George Strait - 50 Number Ones MP3 Download

50 Number Ones songs Taken from the vaults of Columbia and Epic Records, Ultimate Country Super Hits includes remastered original recordings of country radio classics. The three-disc, 40-track compilation covers chart-toppers of the '50s through the '90s including Merle Haggard, Johnny Cash, Marty Robbins, Ray Price, Willie Nelson, Shenandoah, Collin ...

50 Number Ones buy CD music For a period in the early 1990s, Garth Brooks was not only the biggest star in country music, he was one of the biggest stars in music, period. An unassuming Oklahoman who fused the blue-collar ethic of new traditionalist country with an unapologetic pop side that drew on his love of 1970s rockers like Kiss and Billy Joel, Garth Brooks fundamentally changed the sound of mainstream country music in much the same way that Hank Williams had in the 1940s and Patsy Cline had in the 1950s. THE ULTIMATE HITS, a three-disc collection that is the first comprehensive career overview for Brooks, contains all of his most beloved songs in remastered sound, plus four brand-new songs and a bonus DVD containing all of Brooks's music videos. Recording information: Jack's Tracks Recording Studio, Nashville, TN; Javelina Studios, Nashville, TN; Sound Emporium, Nashville, TN; Sound Station, Nashville, TN.

50 Number Ones album for sale With the help of her husband, "Mutt" Lange, a legendary producer who helmed mammoth hits by AC/DC and Def Leppard, Canadian songstress Shania Twain developed a highly commercial style of country-tinged pop music that helped her become one of the biggest stars in America. Though GREATEST HITS doesn't include the two major singles from her 1993 self-titled debut, Twain has released so many hits that the 21-track disc is still overflowing with familiar chart-busters. Listening to these ubiquitous songs all in one stretch will leave listeners awed at the breadth of Twain and Lange's incredible talent for catchy pop ditties that sound cutting-edge while still retaining that ever-important hint of Nashville twang. In fact, though laced with the usual fiddles and steel guitars, many songs end up recalling ABBA and the Cars as much as anything south of the Mason-Dixon Line. Of course, the main attraction is always Twain's smoothly sensual voice, which has won over millions of fans worldwide. Recording information: A.R.P. Track Productions, St. Anne Des Lacs, Quebec, Ca; Battery Studios, Nashville, TN; Compass Point Studios, Nassau, The Bahamas; Emerald Sound Studios, Nashville, TN; GBT Studio, Nashville, TN; Glenn Gould Studio, Toronto, Ontario, Canada; Javelina Recording Studios, Nashville, TN; Masterfonics Tracking Room, Nashville, TN; Officine Meccaniche Next Recording Studios, Milan, Ital; Recording Arts, Nashville, Yn; Seven Studios, Mamaroneck, NY; Seventeen Grand Recording, Nashville, TN; Sound Stage Studio, Nashville, TN; Windmill Lane Recording Studio, Dublin, Ireland. Arranger: Robert John "Mutt" Lange. Personnel: Shania Twain (background vocals); Shania Twain (vocals); Mark McGrath, Billy Currington (vocals); Brent Mason (guitar, electric guitar); John Willis (acoustic guitar, banjo, bouzouki, mandolin); Michael Thompson (electric guitar, slide guitar, E-bow, bouzouki); Billy Crain (slide guitar); B.J. Cole (dobro); Terry McMillan (harp, harmonica, cowbells); Jonathan Yudkin (mandolin, violin, fiddle, cello); Glen Duncan , Larry Franklin, Rob Hajacos, Aubrey Haynie, Stuart Duncan, Joe Spivey (fiddle); David Hamilton , The Irish Film Orchestra, Carl Marsh (strings); Joey Miskulin (accordion); John Barlow Jarvis (piano, Wurlitzer organ); Matt Rollings, Michael Omartian (piano); John Hobbs (organ, Wurlitzer organ); Joe Chemay (electric bass, bass guitar, fretless bass); Diamond Duggal, Simon Duggal (percussion); Olle Romo (programming); Dan Huff (guitar, electric guitar, electric 12-string guitar, wah-wah guitar, electric sitar, talk box, 6-string bass, sound effects); Biff Watson (acoustic guitar, electric guitar, nylon-string guitar); Larry Byrom (acoustic guitar, slide guitar); The Nashville String Machine (strings); Arthur Stead (piano, organ, Wurlitzer organ); Paul Leim (drums, percussion); Robert John "Mutt" Lange (background vocals). Audio Mixers: Michel Gallone; Lynn Peterzell; Mike Shipley; Steve McMillan.

