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BABY is a 2005 album by the neo-garage rock group the Detroit Cobras.
On 2005's BABY, the Detroit Cobras' first outing for esteemed alt-country label Bloodshot Records, the Motor City garage-rock band runs through another set of vintage--and largely forgotten--R&B/soul nuggets. Standouts include the surging "I Wanna Holler," the swaggering, funky "Mean Man" (written by Allen Toussaint), and the pleading, mid-tempo rocker "Baby Help Me" (penned by Bobby Womack), which all showcase Rachel Nagy's husky vocals and the band's guitar-laden, no-frills arrangements. In addition to the sole original, the raucous "Hot Dog," this release also presents the group's 2003 EP, 7 EASY PIECES. For listeners interested in the state of 21st-century garage-rock, this fun, rollicking set is an excellent place to start.
European only release. Their third album features 13 tracks. Rough Trade. 2004.
Personnel: Greg Cartwright (vocals, guitar, background vocals); Eddie Harsch (vocals, keyboards); Kenny Tudrick (vocals, drums, background vocals); Rachel Nagy (vocals, background vocals); Maribel Restrepo (guitar, background vocals); Steve Nawara, Joey Mazzola (guitar); Ko Shih (background vocals).
Audio Mixer: Al Sutton.
Recording information: Rust Belt Studios, Royal Oak, MI; The White Room, Detroit, MI.
Photographer: Fabrizio Constantini.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.Magnet (p.92) - "They inject their obscure R&B, soul, gospel, blues and primitive rock with a grittily affectionate reinvention that rises far beyond impersonation." Baby Music | List Price | $22.99 (You save $4.40) | | Category | Rock/Pop Albums, Karaoke CDs, Rock | | Label | Rough Trade | | Orig Year | 2005 | | All Time Sales Rank | 149337  | | CD Universe Part number | 6786564 | | Discs | 1 | | Release Date | Nov 01, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | The Detroit Cobras | | Engineer | Al Sutton; John Smerek | | Personnel | Eddie Harsch - vocals, keyboards Kenny Tudrick - vocals, drums, background vocals Greg Cartwright - vocals, guitar, background vocals Rachel Nagy - vocals, background vocals Ko Shih - background vocals Maribel Restrepo - guitar, background vocals Steve Nawara
| | Additional Info | Import |
Karaoke Baby Songs | 1. | Slippin' Around |
| 2. | I Wanna Holler (But the Town's Too Small) |
| 3. | Baby Let Me Hold Your Hand |
| 4. | Weak Spot |
| 5. | Everybody's Going Wild |
| 6. | Hot Dog (Watch Me Eat) |
| 7. | Mean Man |
| 8. | Now You're Gone |
| 9. | It's Raining |
| 10. | Just Can't Please You |
| 11. | Real Thing, The |
| 12. | Baby Help Me |
| 13. | Cha Cha Twist |
| Baby Review
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Purchase Baby CD To buy, Click on price to add to cart | Ian Hunter Live/Welcome To The Club CDs (1980) Import
Baby album
$25.59 This re-release of the 22-song, 2-CD live set from former Mott the Hoople singer Ian Hunter includes four previously unreleased tracks ("One of the Boys", "The Golden Age of Rock & Roll", "When the Daylight Comes" and a medley ("Once Bitten, Twice Shy"/"Bastard"/"Cleveland Rocks").
This 1980 release is a live recording from former Mott the Hoople frontman Ian Hunter's 1979 tour supporting his classic YOU'RE NEVER ALONE WITH A SCHIZOPHRENIC. As such, it features key tracks from that album, like "Cleveland Rocks" and "Just Another Night," balanced out by earlier solo tunes and a brace of Mott material, including such evergreens as their glam-rock anthem, "All the Young Dudes," and the Chuck Berry-in-platform-heels "All the Way from Memphis." Throughout the set, Hunter is pumping on all cylinders, and there's palpable energy ...
| | Prince Charles Stone Killers CD (1982) (Import) Canada
Baby CD music
$21.99 Liner Note Author: Nelson George.
