| | Mary Poppins (Special Editon) Soundtrack CD (3 Customer Reviews)
Special Edition
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Mary Poppins (Special Editon) Soundtrack Music Mary Poppins (Special Editon) Soundtrack Music Review Average Rating: (5 out of 5 stars)  Mary Poppins
Great! Classic cd from a classic film
Submitted by Ceri (Hinton, AB, Canada)
Was This Review Helpful? Yes No a must have for your kids soundtrack collection!
you can't go wrong with this high quality Mary Poppins CD. It contains every song from the movie. Enjoyable at home or in the car.
Submitted by Val (Sacramento, CA, USA)
Was This Review Helpful? Yes No Great entertainment for Mary Poppins fans
Wonderful songs from the movie-kids really enjoy listening in the car!!
Submitted by jennifer (west harrison, ny)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase Music From Mary Poppins (Special Editon) CD To buy, Click on price to add to cart | Music Man CD (1962) Original Soundtrack
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Coming along in the summer of 1962, four and a half years after the Broadway opening, the film version of The Music Man appeared in an era when Hollywood was more likely to be faithful to stage musicals, rather than dramatically altering them, as had been the practice in the past. The Music Man found Robert Preston re-creating his starring role as conman Professor Harold Hill, intent on swindling the good people of River City, IA, by selling them on a fictitious boys' band, and some minor roles were also filled by the Broadway originals. More important, Meredith Willson's score was rendered intact, the only change being a revision of the song "My White Knight" into "Being in Love." The major casting change was the substitution of Shirley Jones, who had a ...
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Music composed by Jule Styne. Lyrics written by Stephen Sondheim.
The 1962 movie version of the 1959 Broadway musical hit Gypsy was one of those classic Hollywood botch jobs, although not for the usual reason, a manhandled score. No, the song list was intact. The problem was casting, with Rosalind Russell replacing Ethel Merman, but unable to fill her shoes vocally, leading to extensive dubbing by Lisa Kirk, while Natalie Wood, another non-singer, was replaced vocally by Marni Nixon. The soundtrack album did not match the released film, either, with Wood restored and Kirk taking even more of Russell's parts. It turns out that Russell pre-recorded her songs, even though she didn't get to sing most of them on-screen, and this reissue belatedly adds her performances of "Some People," "Small World," and "Everything's Coming Up Roses," along with the screen version of "Rose's Turn," a mixture of Russell and Kirk. The result will be of interest to show music and film music buffs, but they ...
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AT LIBERTY was nominated for the 2003 Grammy Awards for Best Musical Show Album.
Veteran actress/singer Elaine Stritch had a career in musicals, straight plays, movies, and TV dating back to the mid-'40s, and at age 76 she reviews it all on this two-CD album, which is a recorded version of her one-woman show, Elaine Stritch: At Liberty. Her singing voice has long since become raspy and limited, but her timing and phrasing enable her to put across almost any song effectively. She features her signature songs, from "Civilization" (the novelty in which a monkey expresses ...
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This album is a collection of Texas songstress Brigitte London that includes songs from four albums, as well as four previously unreleased tracks, all Originals. She's been called a renegade, gypsy, outlaw, highwaywoman. Her songwriting and powerhouse vocals have attracted an A -List lineup of backing musicians live and on record that have included legends. The list includes members of George Strait's Ace in the Hole Band, Dale Watson, Redd Volkaert, legendary Waylon Drummer Richie Albright, Earle Poole Ball of Johnny Cash/Gram Parsons fame and even Bobby Keys of the Rolling Stones. She's released five albums and traveled the world with her songs. But despite urgings from Industry heavyweights, Brigitte London has remained Independent, determined to stay in creative control of her music. Her music transitions from outlaw country, blues, rock and folk in one fell swoop, with a fan base extending from country traditionalists to hard core rock and rollers. London has returned home to Texas, on the heels of her infamous Spirit of the Outlaws shows in Nashville, where she worked in partnership with Robin Keen of Desert Star Media to bring Indie and Major label artists together from across the United States once a month to Douglas Corner, a venue known for bringing in Americana songwriters. "Nashville needed a strong dose of Indie power," London says. "That project meant a lot to me. It was a celebration of artistic integrity ...
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