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Pieces Of A Dream - Imagine This CD Cover Art
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Pieces Of A Dream Imagine This CD

 Pieces Of A Dream Discography of CDs
5 stars (2 Customer Reviews)


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Pieces of a Dream's third album for Elektra, Imagine This features more of the softly funky jazz and R&B mix that helped to define the smooth jazz genre. Produced by saxophonist Grover Washington, Jr., the album largely centers around keyboardist James K. Lloyd's Jupiter 8 synthesizer chops. In that sense, it retains a level of period '80s kitsch with Lloyd tapping into the burgeoning rap music sound with synthesizer-generated record "scratching" and syncopated drum beats. To these ends, "For the Fun of It" is a Furious Five-ready single minus the rapping while "It's Getting Hot in Here" sounds like "Freedom Jazz Dance" played on a Casio keyboard. Other tracks including the "quiet storm" ballads "It's Time for Love" and danceable "Fo-Fi Fo" feature stellar vocals from bassist Cedric A. Napoleon. ~ Matt Collar
Imagine This Music


Detailed Imagine This Music Information



Category Rock/Pop Albums, Rock CDs, Jazz, Pop, Jazz Instrument
Label Wounded Bird
Orig Year 1984
All Time Sales Rank   38498  
CD Universe Part number 6789866
Discs 1
Release Date Oct 12, 2004
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Reissued
Pieces Of A Dream Imagine This Songs


Pieces Of A Dream Imagine This Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Imagine This$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.For the Fun of It$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.It's Time For Love$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Shadow of Your Smile, The$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.It's Getting Hot in Here$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Foreverlasting Love$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Tell Me a Bedtime Story$0.99

Imagine This Music Review


Customer Imagine This Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars Classic Piece's !!!
This is a great cd. I remember hearing Fo Fi Fo on the radio and they do a nice cover of Herbie Hancocks Bedtime Story. Highly Recommend!!!
Submitted by Thomas (Plymouth) Verified Buyer
Was This Review Helpful? Yes No

5 stars great jazz cd
the late great grover washington jr founded this group out of philly please get the sound to this great cd of the 80s
Submitted by 157paytond (dall tx)
Was This Review Helpful? Yes No

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Personnel: Robben Ford (vocals, guitar); Neal Evans (Hammond b-3 organ); Toss Panos (drums).
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In New York City, the cabaret laws enacted in 1926 during Prohibition strictly forbade the gathering of more than three musicians and forbade the use of brass or percussion instruments, except in those few nightclubs that were specially licensed and regulated by the city. The laws were believed by many to be in part instruments for preventing the congregation of black people, and the mixing of races. Jazz was held as a culprit, a source of moral decadence, and the cabaret laws afforded the city the means to zone jazz into virtual extinction. The laws persisted on the books until 1988 when they were overturned on the grounds that they violated the constitutional right to free speech, as famously argued by Paul Chevigny. In the aftermath, myriad small jazz clubs flourished in a renaissance of jazz in New York. Smalls was notable among them.Smalls, and its successor in the present day, Fat Cat, were the brainchildren of quixotic jazz-lover Mitch Borden, who wanted to build a club that would serve the needs of jazz musicians and enthusiasts. Artists of special merit were featured regularly, receiving the rare opportunity to develop their repertoires and styles to maturity. During the day, musicians would come to Smalls to rehearse, some even sleeping there when they couldn't find housing. Each night, music flowed until dawn -- and the price was right. As word spread, Smalls developed into the social hub of the NY jazz scene. A steady stream of musicians from around the world came to listen and to congregate in its fabled back room, which hosted long listening sessions, and a perpetual conversation about music and life. We who were involved with Smalls on a week-to-week basis formed a close-knit community, bearing witness to one-another's lives, loves, and sometimes deaths. We are the "we" in the title of this record, and we count ourselves fortunate to have had Frank working and living amongst us.Frank Burton Hewitt was born in Queens, NY on October 23rd, 1935, and grew up in Sugar Hill, Harlem. His mother, a church pianist, exposed Frank to piano music and started him on lessons early in childhood. Over the course of ten years of classical study, he developed into a capable pianist. He attended the High School of Needle Trades, originally intending to become a tailor, but as a teenager he was increasingly drawn to the jazz piano. One night, while washing dishes for a church social at his mother's apartment, he heard Charlie Parker's "Dewey Square" on the record player. After all had gone home, he played it over and over again, ever more intrigued by its dark, subtle beauty, and the mystery of its melodic lines. This, he felt, was the kind of music he wanted to explore. Over time he met up with Bud Powell, Thelonious Monk, and Elmo Hope, whom he would later count as his greatest influences. By his early twenties, Frank was playing often as a sideman on the New York scene, appearing with such notables as Billie Holiday, ...
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cdu4asppid music 6789866 cdu4pidall cdu4pls0 ver231cdu cdu4all 11/23/2009 5:04:26 AM