| | Classical Kids - The Best Of Bach CD Bach CDS
| Category | Classical, Children's, Oldies Collections, Greatest Hits Collections, Baroque Period, Concerto, Sonata, Suite, Song, Prelude, Variations, Aria, Overture, Cantata, Duet, Oratorio, Fugue, Chorus, Chorale, Air, Sinfonia, Minuet, Concerto Grosso, Gigue, Badinerie |
Classical Kids - The Best Of Bach Music | List Price | $6.98 (You save $0.93) | | Label | Children's Group | | Orig Year | 10/19/2004 | | All Time Sales Rank |  29042  | | CD Universe Part number | 6784231 | | Catalog number | 84380 | | Discs | 1 | | Release Date | Oct 19, 2004 | | Recording Time | 49 minutes |
Classical Kids - The Best Of Bach Review
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Classical Kids - The Best Of Bach Music Composers on Classical Kids - The Best Of Bach CD : Johann Sebastian Bach, Christian Pezold, Douglas Cowling Conductors on Classical Kids - The Best Of Bach CD : Walter Babiak, Oliver Dohnanyi, Geza Oberfrank, Helmut Muller-Bruhl, Jaroslav Dvorak, Robert Stankovsky Ensembles on Classical Kids - The Best Of Bach CD : Camerata Cassovia, Capella Istropolitana Performers on Classical Kids - The Best Of Bach CD : Alexander Jablokov, Christopher Stokes, Emily Gray, Hae-Won Chang, Jeno Jando, Janos Sebestyen, Jukka Rautasalo, Takako Nishizaki, Petri Alanko, Pi-Hsien Chen Purchase Classical Kids - The Best Of Bach To buy, Click on price to add to cart | Classical Kids - The Best Of Mozart CD (2004)
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Track Listing of songs: Symphony No. 5 in C minor; Piano Sonata No. 8 in C minor; Symphony No. 8 in F major, Op. 93: Allegretto scherzando; Bagatelle for piano in A minor; Symphony No. 6 in F major; Symphony No. 6 in F major; Piano Sonata No. 14 in C sharp minor; ...
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Original score by Marty Stewart, Kristin Wilkinson, Larry Paxton.
Sure, the movie was no Sling Blade, even if directed by the one and only Billy Bob Thornton. But let's face it, they took two hours outta the thing! All the griping aside, the score, composed and performed by country music renaissance man Marty Stuart -- and his collaborating band members Kristin Wilkinson and Larry Paxton -- is something else completely. Comprised of 23 tracks, Stuart's score does sound like soundtrack music, but no matter. He and his sextet have taken the drama of the film's text and created an aural theater of the American West. At the heart of each theme is a core of mandolin, viola, bass, guitar, accordion, piano, and percussion. Orchestrations ride ambiently in the background, highlighting tension and drama. In "Edge of the World," cornets play at the music's outermost edge, hinting at a red Sonoran sunset. In another place, guitars, both strummed and soloed upon, create an impressionistic picture of a campfire jam session. Elsewhere, "Strawberry Tango, Part One and Two" features a full horn and string section painting the atmosphere at a cantina dance from its wild beginnings until its sultry ending. Daniel Lanois, who scored Thornton's Sling Blade (well, it actually ...
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Gloria Dei Cantores ChoraleElizabeth C. Patterson, ConductorPeace Be With You: Johann Sebastian BachSacred cantatas, motets and organ worksGloriæ Dei Cantores released this double CD set of sacred choral cantatas, motets, and works for organ in honor of the 250th anniversary of the death of J.S. Bach. These compositions provide a window into Bach the young musician, and to Bach the aging master. Featured works include the well-known cantata Gottes Zeit ist die Allerbeste Zeit (God's time is best) and the bass solo cantata, Der Friede Sei Mit Dir (Peace Be with You). Like the choral works, the organ works featured on this recording exemplify Bach's entire creative outpouring.Gloriæ Dei ...
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Personnel: Paul Halley (organ).
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Live Recording
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Kingsley Singers & Ensemble
Recording information: American Academy of Arts & Letters, New York, NY (05/1992-03/2001); New York, NY (05/1992-03/2001).
Photographers: J. Henry Fair; David D. Cross.
Translators: ...
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Wold crafts music whose delicate beauty glides in just below the listener's critical consciousness. - San Francisco Chronicle.Brilliance characterize[s] every facet... - Bay Area ReporterIn the late forties, William Burroughs moved to Mexico City to avoid an "unpromising" court date for heroin and marijuana possession. The city was tremendously corrupt, cheap to live in and tolerant, although not necessarily accepting, of Burroughs' indiscretions: his heroin addiction and his homosexual desire. His autobiographical novel Queer, set against this backdrop, tells the story of William Lee's desperate romantic and sexual yearnings for an indifferent young man named Eugene Allerton, another expatriate American. Although their relationship is consummated, Allerton is never possessed, and Lee's attentions are increasingly sad, embarrassing and pathetic. Burroughs' writing is revealing: he succeeds in uncovering his soul, in expressing his longings in a way that immediately resonates with his audience. In the end, after convincing Allerton to come away with him on a search for the magical drug Yage, the story trails off. As Burroughs puts it:"…Lee has reached the end of his line, an end implicit in the beginning. He is left with the impact of unbridgeable distances, the defeat and weariness of a long, painful journey made for nothing, wrong turnings, the track lost, a bus waiting in the rain…"Because of its straightforward and honest portrayal of his homosexuality, the book was unpublished for thirty years after it was written, even though Burroughs' fame increased dramatically during that time. The comical fantasy routines in the book, told as stories by Lee in his attempts to entertain and engage Allerton, foreshadow those which eventually come to dominate Burroughs' later works such as Naked Lunch, in which the audience for the routines is no longer real, but one which has become internalized.In the operatic version of this story, Lee is both the narrator and the main character. Lee is the emotional member of the pair: he sings while Allerton only speaks. There are a few incidental characters, but the piece focuses primarily on Lee alone and on the two main characters together.Bay Area Reporter:Brilliance characterized every facet of Erling Wold's Queer on opening night (April 11) at ODC Theater in the Mission. From conception through execution, the chamber opera based on the William Burroughs novel more than did justice to Burroughs' spirit. It rekindled that spirit vividly for the audience, a sophisticated crowd that paid rapt attention to every nuance of inflection and expression from orchestra and actors alike.Truly the night belonged to composer Wold, whose latest work follows previous chamber operas A Little Girl Dreams of Taking the Veil (1993-94) and Sub Pontio Pilato (1995-98) and a host of recordings, chamber pieces, and New Music-style electronic experiments. The concept of turning a classic of queer literature into a post-postmodern chamber piece, complete with on-stage orchestra and what amounts to a singing William Burroughs, dares to be taken seriously. In lesser hands, it could have turned Burroughs' dry humor and desperate longings into farce. But the combined talents of Wold, stage director Jim Cave, dramaturgist ...
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