Recording information: Airsound Recording Studio, Boston, MA; Electric Lady Studios, The Village; Intergalactic Recording Studio, N.Y.C.
Unknown Contributor Roles: Darryll; Jerome Bates; Reggie Ayers; Charles "Prince Charles" Alexander ; Ruth "Princess Ruth" Winley; ...
| | Prince Charles Combat Zone CD (1984) (Import) Canada
Baby music CDs
$26.29
| | Sam The Sham & The Pharaohs Li'L Red Riding Hood/Wooly Bully CD (2004)
Baby songs
$11.59 This disc conveniently contains the first two albums by Sam the Sham & the Pharaohs, all you need (and practically all there is) from these zany Texas rockers. Domingo "Sam" Samudio and his merry men scored a smash in 1965 with the garage-rock classic "Wooly Bully," from the debut album of the same name. Curiously, WOOLY BULLY and its successor LI'L ...
| | Kudu Back For More: A Remix Collection CD (2008) Digipak
Baby album
$11.09 Kudu are Back for More, taking another bite of their 2006 Death of the Party album. Fans hoping for a new set from the Big Apple electro-pop trio will initially be disappointed, but that feeling will fade once they slap this disc into their CD players. The set revolves around souped-up remodels of Party tracks, but also includes their much sought-after 2006 single "Boom Boom!! [Black Blonde Mix]," "Cannibal [Bite Me Mix]," a number from their eponymous debut EP, and a brand new song. Most of the remixes turn the originals inside out, and never more so than the title track, which transforms a bouncy number into a slinky big-band extravaganza that snakes between the Creatures, the Specials, and Massive Attack. Elsewhere, the quirky, no wavey "Black Betty" is doused in the blues, "Suite Life"'s thumping club styling is reworked into a trance delight, and the synth pop "Hot Lava" rockets into outer space. On "Let's Finish," the group departed from its usual sound to explore funk and hip-hop; a tongue-in-cheek Sinden remodels it into a coursing synth pop delight. Not every remix is a total makeover; Ling Ling is content to add savory atmospheres to "Playing House," while Kudu themselves emphasize ...
| | Peter & Gordon World Without Love/I Don't Want To See You Again CD (1998)
Baby CD music
$12.29 These two LPs combined on one CD (with one bonus track) show off the duo's strong and weak points at once. Peter & Gordon did good Beatlesque songs, although they couldn't really compete with the real article without the occasional outside song like "A World Without Love" or "I Go to Pieces" coming their way. And they did all right, if not exceptionally well by folk-style numbers such as "Pretty Mary" and "Willow Garden," on which they compare favorably with the Everly Brothers. But when they do blues ("My Babe," "Trouble in Mind"), they sound plain silly, and pretty lightweight when they cover songs like "Lucille" as well. Additionally, they do the occasional over-orchestrated number that breaks the spell altogether. Basically, they couldn't make up their minds whether they wanted to be the acoustic duo following the footsteps of the Beatles, the mid-'60s answer to the Everly Brothers, or the successors to the Springfields (without anything resembling Dusty's big voice). At its best, their stuff made for pleasant memories on the radio...and this 23-song set is not bad music...; P&G were far bigger and more successful in America (where being British was a valuable commodity right into the end of 1965) than England. The sound on this collection is good, with crisp stereo separation on the tracks and finely delineated playing. The notes are good, if not exceptional. ~ Bruce Eder
These two LPs combined on one CD (with one bonus track) show off the duo's strong and weak points at once. Peter & Gordon did good Beatlesque songs, although they couldn't really compete with the real article without the occasional outside song like "A World Without Love" or "I Go to Pieces" coming their way. And they did all right, if not exceptionally well by folk-style numbers such as "Pretty Mary" and "Willow Garden," on which they compare favorably with the Everly Brothers. But when they do blues ("My Babe," "Trouble in Mind"), they sound plain silly, and pretty lightweight when they cover songs like "Lucille" as well. Additionally, they do the occasional over-orchestrated number that breaks the spell altogether. Basically, they couldn't make up their minds whether they wanted to be the acoustic duo following the footsteps of the Beatles, the mid-'60s answer to the Everly Brothers, or the successors to the Springfields (without anything resembling Dusty's big voice).
