| | Alex Bueno Bachata A Su Tiempo CD Alex Bueno Discography of CDs
Urban Latino (2/99, p.81) - 3 out of 4 - "...can't go wrong no matter what he sings....[Bueno's] new venture into Bachata is no different....The music is great and the lyrics are full of meaning..." Bachata A Su Tiempo Music Alex Bueno Bachata A Su Tiempo Songs | 1. | Busco un Confidente | |
| 2. | Ese Hombre Soy Yo | |
| 3. | Tengo Pero Me Faltas Tu | |
| 4. | Perdoname | |
| 5. | De Madrugada | |
| 6. | Si Viniera Hoy | |
| 7. | Paso a Paso | $0.99 | |
| 8. | Gotas de Pena | $0.99 | |
| 9. | Un Poco de Ti (Quiereme) | |
| 10. | Me Duele | |
| 11. | Lo que Yo Siento Por Ti (Por el No Sientes Nada) | |
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Bachata A Su Tiempo Music Bachata A Su Tiempo Review
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Purchase Bachata A Su Tiempo CD To buy, Click on price to add to cart | Bachatahits 2007 CD (2006)
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| | Rebeca Mauleon Round Trip CD (1999)
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For her debut CD San Francisco based pianist Mauleon has put together a helluva band, with the timbales master Orestes Vilato, trumpeters John Worley and Louis Fasman, trombonist Jeff Cressman, bassist David Belove, drummer Paul VanWageningen, saxophonist Alex Murzyn, and on select tracks the wonderful flute player John Calloway, baritone saxophonist Melecio Magdaluyo, and drummer Horacio "El Negro" Hernandez. Mauleon also plays percussion instruments, but primarily is on acoustic piano for these ten cuts, eight of which she wrote. Her touch is medium light, dramatic when called upon, quite steady and consistent especially in the montuno area, and highly melodic. There are four outstanding original instrumental pieces. The introductory "Songomania" is a very hip, singing horn melody with riveting flute, piano and trombone solos as a prelude for a montuno allowing Vilato to cut loose. "Fresa y Chocolate" is a heavier horn chart with Magdaluyo's bari added, a funkier cha cha and a feature for Fasman's rip it up trumpet. The best of the bunch "Congri" has repetitive horn lines, more of Calloway's determined flute excursions, and a fresh sound that leaps out of the speakers. The title track is a hotter horn chart letting Hernandez and ...
| | Tito Puente Mucho Cha-Cha CD (1959) Remastered
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The tunes on MUCHO CHA-CHA (most of which were penned by Puente) are led by bright, brassy horn lines with a burbling undercurrent of polyrhythms moving things along. Puente's late-'50s band (the tracks here are culled from session cut in '56 and '59) was one of his best, and featured luminaries such as conguero Mongo Santamaria, ...
| | Salsa-Rumba Band Romantic Rumba & Sizzling Salsas CD (1999)
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Contains 15 tracks.
| | Cachao's Mambo All Stars Como Siempre CD (2009)
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| | Blue Murder CD (1989)
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After helping singer David Coverdale reinvent Whitesnake both sonically and aesthetically for the image-conscious American market, guitar hero John Sykes acrimoniously left the group when it became apparent that there was only room enough for one overblown ego in it: Coverdale's. Hardly ones to let a good thing slip away, though, the executives at Whitesnake's label, Geffen Records (specifically A&R super-guru John Kalodner), immediately signed Sykes to a new development deal and proceeded to aid and abet him in founding his own supergroup, Blue Murder, with veteran bassist Tony Franklin and nearly geriatric drummer Carmine Appice (whose career probably started before Sykes was even born!). Released in 1989, the power trio's eponymous debut was produced to pompous perfection by none other than Bob Rock, whose golden ears for bombastic yet consumer-friendly '80s metal were truly second to none at the time -- other than the one and only Mutt Lange, of course. And perhaps more than any of Rock's jobs prior to his hook-up with Metallica, Blue Murder proves it, thanks to songs ranging from muscular power-chord hell-fests like "Riot" and "Blue Murder"; to blues-inflected fare like "Jelly Roll" (whose video was soon all over MTV); to the all-important, overly lush (and frankly not all that good) power ballad "Out of Love." But the album has also become rather dated over the years, because of its frequent indulgence in the same sort of unchecked, peroxide-fueled "Bad Zeppelin-isms" that were then being shamelessly appropriated by bands like Kingdom Come and Sykes' own former boss, David Coverdale, and the reborn Whitesnake. As such, prime offenders like the gratuitously preening "Sex Child," the impressively epic "Valley of the Kings," and the disappointingly tepid "Ptolemy" abused this ethically flawed (if unquestionably effective, from a sales standpoint) gimmick at its most grotesquely histrionic -- but no ...
| | Casualties Stay Out Of Order CD (2001)
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Sporting mohawks that defy gravity, the Casualties are a band from New York who have ripped off the British punk sound of bands like G.B.H. and Blitz. The bands who they copy were never that great to begin with, and the Casualties' take on the British gutter-punk ...
| | Roberto Torres Viva El Bolero CD (1998)
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| | Malicorne Le Mariage Anglais CD (2000) Import
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| | Rubber Gypsy Uber Ipsy CD (2003)
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Rubber Gypsy is a tight trio that crafts catchy, dynamic, and emotional songs. Influences and styles range from british rock to classic american. The Trio setup is somewhat classic: guitar (a.garber), bass (j.collins), and drums (j.metcalf). With this limited number of instruments, the music really opens up and lets the players fill in as much as desired to create a nice full sound. Although the group is planning some "acoustic" style gigs (j.metcalf is and excellent percussionist and translates our material very nicely to the congas), the first listing here will be of our electric style studio material. In this setting the drummer (Bongo) plays a big 7 piece kit that lets him tell the whole story as he ...
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