| | Amour Bananes Et Ananas 1932-50 CD
This 2-CD set is a tantalizing cocktail of rhythm and jocularity. Features: Henri Garat, Ray Ventura & Orch., Lyne Clevers, Fernandel et Germaine Duclos, Andrex, Betty Spell, Raymond Legrand with IrŠne de Tr‚bert and Jean-Fred M‚l‚, Jacques H‚lian, Fred Amour Bananes Et Ananas 1932-50 Music Amour Bananes Et Ananas 1932-50 Review
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Amour Bananes Et Ananas 1932-50 album
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$19.29 Loreena McKennitt's A MEDITERRANEAN ODYSSEY collection includes an 11-track anthology of her more Mediterranean-influenced works entitled OLIVE AND THE CEDAR, as well as a ten-track live performance recorded in 2009 called FROM ISTANBUL TO ATHENS. McKennitt's transition from ...
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Amour Bananes Et Ananas 1932-50 music CDs
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Amour Bananes Et Ananas 1932-50 music CDs
$15.29 Drake is a behind-the-scenes kind of guy who customarily plays a little bass and is otherwise a recording engineer, mixer, and producer. He has worked with Thinking Plague, the Science Group, and out-rock types like Chris Cutler and Fred Frith, who often appear on England's ReR Megacorp label. This is Drake's first and only recording as leader (actually, it's almost a solo recording, with a few guest spots from Cutler, Steve Gadd, and others). Drake takes his opportunity by the throat from the get-go, and although this is a ragged and absolutely crazed piece of work, it's ragged and crazed in the most delightful way. Postmodern gestures are abundant, including the liberal use of a random sentence generator which makes most of the lyrics totally unintelligible, and Drake's heavy use of studio wankery for segueing, crossfades, vocal samples, and all manner of weirdness. But the underlying text is roots rock tending toward hillbilly, with some great guitar licks and pounding percussion from Drake and his cohorts, which seems to capture the essence of every sloppy, exuberant bar band in small-town America. Drake deliberately abandons fidelity and clarity on many of the short pieces, which may sound like a negative thing -- but which works brilliantly on the CD, because it's clearly a technique designed to create a particular sonic experience. Part two of the CD is even wilder, with Drake bringing in some traditional hillbilly gospel samples ("Over in the ...
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$14.49 Green Carnation's debut effort, 1999's Journey to the End of the Night, was an ambitious, courageous, but just as often clumsy attempt by black metal veteran Tchort -- lately of Emperor and Carpathian Forest -- to cram every possible facet of his astonishingly diverse compositional interests into a single, 70-minute progressive metal extravaganza. One can only assume that he feared it would be his first and last chance to do so, because, for every worthwhile passage, melody, or chorus to be found in bloated epics such as "In the Realm of the Midnight Sun" (14 minutes), "Under Eternal Stars" (15 minutes), and the title track (21 minutes, in four parts!) -- and there were literally reams of them -- listeners also had to endure countless ...
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$12.15 In the mid 1990s a closely-knit St. Louis music community brought together a collective of talented musicians rendering such bands as Wagon and Nadine. Danny Kathriner, Chris Peterson (both of Wagon), and Todd Schnitzer (formerly of Nadine) have worked together since the inception of these bands and have now joined in a refined effort called Half Knots. Danny and Todd began to collaborate musically after Todd co-engineered and co-produced Wagon’s first release “Soon” in 1993 (he also co-engineered and co-produced Wagon’s fourth release “Beauty Angel Queen” in 1999). Todd co-founded Nadine in 1997 and has since worked on a variety of musical projects that have brought him international acclaim for production and performance. Wagon has released three records through Hightone and Glitterhouse Records that have received critical praise across the U.S.A. and Europe. Wagon’s personal lives have put restraints on touring and recordings, but Danny has kept with his prolific song-writing pace. ...
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