| | Tom Griesgraber Whisper In The Thunder CD Tom Griesgraber Discography of CDs
Instrumental rock has come in many different forms over the years, and they range from surf rock to the folk-rock fingerpickers (Leo Kottke, John Fahey and Peter Lang, for example) to metallic hard rock shredders like Steve Vai and Joe Satriani (the virtuosos who offer some idea of what Eddie Van Halen might have sounded like as a full-time instrumentalist). But Tom Griesgraber is a rock instrumentalist who doesn't fit into any of those categories. A Whisper in the Thunder is probably best described as instrumental progressive rock; there are parallels between Griesgraber's evocative, atmospheric, reflective material and artists like Pink Floyd and Genesis, although the latter two are known for being vocal-oriented. Griesgraber, however, is far from a clone of Pink Floyd, Genesis or anyone else in prog rock. He has an appealing vision of his own, and this thoughtful effort finds the guitarist/bassist bringing elements of jazz, ambient electronica, new age (the meatier, more substantial new age) and world music to his rock foundation. One sometimes hears traces of guitarist Pat Metheny in Griesgraber's playing, but while Metheny is essentially a jazz musician with rock influences, Griesgraber is more rock than anything. And it should be noted that Griesgraber's main instrument on A Whisper in the Thunder isn't a conventional guitar or bass but rather, the Chapman Stick -- a 12-string instrument that could be considered a combination of an electric guitar and an electric bass. This 2004 release is slightly uneven -- some of the tracks are stronger than others -- but overall, A Whisper in the Thunder is an enjoyable, well-crafted demonstration of Griesgraber's talents as a composer, producer and soloist. ~ Alex Henderson
Personnel: Tom Griesgraber (guitar, synthesizer, bass instrument); Jerry Marotta, Pat Mastelotto (drums); California Guitar Trio.
Whisper In The Thunder Music Tom Griesgraber Whisper In The Thunder Songs | 1. | Ahab |
| 2. | El Prado |
| 3. | 77 Times |
| 4. | Jungle (Pt. 1) |
| 5. | Jungle (Pt. 2) |
| 6. | Frozen Ocean, The |
| 7. | Victor's Chase |
| 8. | Whispering Sound, A |
| 9. | Waking the Day |
| Whisper In The Thunder Music Whisper In The Thunder Review
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Purchase Whisper In The Thunder CD To buy, Click on price to add to cart | Chris Potter Traveling Mercies CD (2002)
Whisper In The Thunder album
$12.65 Chris Potter gets more and more adventurous. On this follow-up to the strong Gratitude, the tenor and soprano saxophonist beefs up strong writing and heady group interplay with occasional sampled sounds and miscellaneous textures like clavinet and reed organ. True to form, he plays additional wind instruments -- alto flute and bass clarinet in this case -- and isn't afraid of overdubbing them to create lush orchestration, on tracks like "Snake Oil" and "Any Moment Now." On the haunting "Invisible Man" he even doubles the alto flute melody with his singing voice. Not until the fifth track, a Meters-like adaptation of the spiritual "Children Go," do you hear a 4/4 tempo; loping lines over odd meters prevail, with pianist Kevin Hays, bassist Scott Colley, and drummer Bill Stewart expertly laying down the edgy grooves. (Like on Gratitude, Hays doubles on Fender Rhodes.) John Scofield contributes tart solos on three tracks, while Adam Rogers adds nylon-string and slide colors on two others. The sweeping, Metheny-esque harmonies of "Highway One" bring the program to a head, followed by a closing bass clarinet/piano duo on Willie Nelson's "Just as I Am." As a jazz record, Traveling ...
| | Eric Bibb Sisters & Brothers CD (2004)
Whisper In The Thunder CD music
$13.09 As its title implies, this is a spiritually based collaboration from three distinct -- even disparate -- yet surprisingly harmonious voices. Mostly, but not entirely acoustic, the trio of rootsy singers trade lead vocals on smooth jazz/blues ("Bessie's Dream"), folk-blues ("Good Stuff"), Delta blues ("Rolling Log"), gospel (an a cappella version of Sister Rosetta Tharpe's "Rock Daniel"), and combinations of those genres. On paper it sounds scattershot, but in actuality this is a thoughtfully paced combination of styles, united by three affecting voices. Eric Bibb's smoother Keb' Mo' approach meshes surprisingly well with Rory Block's more penetrating Delta croon and Maria Muldaur's sassy, sexy, throaty growl. Covers of Jimmy Reed's "Little Rain" and Bob Dylan's "Gotta Serve Somebody" with Bibb taking lead, and Bill Withers' "Lean on Me" (Muldaur and Block) show the disc's wide stylistic range. A musical seminar in how diverse types of music interbreed and influence each other, all three singers are in the moment with nobody commanding the spotlight for long. The barrelhouse honky tonk piano blues of Block's ...
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$14.25 The absence of piano is significant--Waits's jazzy harmonic underpinning is entirely dismantled here, leaving only the most basic, blues-oriented structures atop which Waits hangs his distinctive poetic imagery, at once surreal and highly detailed. There's an overwhelming sense of darkness ("How's It Gonna End," "Dead and Lovely"), but there are also moments of pure unfettered glee "Metropolitan Glide," "Shake It"), which are often goosed along by Waits's son Casey on turntables and percussion. A perennial romantic, Waits does let in a little melodic sunshine on the poignant closing ballad, "Day After Tomorrow," ...
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$14.49 Trumpeter Brian Lynch has often played second fiddle to his Latin jazz A-lister friends. Be it with trombone giant Conrad Herwig, piano luminary Eddie Palmieri, or any of the host of New York Latin jazzers with whom Lynch has collaborated, the most notable records that he has appeared on have him listed after the word "featuring." The Brian Lynch Latin Jazz Sextet features a group of players who are similarly stellar sidemen, who have backed the biggest artists in the genre, but whose names are not often seen in lights. With the release of Conclave, their day in the sun has come. This 2005 release is easily one of the strongest Latin jazz releases of the year. Luis Perdomo is rapidly distinguishing himself as the most important, in-demand pianist on the scene. Conguero Roberto Quintero, a seriously underrated talent, displays blistering technique and taste throughout the record. Relative newcomer Ernesto Simpson shows ...
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$17.49 The set list features the usual suspects (their hopped-up cover of Skip James's "I'm So Glad" and the canonic riff-ology of "Sunshine of Your Love," among others), with some expected space left for the musicians to stretch out. The band still sounds powerful, if not as wild and searching as they did in the '60s (guitarist Eric Clapton, in particular, sounds a bit reserved). ROYAL ALBERT HALL would not be the place for the Cream novice to start (DISRAELI GEARS or BBC SESSIONS would be a better bet), but the group does manage to recapture some of their former magic, which is impressive considering their age (they're all in ...
| | Keiko Matsui Piano CD (2003)
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$9.49 Since she emerged in the late '80s, many of the acclaimed Japanese composer/keyboardist's most popular contemporary jazz hits featured either a very prominent sax melody or a great deal of exotic percussion and Eastern-flavored instrumentation. Since signing with Narada Jazz in 2000, Matsui's work has drawn more from her classical piano background, featuring intricate percussion but none of the pop-soul sax textures that defined her early work. This beautiful recording, licensed by Shout! Factory from a previous Japanese release, should fascinate longtime fans ...
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