| | Steve Howe Masterpiece Guitars CD Steve Howe Discography of CDs
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Personnel: Steve Howe (guitar); Martin Taylor (guitar). Jazz guitarist Martin Taylor and rock guitarist Steve Howe would seem an unlikely pair to make a CD together, but they had an opportunity, thanks to the generosity of a fan with a wide-ranging collection of vintage collectable guitars. In 1996, the two guitarists gathered over the course of several sessions and chose various instruments, often using several within one track via overdubbing. The two guitarists play together on just five of the 17 tracks, with Taylor playing ten solos and Howe two. Taylor's unusual setting of Kenny Dorham's "Blue Bossa" incorporates one guitar for rhythm, while he switches off among 18 other instruments for the solo. His setting of "All the Things You Are" adds a surprising lyrical introduction, while the arrangement contrasts with the typically over the top bop recordings. Howe's spacious "Tailpiece" suggests a lonely journey in the desert. Taylor also penned several originals, including the tasty bossa nova "Cherokee Ridge." Among the duo features, the enchanting, understated interpretation of "Smile" has a special appeal. This session will be of special interest to guitarists, though anyone familiar with either Martin Taylor or Steve Howe ought to investigate this enjoyable CD. ~ Ken Dryden Mention Steve Howe's name to most people, and they immediately think of his work with the British progressive rock powerhouse Yes. But there is more to Howe than progressive rock; outside of Yes, the guitarist has also embraced Spanish flamenco, ragtime, and many other things. Howe is versatile and eclectic, and on Masterpiece Guitars, he demonstrates that Bill Bruford isn't the only Yes member (past or present) who is capable of playing jazz. Howe co-leads this session with fellow guitarist Martin Taylor, who is primarily a jazz musician -- and the results are a long way from Howe's work with Yes. You won't hear "Close to the Edge," "Long Distance Runaround," "The Gates of Delirium," or "Starship Trooper" on this album. What you will hear is a lot of bop -- very straight-ahead, swinging, acoustic-oriented bop -- and the two guitarists enjoy a strong rapport on original material as well as inspired performances of Charlie Chaplin's "Smile," Jerome Kern's "All the Things You Are," and Lerner & Loewe's "Thank Heaven for Little Girls." On a few occasions, Masterpiece Guitars strays from jazz; Howe's "Tailpiece," for example, is perhaps best described as progressive bluegrass. It certainly has that down-home country twang. But if Masterpiece Guitars offers a few side dishes that aren't jazz, it's safe to say that straight-ahead jazz is the main course. Straight-ahead jazz is Taylor's strong point -- that's what he does best, and on Masterpiece Guitars, jazz also works enjoyably well for the broad-minded Steve Howe. ~ Alex Henderson
Masterpiece Guitars Music Steve Howe Masterpiece Guitars Songs Masterpiece Guitars Music Masterpiece Guitars Review
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Purchase Masterpiece Guitars CD To buy, Click on price to add to cart | Steve Howe Elements CD (2003)
Masterpiece Guitars
$16.09
| | Yes - 35th Anniversary Concert: Songs From Tsongas DVDs (2004)
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| | Steve Howe Spectrum CD (2005)
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| | Conspiracy - Live DVD (2006)
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| | Marillion Happiness Is The Road: Essence Vol. 1 CD (2008)
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| | Marillion Happiness Is The Road: The Hard Shoulder Vol. 2 CD (2008)
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| | Robert J No Brakes, No Choice, No Exit CD (1995)
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| | Tipsy Uh-Oh! CD (2001)
Masterpiece Guitars
$11.59 Tipsy: David Garner, Tim Digulla. Additional personnel: Mayumi Oti, Chie Hayashi, Dana Hamblen, Yuko Ueda (vocals); Alex Oropeza, Michael Padilla (guitar, bass); Joe Gore, Rick Maymi (guitar); Chundra Shukla (sitar); Ralph Carney (flute, clarinet, saxophone, horns); Rob Burgee (accordion, organ, optigan); Vince Welnick (piano); TRavis Threlkel (keyboards, percussion); William Winant (vibraphone, percussion); Yuma Joe Byrnes (drums); Alyssa ...