50 Number Ones CD music Initial pressings of GREATEST HITS VOLUME 2 included a bonus CD. "It's Five O'Clock Somewhere" won the 2004 Grammy Award for Best Country Song. The song was also nominated for Best Country Collaboration With Vocals. Anyone who earns a second volume of GREATEST HITS has obviously learned a thing or two about staying power and consistency of artistic vision. Such is the case with Alan Jackson, who appeared in the 1990s as mainstream country's alternative to the dominance of King Garth. His sound was still eminently accessible, but the faux-Springsteen drama of Kiss fan Garth's rock manque was eschewed for a more roots-oriented (though hardly traditionalist) sound. Things kick off nicely with the Cajun-flavored smash "Little Bitty," then giving way to the introspective, fiddle-laced country ballad "Everything I Love." Along the way, there's the pleasantly chugging, upbeat "It Must Be Love," the much-publicized post-9/11 song "Where Were You (When the World Stopped Turning)," thankfully absent of Toby Keith's contemporaneous jingoistic rancor, and the Jimmy Buffett-assisted party anthem "It's Five O' Clock Somewhere." Add a couple of unreleased tracks and a bonus disc of more obscure material, and you've got as good an introduction to Jackson's work as his first GREATEST HITS COLLECTION. Additional Tracks Recorded at Emerald Entertainment's Tracking Room, The Sound Station, East Iris, Nashville, Tennessee; Shrimpboat Sound, Key West, Florida; McClear Digital, Toronto, Canada. Personnel: Alan Jackson (vocals, guitar); Jimmy Buffett (vocals); Bruce Watkins, Greenwood Hart (acoustic guitar); Brent Mason (electric guitar); Paul Franklin, Lloyd Green (steel guitar); Stuart Duncan (mandolin, fiddle); Hargus "Pig" Robbins (piano); Glenn Worf (electric bass); Eddie Bayers (drums); Eric Darken (percussion); John Wesley Ryles (background vocals).

50 Number Ones buy CD music All tracks have been digitally mastered using HDCD technology. Although Toby Keith was a regular resident of the Billboard country charts for nearly 10 years before the release of 2002's UNLEASHED, it was that album and its attendant pro-Iraq War anthem, "Courtesy of the Red, White and Blue (The Angry American)," that catapulted him to genuine superstar status. The Oklahoma-born singer is often criticized for his politically conservative beliefs, but one listen to GREATEST HITS 2 will make it hard for any listener to resist Keith's warm, commanding baritone, dance-floor-ready neo-traditionalist rhythms, and sharp songwriting. Though it doesn't present anything from Keith's massively popular 2003 record SHOCK'N Y'ALL, the disc does collect many of the best moments from UNLEASHED, PULL MY CHAIN, and HOW DO YOU LIKE ME NOW. The compilation also adds several newly recorded songs and features high-spirited live versions of early hits "Should've Been a Cowboy," and "You Ain't Much Fun." Other highlights include "Beer for My Horses," a staunchly right-wing Willie Nelson duet, and "Stays in Mexico," a freewheeling examination of marital infidelities. A representative overview of an important period in Keith's career, GREATEST HITS 2 is a perfect introduction to a talented and deceptively complex artist. Recording information: Cartee Day Studios, Nashville, TN; Harrah's, Lake Tahoe, NV; Loud Recording, Nashville, TN; Mandalay Bay, Las Vegas, NV; Ocean Way Nashville, Nashville, TN; Shoreline Amphitheatre, Mountain View, CA; Shoreline Ampitheatre, Mountain View, CA; Shrimp Boat Sound, Key West, FL; The Holler, Nashville, TN; Upstairs Productions, Oklahoma City, OK. Personnel: Toby Keith (vocals); Brent Mason (electric guitar); Roman Dudok, Gaika James, Willie Roy Jr., Roman Dudock (horns); Clayton Ivey, Steve Nathan (piano, Hammond b-3 organ, keyboards); Glenn Worf, Michael Rhodes (bass instrument); Shannon Forest, Shannon Forrest (drums); Scotty Emerick, Biff Watson (acoustic guitar); Jerry McPherson, Kenny Greenberg (electric guitar); Paul Franklin (steel guitar); Mark Douthit (saxophone); Julian King (horns, background vocals); John Wesley Ryles, Lisa Cochran, Wes Hightower (background vocals). Audio Mixer: Julian King.

50 Number Ones songs Although the title implies that 22 MORE HITS is a sequel to a previous George Strait best-of anthology--of which there have been more than a dozen since 1986's GREATEST HITS--it in fact merely compiles a cross-section of some of the Texan country superstar's most beloved songs from the first quarter-century of his career. Many of Strait's best-known songs are absent, but with fan favorites such as "Amarillo By Morning," "Gone As A Girl Can Get," and "Don't Make Me Come Over There and Love You" among its choices, this is as good a single-disc George Strait anthology as any that's been gathered. Photographer: Mark Tucker .