| | Elizabeth Carthew Dream CD Elizabeth Carthew Discography of CDs
This exclusive 2008 edition of The Dream features the beautiful cover art of Paul Foreman. 'Simply the most beautiful collection of songs from a local artist I have ever heard'Michael Beaumont, RADIO FM 99.3'Everytime I play a track from this album on the radio, I get callers;"What was that beautiful thing you played after the news..."James Valentine, ABC'fascinating, very beautiful.... it's amazing'Don Burrows The Dream is a musical and engaging album, characterised by its lyricism and emotional integrity... Elizabeth has really come into her own. From the opening tune, the gentle Until I’ve Show You Paris, she commands the listener with her poignant, yearning vocal style and tender piano playing. The arrangements are creative and texturally rich... Furthermore, there are some thoughtful, probing ideas and beautiful imagery contained in the lyrics. ..Same World, Different Eyes, for example, deals with the corruption of childhood naivety by the adult sense of futility and the love songs, like The Dream, avoid obvious clichés, exploring instead the complexities and contradictions involved in romantic affairs.This is a musically interesting and honest album, an impressive debut from a most promising singer/songwriter.- Jasmine Crittenden DRUM MEDIA 'Elizabeth stands apart from our other artists simply because of her incredible talent and diversity as a magnificent vocalist, pianist, trumpet and flugelhorn player and last but not least as a composer...' - Leslie Moore, AUSTRALIAN JAZZ AGENCYNew music with a twist.. sophisticated and sultry'BENT magazine'The melodies are infectious and the lyrics are intelligent .. poetic and thought provoking'HAWKESBURY INDEPENDANT "breathtaking"Mark Kennedy, breakfast FM 99.3 Dream Music | Category | Jazz Albums | | Label | elizabeth carthew | | Orig Year | 2004 | | CD Universe Part number | 6793577 | | Catalog number | 45657 | | Discs | 1 | | Release Date | Sep 28, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Elizabeth Carthew Dream Songs | 1. | Until I've Shown You Paris |
| 2. | My Kind Angel |
| 3. | Same World Different Eyes |
| 4. | You Carry Me Home |
| 5. | The Dream |
| 6. | Sympathy Deep |
| 7. | My Song Of Spring |
| 8. | How Many Lives |
| 9. | Welcome To My Movie |
| 10. | First Love |
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Dream Review
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Purchase Dream CD To buy, Click on price to add to cart | Vince Guaraldi Charlie Brown Christmas CD (1977)
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A sequel of sorts to Chris Botti's 2006 PBS special, LIVE WITH ORCHESTRA & SPECIAL GUESTS, the September 2008 event LIVE IN BOSTON found the ...
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The doyenne of Dallas jazz singers, Genie Grant has now racked up her third album for Dave Zoller's DPZ Jazz label. It is a tasty sandwich of standards and traditional pop, all placed within a musical wrapping provided by Zoller's fine piano jazz combo. The singer, entering her seventh decade, sings with verve, élan, and technical capabilities that a vocalist 40 years younger would be happy to possess. Whether singing "I'm Hip" by Kings of Hip Dave Frishberg and Bob Dorough, where she never lets the tricky rhythms of this anthem to the modern style get control of her, or a languid and melancholy version of "What'll I Do" with Mike Drake's brushes providing just the right touch in the background, she stays right on the mark. This would be a perfect vehicle for a 3 o'clock in the morning slow dance in an offbeat lounge somewhere. Grant has mastered the trick of using her players to her best advantage. Bass player Kerby Stewart kicks off "Learnin' the Blues," while Joe Lee's guitar has the lead on "I'll Remember April." Grant is one of those singers who will never enter that high atmosphere of great vocalists. But everything she does has taste, elegance, a sense of humor, and flair. Possessing a Peggy Lee-like light touch, her approach to each song she selects for her albums remains fresh and surpassingly jaunty. Not every CD needs to be "great," groundbreaking, seminal, etc., to be enjoyable. This one is enjoyable and recommended. ~ Dave Nathan
Audio Mixer: Steve Browne.
Liner Note Authors: Genie Grant; Conell Johnson, Jr.
Recording information: Big Time Audio, Dallas, TX (03/11/2002-03/13/2002).
Arrangers: Dave Zoller; Genie Grant.
