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Our Price: $11.35 CDFor Sale Usually ships in 1-2 days
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Personnel: Tristan Marcum (vocals); Mary Thinnes (piano); Jeremiah G (glockenspiel); Sandra Castillo (music box); Mune Yamakawa (scratches); Spencer Manio (unknown instrument); Seth Warren (violin, Moog synthesizer). Plastiq Phantom Songs | 1. | Tomplinkplianokton |
| 2. | Fly |
| 3. | 033104 |
| 4. | Ya Ya da Da |
| 5. | Squeeble |
| 6. | Tiny Dancer |
| 7. | Pretty Board |
| 8. | Mama, Take Me Home |
| 9. | Accidenthappy |
| 10. | Gasping for Nothing |
| 11. | Ticonita Vive Viva |
| 12. | Praire Dancer |
| 13. | Yoyo for Gaylord |
| 14. | Plilopolis |
| 15. | Every Day Is the Same |
| Plastiq Phantom Review
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$10.89 New wave meets no wave on a Twin Cities bus, and the next stop is mid-'90s Kill Rock Stars-style slash and burn girl punk revivalism. They still make bands like this? From the start to its all-too-quick finish, the Soviettes' eponymous debut is a treble-kicking trip to the past in glorious fast-forward. Sturgeon (Maren Mocosko) , Annie Holoien, Susy Sharp, and Y chromosome ringer Danny Henry know it's all been done before -- the overdriven, two-minute songs, spazzy drum fills, and Raincoats-style girl group vocals. But their skinny fists are packed with melodies, their socks are striped, and every bassline is lovingly shellacked by slashing, barely tuned guitars that make everything sound like Sleater-Kinney covering Lush on a crappy ...
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$23.75 Marmalade is often overlooked when lists of the great bands of the '60s British pop scene are compiled. Much like the Tremeloes and Honeybus, two other bands that didn't get much respect, Marmalade was perhaps too poppy and sweet to leave the same lasting impression that the Kinks, Small Faces, and Beatles did. The Ultimate Collection gathers together the group's entire recorded output from 1966 to 1972, with disc one covering their tenure at CBS and the other two covering their time with Decca. Their mid-'60s CBS recordings showcase the group's lush vocal harmonies, chunky musical backing, and high quality songwriting. At their best, on songs like "I See the Rain," "Wait a Minute Baby," and "Mr. Lion," Marmalade created a powerful fusion of British Invasion songcraft, the swirling atmospheres of psychedelia, and the gritty passion of soul. Like so many bands of the era, Marmalade had to round out its albums with contemporary covers, and while the band did a fair job with covers of "Summer in the City," "Mr. Tambourine Man," and "Ob-La-Di, Ob-Li-Da," its originals are much more interesting. When the group left CBS and signed with Decca in 1968, it returned with a different sound: less psychedelic, more organic, and more influenced by the softer singer/songwriter ...
| | ZZ Top Tres Hombres CD (1973) Bonus Tracks; Remastered
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One of classic rock's most identifiable standards, "La Grange," resides here, borrowing liberally from John Lee Hooker. But there's even more great blues-rock to feast on--the moderately paced "Waitin' for the Bus," the 12-bar blues of "Jesus Just Left Chicago," and the party-hearty anthem "Beer Drinkers & Hell Raisers" (a tune Van Halen has covered live from time to time). Elsewhere, the thick rocker "Precious and Grace" easily gives Led Zeppelin a run for its money.
Tres Hombres is the record that brought ZZ Top their first Top Ten record, making them stars in the process. It couldn't have happened to a better record. ZZ Top finally got their low-down, cheerfully sleazy blooze-n-boogie right on this, their third album. As their sound gelled, producer Bill Ham discovered how to record the trio so simply that they sound indestructible, and the group brought the best set of songs they'd ever have to the table. On the surface, there's nothing really special about the record, since it's just a driving blues-rock album from a Texas bar band, but that's what's special about it. It has a filthy groove and an infectious feel, thanks to Billy Gibbons' growling guitars and the steady propulsion of Dusty Hill and Frank Beard's ...
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