| | Kate Mcgarry Show Me CD (2001)
Masterpiece Guitars
$9.69 Personnel: Kate McGarry (vocals); Bill McHenry (soprano & tenor saxophones); Karen Hammack (piano); Scott Colley (bass); Kenny Wollesen (drums); Mauro Refresco, Joe Hinrichs (percussion). Recorded at Systems Two, Brooklyn, New York on June 14-15, 2000. Personnel: Steve Cardenas (guitar); Greg Snedeker (cello); Bill McHenry (soprano saxophone, tenor saxophone); Karen Hammack (piano); Kenny Wollesen (drums); Mauro Refosco (percussion). Audio Mixer: Mark Thayer. Recording information: Signature Sounds, Palmer, MA (06/14/2000/06/15/2000); Systems Two Studios, Brooklyn, NY (06/14/2000/06/15/2000). Editor: Jennifer A. Munson. Photographer: Jimmy Katz. Arrangers: Kate McGarry; Steven Santoro. Jazz has the occasional tendency to intimidate average music listeners with its complexity and exclusivity. It can be an inside joke that the masses aren't quite privy to. Then, once in a while, an artist comes along and lends an air of accessibility to the form. Cassandra Wilson, Diana Krall, and Branford Marsalis have all done just that with various projects. Kate McGarry follows this tradition with her independent release of Show Me. A blue-eyed New York jazz singer, McGarry has a crystal clear and delicate voice that she manages to use with a tenacity that any great instrumentalist would. On Show Me, McGarry attacks a slew of standards penned by the likes of Cole Porter; Frederick Loewe and Alan Jay Lerner; and Lew Brown and Ray Henderson. Though the songs have been rendered by many, McGarry inhabits each note and makes them her own. The sly sassiness of "Gypsy in My Soul" and the tender handling of "Moon and Sand" are beautiful examples of her interpretive gift. Producer Steven Santoro is credited with additional arrangements on the outstanding Brazilian piece "Oceano," which ends in a sea of gorgeous vocal improvisation, and the wondrously romantic title track. ...
| | Earth, Wind, And Fire Rio After Dark CD (2002)
Masterpiece Guitars
$11.09 These recording were made at a memorable concert the group gave in Rio De Janeiro in 1980 and includes their biggest hits, 'Boogie Wonderland', 'September' and 'After The Love Has Gone'. Snapper. 2005.
Earth, Wind & Fire: Maurice White (vocals, kalimba, percussion); Philip Bailey (vocals, percussion); Al McKay (guitar, background vocals); Johnny Graham (guitar); Andrew Wolfolk (saxophone); Larry Dunn (keyboards); Verdine White (bass); Fred White (drums); Carla Vaughn, Sylvia Cox, Judy Jones (background vocals). The Phoenix Horns: Don Myrick (saxophone); ...
| | Louis Jordan G.I. Jive CD (2007) (Import)
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| | Nat "King" Cole Unforgettable CD (2006) (Import)
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| | Blues CD (2007) (Import) Import
$11.29 | | Deb Hirkala Somebody Somewhere CD (2009)
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| | John Chowning Life Should Be Easy CD (2009)
Masterpiece Guitars
$16.45 About John Chowning By Lauren LaRocca News-Post Staff April 10, 2009 Brunswick — Gravel roads, railroads, old roads, new roads -- they've been a theme throughout the life of singer-songwriter John Chowning, so it's no wonder they appear in his music -- and on his latest album cover, which depicts a scene of the Brunswick railroad station. Chowning moved to Brunswick two years ago from the Gaithersburg area and rides a train each morning into Washington, D.C., for his job at the Department of Labor at Job Corps. His song "Blue Ridge Express" is about the train he rides home every night from work. The train has a party car where people are sometimes sharing a lot of booze," he said. "It's very loud." His father was a railroad worker, and, maybe because of that, Chowning has been interested in trains throughout his life. Chowning grew up in Oakland City, Ind., a small mining and farming town that resembles Brunswick . His first album, which he wrote about 12 years ago, is about the street where he lived as a boy. After he finished the CD, he mailed copies to the new kids who live in his old neighborhood. Four albums later, Chowning typically gives away each one to friends, neighbors, co-workers and family, though some copies are available for purchase at Beans in the Belfry. His songwriting, performing and recording is a hobby and nothing more, he said during a recent interview, but people seem to like it. From a musical family, he's always enjoyed listening to and playing music. "When I was younger, I tried to write commercial stuff," he said. He quickly lost interest. "Most people writing songs 100 years ago weren't writing them for commercial use," he said. Instead, he taught himself guitar and began writing about his own life experiences, which he found much more gratifying. In Indiana, Chowning's parents rented five or six rooms of their house at a time to students because they lived near a college. Chowning was introduced to good rock and roll music early on. "I got into that music way before my time," he said, naming bands like the Kingston Trio, Buddy Holly, and later Pete ...
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