PERSONNEL: Genie Grant, vocals; Dave Zoller, piano;Kerby Stewart, bass; MikeDSrake, drums; Joe Lee, acoustic & electric guitars.------ABOUT GENIE GRANT:Transplanted St. Louis native Genie Grant is a popular and well-known vocalist in the Dallas-Ft. Worth area with a huge repertoire of classic jazz & standard songs, both familiar and obscure. She and her trio have been featured regularly in recent years at legendary Dallas jazz venues such as Maxine Kent's, 6051 Club, Strictlly Tabu, Terilli's and The Ocean Grill. Genie and her husband, pianist-arranger-composer Dave Zoller and their group have performed at Sambuca Jazz Cafes for nearly five years. Ms. Grant has played the last 22 seasons with Sazarac Jazz at the State Fair Of Texas and performs with her own group and with the Dave Zoller Sextet at Ft. Worth's Main Street Festival and the Denton Arts Fest. She is a regularly featured artist ...
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CD Reviews...\"Bob Sirois breathes freshness into traditional holiday classics with brilliant compilation and accompaniment. His own style - clearly a blend of classical/folk/country guitar playing - yields one of the season\'s best holiday treats. Makes a great, unique gift for all those hard to buy for and fits in a stocking quite well. If you enjoy any of the Windham Hill artists, you\'ll love this disc\" - Sinead Fennell, Port Laois, Ireland.\"I\'ve been following Bob Sirois\' career for awhile and I have to relate that I love all his music. I think his arrangements are fresh and unique. I also love the fact that each CD has it\'s own identity. Dreams of Christmas is awesome, warm, inviting and moody. He tends to include some songs that many other artists do not so it creates an interesting diversity. I have both of his Christmas records and sincerely hope he will create more. For anyone interested his website is [...]. I highly recommend this CD to one and all\" - Sarah E, Boulder Co.\"This CD brings back the joy I felt as a child celebrating Christmas. The traditional music and instrumental ...
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GEORGE LESIW BAND VENTURES DEEP INTO BLUES-BASED JAZZ FUSION TERRITORY ON EXPLOSIVE DEBUT ‘ANUTA WAS HERE’Progressive New England Based Trio, Primed To Take TheirExciting Improvisations Nationwide, Has Electrified Thousands Of Fans Via Hundreds Of High Profile East Coast Dates At Such Hotspots As Toad’s Place In New Haven and Acme Underground in NYCElectric Guitarist George Lesiw, Acoustic Bassist Preston Murphy and Drummer Gil Hawkins, Jr. Forge a Sound That’s “Slightly Outside the Mainstream, But Burns Like Crazy”Thousands of fans of in your face, honest to goodness, rockin’ jazz fusion better get ready for an explosive earful now that The George Lesiw Band is exploding from its East Coast cocoon and hitting the national circuit. Over the past five years, the progressive trioâ€"electric guitarist/composer Lesiw, acoustic bassist Preston Murphy and drummer Gil Hawkins, Jr.â€"have forged a wild, off the beaten path sound Hawkins likes to say is “slightly out of the mainstream, but burns like crazy.” Based alternately in Connecticut and Boston, they’ve developed a loyal following with hundreds of gigs throughout the Northeast at a unique array of hotspots, ranging from famed clubs like Toad’s Place in New Haven to Café 9 (also in New Haven), The Middle East in Cambridge, Mass., and Acme Underground In New York. Ask any of their legion of fans--there’s nothing like hearing The George Lesiw Band live. But the group’s dynamic debut CD Anuta Was Hereâ€"named for Lesiw’s ex-wife, who plays electric guitar on the nine-track collection and composed four of the tunesâ€"is a perfect snapshot of a multi-faceted, adventurous unit that’s constantly evolving and charting new territory. The artistically expansive project combines the true improvisational essence of jazz, the daring electricity of classic guitar-based fusion and the gritty fire of rockin’ blues. The title of “Blue Skeleton” refers to its hybrid sound, a 12 bar blues form featuring more complex jazz changes; “Gone By The Woodbine,” whose name comes from an expression Lesiw’s grandfather always used, incorporates a fascinating eight tone row (pitches that don’t relate to any one scale) as the foundational bassline. ...
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Peter Eldridge continues to combine all facets of his musical talents into an eclectic mix of performing, recording, composing and teaching. He released his first two solo ...
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