| | Johnny Griffin Pisces CD Johnny Griffin Discography of CDs
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When Johnny Griffin and Eddie "Lockjaw" Davis entered a New York studio with producer Orrin Keepnews on May 3, 1962, they did some things that were unusual for the two-tenor team. They played mostly ballads, they didn't engage in any tenor battles and -- most surprising of all -- they didn't perform together on any of the tunes. Griffin was featured on four songs, Davis on another four. The same rhythm section -- Horace Parlan, bassist Buddy Catlett and drummer Art Taylor -- was always present, but Parlan played piano on the songs featuring Griffin and celeste on the songs featuring Davis. For whatever reason, the performances remained in the can for 42 years; they weren't even mastered until 1966, and they finally saw the light of day when Fantasy released Pisces in 2004. Pisces begs the following question: why, in God's name, would two saxmen who had as strong a rapport as Griffin and Davis not perform together when they were in the studio at the same time? Emphasizing ballads was an excellent idea, but wouldn't it have made more sense for them to do it as co-leaders of a quintet? According to jazz critic Larry Hollis -- who wrote Pisces' informative liner notes -- Griffin and Davis' decision to play separately had to do with the fact that they "didn't want to be stereotyped as merely a two-tenor team." In any event, both saxmen are in good form on this CD, which is enjoyable whether the soloist is Griffin on "Willow Weep for Me" and Duke Ellington's "Sophisticated Lady" or Davis on "Midnight Sun" and "Yesterdays." For Griffin and Davis, deciding to play separately on May 3, 1962 was probably a mistake; even so, Pisces is a noteworthy (if less than essential) album that shouldn't have gone unreleased for so long. ~ Alex Henderson Pisces Review
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Purchase Pisces CD To buy, Click on price to add to cart | Johnny Griffin Tough Tenors CD (1960)
Pisces album
$9.89 If one feels their music getting a bit stale, perhaps a little too predictable, then they have a couple choices. They can dig back into their roots to reconnect with the music they love, or they can go head to head with a counterpoint in an effort to create sparks. Johnny Griffin and Eddie "Lockjaw" Davis choose the latter course in Tough Tenors, turning a half-dozen pieces into an enticing mix of edgy solos and synchronized ensemble playing. The fun stuff here bops along ...
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| | Frank Wess Quartet CD (1960)
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$8.75 Frank Wess has long been one of the most underrated flautists in jazz, but it's his primary instrument on this CD reissue of a Moodsville LP recorded in 1960. With fine accompaniment by piano master Tommy Flanagan, bassist Eddie Jones and drummer Bobby Donaldson, the leader's ...
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$9.69 Andrew Hill's Dance of Death, recorded in 1968 with a stellar band, was not issued until 1980. In the late 1960s, Blue Note was no longer the most adventurous of jazz labels. While certain titles managed to scrape through -- Eddie Gale's Ghetto Music did but only because Francis Wollf personally financed it -- many didn't. The label was firmly in the soul-jazz groove by then, and Hill's music, always on the edge, was deemed too outside for the label's roster. Musically, this is Hill at his most visionary. From hard- and post bop frames come modal and tonal inquiries of staggering complexity. Accompanied by trumpeter Charles Tolliver, saxophonist Joe Farrell, drummer Billy Higgins and bassist Victor Sproles, Hill engages, seemingly, all of his muses at once. Check out the sinister modal blues that is "Fish 'N' Rice" with its loping Eastern-tinged ...
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$10.25 Tex Book Tenor was recorded in 1968 as a follow-up to Booker Ervin's debut date for Blue Note, The In Between, which was released in January of the same year. (Ervin had made two records for Pacific Jazz, which is now owned, like Blue Note, by EMI.) The album remained unreleased until 1976, when it was issued with an also unreleased Horace Parlan date on a double LP called Back from the Gig. This is its first appearance ...
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| | Giovanni Sollima Works CD (2005) (Import)
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$20.99 Including a diverse selection of Sicilian cellist Giovanni Sollima's compositions spanning 2000 to 2004, Works is a worthy introduction to the wide range of Sollima's artistry. The album begins with the four-part "Terra" suite, commissioned for a dance performance at the 2001 Venice Biennale and featuring Sollima multi-tracked on at least four cellos, with Maurizio Curcio added on djembe ("Terra Acqua") and on stick bass and sampling ("Terra Fuoco"). The opening "Terra Aria" might be Sollima's best-known piece thanks to Norwegian video artist Lasse Gjertsen's Daydream video, which matches the music to fantastical imagery from expansive skies down to the molecular level, including an introductory sequence in which Sollima sprouts extra arms to play all the parts on a single cello and another in which the viewer glides along a mountain stream in a seamless montage of nearly psychedelic naturalism. As amazing as those visuals are, "Terra Aria" stands on its own here as mesmerizing music. Sollima's foundation of ostinatos holds back from harmonic resolution to achieve maximum tension and release; over this, the cellist plays long vibrato-laden melodic lines that ebb and flow until finally breaking away to join the insistently rhythmic bowed and plucked strings underneath. The folkish tinges and tribal percussive midsection (using only cello, apparently) of "Terra Danza" and the electro-world music flavorings of "Terra Fuoco" are also beautiful in their own right, although "Terra Acqua" sounds ...
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