At its best, their stuff made for pleasant memories on the radio, but more typically it was pretty predictable pop/rock, ...
| | Austin Lounge Lizards Employee Of The Month CD (1998)
Baby music CDs
$14.35 The Austin Lounge Lizards are light, they're fluffy, and they're funny as all get out. Whether it's a lampoon of Very Big Texan Things in "Stupid Texas Song," a parody of Leonard Cohen in "Leonard Cohen's Day Job" (which gets funnier the more you listen to it) or acknowledging the family of the '90s ("Hey, Little Minivan"), they're sharp and smart. The satire isn't quite as biting as on Small Minds, their 1995 release, but they sure are funny. ~ Steven McDonald
Recorded at Bismeaux Studios, Seyer Works, Austin, Texas.
Personnel: Richard Bowden (vocals, tenor, mandolin, fiddle); Boo Resnick (vocals, tenor); Conrad Deisler (vocals, bass voice, ...
| | Michael Krassner CD (1999)
Baby songs
$10.75 Contrary to Michael Krassner's pedigree as the founder of the improvisational Chicago underground unit Boxhead Ensemble, his self-titled debut is a straightforward and gorgeously understated collection of piano ballads steeped in the formal traditions of '70s pop. Though not the ...
| | Etienne Daho Dans La Peau De Daho (1981-2002) CDs (2004)
Baby album
$38.75
| | Leo Sayer Here CD (1979) Import
Baby CD music
$15.15 HERE is a 10-track release by '70s and '80s hit pop singer Leo Sayer and includes "World Has Changed," "When The Money Runs Out," and "Work."
Reunited with David Courtney, the producer of his first American hit "Long Tall Glasses (I Can Dance)" from 1975's Just A Boy LP, Leo Sayer's first album after three with Richard Perry yielded no significant hits in America but is a refined and entertaining chapter in the minstrel's history. There are two co-writes with Courtney, one with Ray Parker, Jr. who racked up 13 hits of his own between 1978 and 1990, a version of Al Kooper's "Lost Control" with Kooper on organ and synths, and one of the most telling tracks, a nice remake of the Chi Lites' 1972 number one hit "Oh Girl." This is notable because most of Sayer's material is usually original work written by him or his colleagues, relatively unknown titles, with the exception of the Supremes' "Reflections" on Endless Flight from 1976, and his minor hit with the 1959 composition by Felice Bryant and Boudleaux Bryant, "Raining in My Heart," off of 1978's Leo Sayer. Sayer had gotten into a good groove as an interpreter and may have benefited by resurrecting other more popular titles. The focus seems to have been on his songwriting or picking new material, and while his collaboration on "Work" with Johnny Vastano and Tom Snow has a Rod Stewart kind of feel, especially with Duck Dunn and Steve Cropper sitting in, it is still the Chi Lites cover which emerges as the gem on this interesting departure from Richard Perry's counsel. The eerie reggae of "Ghosts" is interesting, but like "Who Will the Next Fool Be" and "The World Has Changed," these songs were not going to shake up the Top 40. "Takin' the Easy Way Out" is like a nice Elton John-style album track, and it may have influenced ...
| | Original 70'S Number 1'S Album CD (2006) (Import)
Baby music CDs
$13.15
| | Los Llamados Del Senor Eres Mi Refugio CD (2006)
Baby songs
$17.69
| | Sandaka Love Cycle CD (2009)
Baby album
$12.15
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