| | Early November For All Of This CD Early November Discography of CDs
 (3 Customer Reviews)
Recorded at Portrait Studios, Lincoln Park, New Jersey.
The Early November: Ace Enders (vocals, guitar); John Dubitsky (guitar); Sergio Anello (bass); Jeff Kummer (drums).
The Early November: Arthur "Ace" Enders (vocals, guitar); John Dubitsky (guitar); Sergio Anello (bass guitar); Jeff Kummer (drums).
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Early November For All Of This Songs For All Of This Music Review Average Rating: (4 out of 5 stars)   The Best Early November Album Ever!
I love this album, every song is so good. My favourite tracks include "take time and find" and "write the wrong". "sunday drive" is also awsome. this is by far the best album they have put forward, much better than The Rooms To Cold.
Submitted by Tommy (Sydney, NSW, Australia)
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 not bad
pretty good stuff. heard ace enders (lead vocals) before and I always liked his voice. It's worth it but check out Ace Enders' side project "I Can Make A Mess Like Nobody's Buisness" it's damn awesome.
Submitted by Ted (new jersey)
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the early november rock .....their awesome
I love the cd!!!!!!!!! i can't stop listening to it.....it has a great singer too! buy the CD....it's worth the money!!!$$
Submitted by mary (orlando, Florida, USA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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On their sophomore disc, Welsh metal band Lostprophets immediately launch into a heavy, staccato guitar riff that is joined by electronic tweaking, and it's clear that this opening track, "We Still Kill the Old Way," is going to rock. But then vocalist Ian Watkins jumps in, tempos shift, and before long the soaring chorus takes the song to even grander heights. This knack for being unpredictable defines Lostprophets and easily separates them from any run-of-the-mill nu-metal contemporaries.
In fact, much of START SOMETHING tips its hat to another band that resisted being pigeonholed: Faith No More. Watkins's dynamic voice often echoes the singing of FNM frontman Mike Patton, while the group's blend of fierce guitars, tight rhythms, keyboards, and mellow interludes also shares similarities with the elder band. However, Lostprophets are no mere FNM clone; they take that group's sonic template and apply to it to the musical landscape of 2004, even incorporating some of the emo elements used by acts such as Vendetta Red. On anthemic tracks such as "Last Train Home" and "I Don't Know," Lostprophets show vitality and inventiveness that is rare in early 21st-century rock.
As sonically powerful as Start Something is, and as convincing as Lostprophets' earnest vocalizing and layered instrumental dynamics are, it's just so damn difficult to take the Welshmen seriously when every megabyte of their sonic output is a patent appropriation of the post-grunge movement's most salable proofs. Incubus, Hoobastank, and Linkin Park -- close your eyes and this is what you hear, these groups' defining characteristics jammed like shards of jagged glass into the soft Lostprophets loam. The Mike Patton scream Prophets vocalist Ian Watkins perfected on 2001's Fake Sound of Progress has -- like it did for Brandon Boyd and Doug Robb -- mellowed into a blandly earnest yawp capable of keeping things thick enough for the dudes but still rife with those heartfelt intakes of breath that the ladies ...
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