| | Two Lone Swordsmen Big Silver Sining Motor Of Sin EP CD Two Lone Swordsmen Discography of CDs
Reviewers of the second 2LS full-length release in the same year were forced to clarify which format they were describing, as Weatherall and Co. decided to release two entirely different albums under the same title (one on CD, one on LP). Both feature remix work from a range of house and ambient-techno names, with the vinyl version in strictly deep house mode and the CD switching back and forth between dreamy garage tracks and warped electro/trip-hop. ~ Sean Cooper
Two Lone Swordsmen: Keith Tenniswood, Andrew Weatherall.
Audio Mixers: Keith Tenniswood; Andrew Weatherall.
Big Silver Sining Motor Of Sin EP Music Two Lone Swordsmen Big Silver Sining Motor Of Sin EP Songs | 1. | Showbizz Shotguns | |
| 2. | Feast | |
| 3. | Sex Beat - (Remix, remix) | |
| 4. | Showbizz Shotguns - (instrumental) | |
| 5. | Feast - (dub) | |
| 6. | Sex Beat - (Remix Instrumental, instrumental) | |
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Big Silver Sining Motor Of Sin EP Review
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Purchase Big Silver Sining Motor Of Sin EP CD To buy, Click on price to add to cart | Echo & The Bunnymen Crystal Days: 1979-1999 CDs (2001) Box Set
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 $51.49  
The 4-CD box CRYSTAL DAYS includes singles, B-sides, rare live tracks, alternate versions and a 64-page companion book with complete recording notes and historical photos.
Additional personnel includes: Mike Mooney (guitar); ...
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| | L Pierre Dip CD (2007)
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Recording information: Seven-A.
| | Alter Ego Why Not?! CD (2007)
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| | Hardfloor Life We Choose CD (2007)
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Creators: Oliver Bondzio; Ramon Zenker.
| | JOE All That I Am CD (1997)
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$8.99 
On ALL THAT I AM, Joe offers 12 tracks of slow, smooth R&B stylings, with diverse arrangements and creative performance, all centered around the breathy, earnest voice of Joe Thomas. In addition to his multi-tracked vocal arrangements, Joe also makes substantial keyboard, programming, and production contributions.
Lyrically, the album ranges from the swaggering bravado of "The Love Scene" to the emotional vulnerability of "No One Else Comes Close." Not wanting to fall back on R&B cliches, Joe opts for a fresher metaphor--"I hear he' s got you in lockdown, but I got the master key" ["All The Things (Your Man Won't Do)"]. ALL THAT I AM features some impressive production tricks including the reverse loop intro to "U Shoulda Told Me (U had A Man)," the flanged vocal effects of "Don't Wanna Be A Player" and exotic instrumental samples throughout.
Recorded at The Crib, Maplewood, New Jersey; The Crib, Clinton, New Jersey; On The Way Studios, Cleveland, Ohio; Battery Studios, and The Soundtrack Group, ...
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| | Alejandra Guzman Live CD (2003)
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| | Definitive Tom Jones 1964-2002 CDs (2003) England; Box Set
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$82.69
This four-disc retrospective anthology spans nearly 40 years in the career of Welsh singer Toots Thielemans. Over 90 tracks from the years 1964 to 2002 are accompanied by a 64-page booklet containing sleeve notes, photos, and discography.
The Definitive Tom Jones 1964-2002 pretty much fulfills the criteria most fans expect a multi-disc, career-spanning box set to satisfy. The four-CD, 93-track collection includes most of his chart hits -- and all of the big ones, though some minor entries get skipped over -- as well as a load of less familiar album tracks. Diehards might particularly rue the absence of the 1977 Top 20 single "Say You'll Stay Until Tomorrow," his cover of "Resurrection Shuffle" (which charted as a B-side in the U.S. in 1971), and his early single "This and That." Also, the sheer weight of material means that it's not nearly as concentrated in its power as a more concise greatest-hits collection. It becomes less and less interesting as it ventures beyond the early '70s, particularly on the last CD, taken up by a good number of clubby productions and celebrity duets from the 1990s and early 2000s. Still, Jones' remarkable voice remains at peak efficiency even on the fourth disc, something you can say of few other pop singers when they pass the half-century mark. And the collection does document his versatility in a number of genres -- rock & roll, soul, MOR pop, and country music -- as well as his willingness to tackle material from a wide assortment of major popular composers, from Paul Anka, Jimmy Webb, James Brown, and Burt Bacharach to Merle Travis, Mickey Newbury, John Barry, and his early manager, Gordon Mills. Wisely, it also heavily emphasizes his earliest and best work, tracks from his first decade as a recording artist taking up most of the first three discs. Those previously only well-versed in his hits will be pleased to find some unsung quality efforts here, like the punchy pop-soul of "Some Other Guy," the ballads "To Make a Big Man Cry" and "I Wake Up Crying," a snazzy rendition of "Begin the Beguine," the brooding funk of "Looking Out of My Window," and his cover of Solomon Burke's "Just Out of Reach (Of My Two Empty Arms)." Frankly, however, the material and production aren't always good or suited for his voice, doing much to expose the limitations of his blustery approach as well as to complement its strength. As for rarities, there aren't many, though it does include the Joe Meek-produced "Little Lonely One" (recorded before Jones signed with Decca, and belatedly released after Jones became a star) and his 1964 flop debut single, "Chills & Fever," his best pure rock & roll track. The lengthy historical essay by Peter Doggett in the ...
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| | Peter Frampton Where I Should Be CD (2008) (Import) Japan; Mini LP Sleeve; Super-High Material
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