| | Masterbeat: The Club, Vol. 3 CD
(2-CD set) This is the third installment in the successful series of non-stop continuous dance music straight from the Billboard charts. "The Club" series have been reviewed as the best dance compilations of the year. "The Club Vol. III" features 2 CD's Masterbeat: The Club, Vol. 3 Music Masterbeat: The Club, Vol. 3 Songs | | Masterbeat: The Club, Vol. 3 CD DISC 1: |
| 1. | Lola's Theme - Shapeshifter |
| 2. | How Did You Know? - Kurtis Mantronik |
| 3. | Dreams - Kings of Tomorrow |
| 4. | Heart Attack - Jahkey B - (featuring Satta) |
| 5. | Move on You - Philippe B. - (featuring Antoine Clamaran) |
| 6. | Dive - Debby Holiday |
| 7. | Push the Feeling On - The Nightcrawlers |
| 8. | Push the Feeling Inside You - David Gausa |
| 9. | Stupdisco - Junior Jack |
| | Masterbeat: The Club, Vol. 3 Songs DISC 2: |
| 1. | Get It Off - Monica |
| 2. | Dance With Me - Ron Perkov |
| 3. | Serenity - Castor/Pollux |
| 4. | World Is a Stage, The - Terry Barber |
| 5. | Searching - Offer Nissim |
| 6. | Safe Keeping - Jade Starling |
| 7. | Mysterious Times - Sashi |
| 8. | As the Rush Comes - Motorcycle |
| 9. | Don't Give up 2004 - Chicane - (featuring Bryan Adams) |
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Masterbeat: The Club, Vol. 3 Review
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Purchase Masterbeat: The Club, Vol. 3 CD To buy, Click on price to add to cart | Melanie Fiona Bridge CD (2009)
Masterbeat: The Club, Vol. 3
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Melanie Fiona's debut single, "Give It to Me Right," was a perfect 2009 pop-R&B recording. The single coupled a timeless classic (the Zombies' "Time of the Season") with roof-raising vocals and infectious pop hooks that stuck like peanut butter. Fiona's single was perfect, albeit a touch formulaic. Because of this, it's no surprise that a large chunk of her debut album, THE BRIDGE, is much of the same. Like any good 2009 pop-soul recording, the album offers influences from decades of soul music. Fiona, a Kanye West protégé, collaborates with about ...
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The finest example of perfect disco pop, and a record that should be prescribed to musical snobs and manic depressives. The album is a true ambassador of what pop music can be. Jackson whoops and dances through a suite of unforgettable melodies that should be danced to with a smile on your ...
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Released without the usual flurry of hype, Before I Self Destruct fulfills 50 Cent's contractual obligation to the Interscope label. It also doubles as a throwback album, returning the rapper to the hunger and hatred of his early mixtapes while skillfully recasting him as a wannabe upstart. That is, for the most part. The four radio-friendly bedroom numbers that conclude the album are out of place but fairly good to dime-piece beautiful, with the best being the Ne-Yo showcase "Baby by Me" ("Have a baby by me, baby/Be a millionaire"). As pleasing as these final numbers are, if you leave the room after the macho bruiser "I Got Swag" ("I'm infinitely special/Girl the Lord is gonna bless you/If you do what I tell you to do"), you'll return to a confusingly different album, one that's as glamorous but less vital. The monstrous run of tracks that leads up to this flash and polish can be summed up by 50's "This ain't Tha Carter/It's Sparta!," a witty, deceptive, and brutish line barked over a prime Dr. Dre beat during the great "Death to My Enemies." On the cut, the producer sounds like he's been digging on RZA, but the tension and dark-night feel he has created for "Psycho" is easily identifiable as Dre. Add an especially rapid 50 trading horror-show rhymes with Eminem and the G-Unit soldiers will testify that the Shady/Aftermath dream is still alive. While "So Disrespectful" is the perfect ...
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Following her commercially successful trilogy with Nelson Riddle, Linda Ronstadt once more ...
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The question for a 42-year-old Michael Jackson heading towards the end of 2001 was whether or not the self-proclaimed King Of Pop could make his presence known on the charts after having spent much of the '90s laying low. If the chart-topping position achieved by INVINCIBLE is any indication, then the answer is a resounding yes. The album is ...
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The vague poetry of Sparklehorse mastermind Mark Linkous is gracefully complex. David Lowery digs him and he is pals with Vic Chesnutt, but he probably won't join the ranks of Leonard Cohen or Woody Guthrie. Having bounced back from a traumatic overdose on Valium and prescription antidepressants which left him clinically dead for three minutes in 1996, Sparklehorse is Linkous' glimmering crystal of artistic emotion. 1999's Good Morning Spider brought him critical acclaim, but commercial whispers weren't enough. Linkous is trying to be a happy man; his folk-rock appeal is sultry and he sings his pain to no one who listens. The six-song EP Distorted Ghost is a collection of live tracks and B-sides encompassing ...
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On Pink's first album, she was squarely in the R&B/pop mode, but her follow-up contained the single "Just Like a Pill," a fierce rocker that pointed toward a new direction. TRY THIS moves Pink further into rock territory; where its predecessor contained collaborations with former 4 Non Blondes singer Linda Perry, TRY THIS is dominated by songs co-written with (and produced by) Rancid vocalist Tim Armstrong.
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