| | Traditional Gospel Lives On CD
Traditional Gospel Lives On Music Traditional Gospel Lives On Songs | 1. | Millenial Reign - Shirley Caesar |
| 2. | When the Gates Swing Open - Clara Ward |
| 3. | Christ Is Coming Back - James Cleveland |
| 4. | When the Lord Calls - Rev. Milton Brunson & The Thompson Community Singers |
| 5. | Jesus I'm Waiting - The Highway Q.C.'s |
| 6. | Traveling On - Albertina Walker & the Caravans |
| 7. | Satan, We're Gonna Tear Your Kingdom - Shirley Caesar |
| 8. | Come Lord Jesus - James Cleveland |
| 9. | Shout Trouble Over - Rev. Claude Jeter |
| 10. | Key to the Kingdom - Rev. Milton Brunson |
| 11. | Until You Come - The Swan Silvertones |
| 12. | God's Tomorrow - Bishop Billy Robinson |
| 13. | When Will You Be - Tessie Hill |
| 14. | Two White Horses Side by Side - The Cross Jordan Singers |
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Traditional Gospel Lives On Review
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OTB have made great strides in the past 15 years to lead the way in innovation amongst large modern ensembles. On these concert sessions from N.Y.C., Berlin, and Nijmegen, the Netherlands, the George Schuller-led group shows a love for Balkan-cum-Weill/Carla Bley circus jazz, free improvisation in and out of frameworks, a grand collective spirit, a propensity for seven-beat measures, dark swinging, maniacal solos, and an intense desire to be different. The five saxophonists -- Chris Speed, Andrew D'Angelo, Andy Laster, Peck Allmond, and Matt Darriau -- are continually astonishing. Keyboardists Jamie Saft and Tim Ray are up to the challenge when called upon. Tom Varner, French horn throughout, the amazing cellist Rufus Cappadocia (one cut), and drummer Schuller keep things in line, whether percolatin' or spooky. The cellist's feature "Rufus 7" (there's that seven) is the last of three cuts that front-end the CD. The kicker, "Alino Oro," is the quirky upbeat Balkan piece, while number two, Duke Ellington and Billy Strayhorn's "Smada" (arranged by trumpeter Dave Ballou) is laden in a flip-flop, free-to-tango swing, dramatic and replete with clarion calls -- a simply brilliant reworking. The latter half of the nine-cut program offers a lengthy interpretation of Tim Berne's pungent stomper "Bloodcount" and an evil, wailin' take (recorded in the Netherlands) of Andrew D'Angelo's seven-beat ostinato juggernaut "Sich Reped." Steadfast in their stance, reliable improvisers such as the OTB collective should never ...
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It's too early in her career to know whether this powerhouse singer/songwriter will ever reach the heights of Contemporary Christian Music's other Grant (Amy), but a bevy of top producers come on board this sparkling debut to launch Natalie Grant towards this goal. All of these studio wizards (Eric Foster White, Tommy Sims, and Michael Lloyd) are better-known for their secular pop music, and the variety of atmospheres they create poise Grant for crossover pop success. It also helps that the lyrics Grant sings are designed as inspirational, rather than preachy. Torchy tracks like "I Am Not Alone" and rock-driven anthems like "I Will Be" could definitely lead both teenagers looking for substance, and adult contemporary audiences, to a deeper examination of important spiritual issues. Grant's wide-ranging pipes (yes, think potential diva) would surely sound great without all the production energy, but nearly every up-tempo tune here is an irresistible mix of pop/rock and modern soul flavors. The title track is all thump and hook, and some of the vocal texturing will remind fans of Point of Grace. Another POG-like tune, "Days Like These," is driven by jangly alternative pop guitars. A few tracks touch on simple exotica, most notably "Love Without Limits" with its swirling flamenco strings. Amidst the playful spirit is Grant's most heartfelt tune, a lush and teary, almost breathless tribute to her father, "Always Be Her Baby." This tune alone indicates that we're dealing with a major new talent whose deeper life extends from the spiritual into the musical. ~ Jonathan Widran
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Monica Monica Peterson. . . has a fine European and American background of music, theatre, television and film. She was trained at the prestigious "Neighborhood" Playhouse" Drama Academy in New York, the London School of Music and Dance in Covent Gardens, London, England, and 20th Century Fox Studios in Los Angeles, California. Monica received a contract with 20th Century Fox Studios as a starlet by way of a diversified screen test. Along with Tom Selleck, Raquel Welch and others. She received the ABC "Star of Tomorrow" Award, 2000 Women of Achievement Award", Women in Film Award, and Poetry Award. She is listed in "Who's Who" in Entertainment and "Who's Who" of American Women. She has credits in film, television, radio, commercials, infomercials and as a singer. She is member of SAG, AFTRA, and Equity Unions. Education ...
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