariah Carey does not need to prove herself, but her voice is so powerful that with each new recording she, once again, reminds you: "Listen to what ...
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| | Jethro Tull: Live At Madison Square Garden 1978 DVDs (2009) With CD
Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry album
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| | Michael Jackson Off The Wall CD (1979) Bonus Tracks; Remastered; Special Edition
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OFF THE WALL remaster contains previously unreleased demos and commentary by producer Quincy Jones and songwriter Rod Temperton.
Recorded in Los Angeles, California between 1978 & 1979. Originally released on Epic (35745).
Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California).
As the lead singer ...
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Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry music CDs
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| | Leo Sayer Silverbird CD (1974) Import
Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry songs
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Leo Sayer's debut album introduced a singer/songwriter (actually he wrote just the lyrics; David Courtney did the music) of some talent, though not remarkable talent. The production screams 1973, with its mainstream pop and hard rock beds and some overlays of symphonic strings, and Sayer sometimes strongly echoes Elton John's early-'70s work, with some hints of David Bowie as well. He didn't have the monster hooks of Elton John and certainly not the quirky originality and edgy experimentalism of Bowie, but actually this is a better album than many would remember. For one thing, Sayer was a good, versatile singer with an impressive range and an ability to summon the lung power and also go wispy and tender (as he does at various points within a single track, as on "Goodnight Old Friend"). Certainly the album is most remembered for "The Show Must Go On," which gave Sayer his first British hit, though Three Dog Night had the smash with it when they covered it for the American market; Sayer's version is less ham-handed and more idiosyncratic, particularly in the extended instrumental circus intro. He usually played the part of the sympathetic, slightly confessional singer/songwriter, with a more straightforward keyboard-dominated rock base than many soft rock confessional singer/songwriters had, sometimes tilting toward one side more than the other. "The Dancer," for instance, is a wistful piano ballad with impressive near-soprano singing, while the far less impressive "Oh Wot a Life" is an awkward attempt at throat-stretching party rock. [The 2002 CD reissue on Cherry Red adds "Living in America," the ...
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Wish You Were Queer/Another Prick In The Wall: Tribute To Ministry album
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| | Holly Brook Like Blood Like Honey CD (2006)
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Though Holly Brook claims that her biggest influence is Joni Mitchell, to anyone listening to her debut album, Like Blood Like Honey, the clearest comparison is instead to fellow Mitchell devotee Sarah McLachlan. In fact, the record could practically read as a link between Surfacing and Afterglow. The opener, "Giving It Up for You" is reminiscent of "Fallen," "Curious" sounds like "Angel," and everything else seems to correspond somehow to one of McLachlan's sentimentally charged songs. But Brook is also a talented and affective songwriter in her own right, and so cuts like "Wanted," "Saturdays," and the aforementioned "Giving It Up for You" are able to convey true emotion over thoughtful melodies that, while they do follow basic adult radio rock rules, are still interesting and catchy. Unfortunately she, like McLachlan, falls into the trap of excessively dramatic lyrics that speak of heartache and self-discovery over heavy piano chords, variations of the same poignant plea again and again. Nothing on Like ...
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