| | Leonard Cohen Dear Heather CD Leonard Cohen Discography of CDs
(6 Customer Reviews)
While there are some familiar elements present, much of DEAR HEATHER is a stark contrast to virtually all of Leonard Cohen's previous recorded work. Where the Canadian troubadour's previous albums all sounded like carefully constructed towers of song, built piece by painstaking piece (and Cohen has confirmed this as his working process), DEAR HEATHER seems to be an entirely more spontaneous offering. One might speculate that longtime Buddhist Cohen has taken the precepts of Zen to heart in presenting a batch of compositions unmarred by the effects of obvious labor.
Lyrically and melodically, these songs are more sparse and pared-down than anything else in Cohen's catalog. Some are whittled down to only a simple recitation repeated numerous times over a skeletal chord progression. By simplifying his approach to such an extreme degree, it seems as though Cohen is trying to get as close as possible to the heart of his work, without the literary trappings of his past accomplishments. Nevertheless, one link with his previous work is the bonus live cut tacked on to the end of the disc. In the tradition of past quirky Cohen covers like Irving Berlin's "Always" and Richard Blakeslee's "Passing Thru," the gravel-voiced singer tackles the country classic "Tennessee Waltz" with trademark aplomb that also reminds the listener of Cohen's ever-present sense of humor.
Arrangers: Leonard Cohen; Sharon Robinson.
Personnel: Leonard Cohen (vocals, guitar, Jew's harp); Leonard Cohen (piano); Sharon Robinson (vocals, various instruments); John Crowder (vocals, bass guitar); Raffi Hakopian, Raffi Hakopian (violin); Paul Ostermayer, Paul Ostermayer (flute); Sarah Kramer, Sarah Kramer (trumpet); Roscoe Beck (bass instrument); Stan Sargeant (bass guitar); Johnny Friday, Johnny Friday (drums); Mitch Watkins (vocals, guitar, electric guitar); Ron Getman (vocals, steel guitar); Anjani Thomas (vocals, piano, background vocals); John Bilezikjian (oud); Garth Hudson (accordion); Bob Sheppard (tenor saxophone); Bill Ginn (piano); Richard Crooks (drums).
Photographers: Anjani Thomas; Tina Tyrell.
Rolling Stone (p.107) - 3 1/2 stars out of 5 - "[T]he jumbled feel works in DEAR HEATHER's favor." Entertainment Weekly (p.69) - "Cohen still projects like crazy - he's godlike on the spoken-word tracks..." - Grade: B- Uncut (p.114) - 5 stars out of 5 - "DEAR HEATHER is Cohen's highest tide yet, his most exquisite marriage of song and poetry and ambiguous grace. Magic is right here." Uncut (p.75) - Ranked #17 in Uncut's "Best New Albums of 2004" - "[H]is muse remains vigorously undimmed..." Mojo (Publisher) (p.96) - 4 stars out of 5 - "Vocally, it's certainly one of his most hushed and muted albums....Musically, it's melodic and memorable. Beguiling." Dear Heather Music | Category | Rock/Pop Albums, Rock CDs, Pop, Folk, Singer/Songwriter | | Label | Columbia | | Orig Year | 2004 | | All Time Sales Rank | 15355  | | CD Universe Part number | 6791644 | | Catalog number | 92891 | | Discs | 1 | | Release Date | Oct 26, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Leanne Ungar; Anjani Thomas; Ed Sanders; Henry Lewy; Sharon Robinson; Leanne Ungar; Sharon Robinson; Anjani Thomas; Ed Sanders; Henry Lewy | | Engineer | Leanne Ungar; Anjani Thomas; Ed Sanders; Sharon Robinson | | Personnel | Garth Hudson - accordion Leonard Cohen - vocals, guitar, Jew's harp Roscoe Beck - bass instrument Bob Sheppard - tenor saxophone Richard Crooks - drums Sharon Robinson - vocals, various instruments Anjani Thomas - vocals, piano, background vocals Bill Ginn - piano Richard Crooks - drums John Bilezikjian - oud
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Leonard Cohen Dear Heather Songs Dear Heather Music Review Average Rating: (2.8 out of 5 stars)    List All Reviews Purely Intimate by Leonard at the top of his game Considering the amazing body of work thus far, this great album is a pure bonus to admirers of fine music. Submitted by faust8577 (Lorraine, Que.) Was This Review Helpful? Yes No
Self Indulgent Tripe Its typical of commercial reviewers entrenched in the industry to go all weak at the knees at any aging legend, especially in America. And I have no idea why this man is a legend in the first place, except perhaps because he has become New York and his name is Cohen. A bit like the Motion Picture Academy awarding "Best Picture" to "Driving Miss Daisy".
Sympathetic and expert backing for this collection of drivel almost pulls it out of the mire that the songs create for it, but in the end, if the songs are crap and the singer is crap there is no hope for it.
"Songs" are too strong a word for what forms the backbone of this album. Melody has never been Leonard's strong point and his voice has always been more talking than singing, but it reaches a new low on this album LITERALLY! Normally droning away around a low G, on this outing he croaks forth around a low D! Low indeed, and too low for him to actually sing.
As for self indulgent, check out his female backing section singing his name to him. Ahhh so easily is credibility spent.
Good backing though... if there was a decent male singer with a decent melody it coulda been good.
Even Leonard's much vaunted poetry is mostly mediocre here.
The strongest point on the album is when Leonard puts forth his hurt at the September 2000 New York bombings. It looks like he's gonna really make a stand, but he only gets halfway out of the armchair:
"I wouldn't know, I'm just holding the fort.
Since that day they wounded New York."
Just retire Leonard with whatever dignity you have left. Submitted by Warren Mars (Australia) Was This Review Helpful? Yes No
It's different Again, Leonard Cohen moves the boundaries to show that he has no need to regurgitate music (or lyrics) just for the sake of sales. He has nothing to prove; whether we enjoy this album or not. Submitted by Peter (Warrnambool, Victoria, Australia) Was This Review Helpful? Yes No
gorgeous He's an artist, a saint, a prophet and a beautiful human being in the twilight of his years. This is an absolutely astounding, fantastic yet simple album. a labor of love, thank you Leonard, Submitted by david (tampa, fl. USA) Was This Review Helpful? Yes No
waste of time and money I guess that the people that put this together had a good laugh at the suckers that would buy this. Me being one of them
Submitted by romor (Burnaby BC Canada) Was This Review Helpful? Yes No
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