| | Ninjaman Dancehall Classics CD Ninjaman Discography of CDs
Ninjaman Dancehall Classics Songs | 1. | Guns Out | $0.99 | |
| 2. | Hooligan | $0.99 | |
| 3. | Badman Borderline | $0.99 | |
| 4. | Lou Lou | $0.99 | |
| 5. | One Black Rat | $0.99 | |
| 6. | Coming Hot | $0.99 | |
| 7. | Revelation Time | $0.99 | |
| 8. | Mi Lion | $0.99 | |
| 9. | Real Steel | $0.99 | |
| 10. | Heaven Calling | $0.99 | |
| 11. | Reptile | $0.99 | |
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Dancehall Classics Review
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Purchase Dancehall Classics CD To buy, Click on price to add to cart | Lady Saw Strip Tease CD (2004)
Dancehall Classics album
 $10.89  
With sex being the topic 90 percent of the time, Lady Saw isn't the most versatile woman in dancehall and a better singles than album artist. Fortunately, the XXX Strip Tease sounds like a greatest-hits collection with only a couple moderate tracks. Nearly everything on the album finds Saw nasty as ever, taking unexpected, playful turns and adding more R&B to her sound. "Loser" is the straight-up dancehall stunner with Ce'Cile guesting. You'll need a note from your parents to listen to it, but "Pretty Pussy" is the album's most forceful track and the unquotable lyrics are exhilarating. The big singalong, party tune "I've Got Your Man" could dominate R&B radio if given half a chance, while the R. Kelly meets Mae West "Thug Loving" smoothly kicks ...
| | Very Best Of Wilson Pickett CD (1993)
Dancehall Classics CD music
$8.09   
Principally recorded at Stax Records, Memphis, Tennessee and in Philadelphia, Pennsylvania between 1965 and 1971. Includes liner notes by Kevin Phinney.
THE VERY BEST OF WILSON PICKETT features 16 hits "Wicked" Wilson Pickett recorded for Atlantic records. The set includes a discography, Billboard chart peak numbers and historic photographs.
Rhino's 1993 collection The Very Best of Wilson Pickett remains the best single-disc anthology of the fiery soul singer's work, choosing 16 of his best tracks for Atlantic and presenting them in excellent remastered sound quality. Pickett never departed all that much from the rough, swaggering vocals that first made his name, but he was utterly electrifying within that style, setting the standard for ...
| | Z-Ro Cocaine CD (2009)
Dancehall Classics music CDs
$15.05 
Despite his status as one of hip-hop's most prolific artists, Z-Ro never quite spreads himself too thin. The provocatively titled COCAINE is his second release from 2009, and features his trademark self-aware, yet rapier-sharp lyrics over some of the hotter ...
| | Best Of Sam Cooke CD (1962) Bonus Tracks; Remastered
Dancehall Classics songs
$6.25
| | Max Minelli Pain Medicine CD (2009)
Dancehall Classics album
$8.78 
| | Wale Attention: Deficit CD (2009) (Import) Sweden
Dancehall Classics CD music
$14.25
| | Barbara Dennerlein Love Letters CD (2001) Import
Dancehall Classics music CDs
$37.25
Much has been made of the fact that German Hammond B-3 player Barbara Dennerlein doesn't sound very much like Jimmy Smith, and indeed, she doesn't, which is truly an achievement, since Smith pretty much wrote the book on how to play the B-3 in a jazz setting. With her innovative use of foot pedals and the MIDI synthesizer, Dennerlein actually has moved the B-3 legacy forward into the next generation, and Love Letters, originally released on her own independent Bebab label, is ample evidence of how striking and intriguing she can make the Hammond sound. Working as part of a duo with drummer Daniel Messina, Dennerlein runs the gamut here from playfully funky on the lead track "Funkish" to downright loopy on the experimental epic "Frogs in Space." She also shows on "Jimmy's Walk" that she certainly can sound like Smith if she chooses to, and the track serves as sort of homage to the father of modern B-3 soul-jazz. Also worth noting is the delightful and full-sounding "A Summer Day," which shows the range of Dennerlein's compositional skills. Messina's drumming is tight throughout, and the pair work together so well that one quickly forgets that there aren't more musicians on these tracks, thanks in no small part to Dennerlein's bass pedal work, which is phenomenal. ~ Steve Leggett
A Declaration Of LoveBarbara Dennerlein knows how to communicate the inspiration she derives from a live concert to her listeners and she does it with enthusiasm and dedication. The music on this album abounds with creative ingenuity. A vital element however, is her approach to the music which has something to do with a feeling of well-being. This is not to say that hers is a comfortably laid-back approach; her music reflects the rich variety of life and covers the full spectrum of emotions - from tranquillity of romantic moods to the explosion of up-tempo energy, from sombre contemplation to bravura extravagance. Barbara Dennerlein is a musician of genuine distinction. She fell in love with the sound of the Hammond organ at a very young age and through her mastery of it, she has made an outstanding contribution to the renaissance of the instrument. She has appeared in many major jazz festivals, but she feels equally at home in internationally renown clubs. The recipient of many ...
| | Peggy Lee Marvelous Miss Lee CD (2002)
Dancehall Classics songs
$13.85
| | Bass Busters: Competition Quad CD (2003)
Dancehall Classics album
$10.59
| | DJ Format Fabriclive 27 CD (2006)
Dancehall Classics CD music
$15.05
| | Dirty Diggers Freakishly Strong CD (2006) (Import)
Dancehall Classics music CDs
$12.85
| | Bluebottle Kiss Last Playboy In Town CD (2007) (Import)
Dancehall Classics songs
$19.69
| | Ted Weems Complete, Vol. 2 CD (2007)
Dancehall Classics album
$12.89
It wasn't until the 21st century that the complete recordings of the Ted Weems Orchestra began to be reissued systematically. Although the ASV Living Era, Collector's Choice, and Retrieval labels did a marvelous job of dallying with the discographical evidence and reintroducing Weems to the public at large, Renovation's chronologically stacked surveys of virtually every recording made by Weems beginning in 1923 is an effort of unprecedented thoroughness. Weems led a solid little Midwestern dance band that utilized real jazz elements and almost invariably served up pleasant and sometimes catchy vocals. This volume covers the second half of the Weems Orchestra's pre-Chicago period ...
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