| | Verve This Is Music: The Singles 1992-1998 CD Verve Discography of CDs
Though the band only made three studio albums before disbanding in 1999, the Verve still proved to be one of the most compelling rock groups to emerge from Britain in the '90s. THIS IS MUSIC: THE SINGLES 92-98 upholds the claim, and gives 14 prime examples of the ensemble's sharp songcraft and riveting sonic sweep. Powered by the rumbling of bassist Simon Jones and drummer Peter Salisbury, and characterized by Nick McCabe's swirling guitar-scapes and Richard Ashcroft's hypnotic vocals, the Verve created a hugely expansive sound that drew from '60s psychedelia, mainstream rock, and an indie shoegazer ethos.
More subtle and atmospheric than contemporaneous work by Blur and Oasis, the Verve's spiraling, echoing textures were offset by a fierce edge that underscores the desperation at the music's core. This is particularly true of early tracks, including "Slide Away" and "Blue," which offered up a heady crunch. The Verve refined its sound without losing any of its epic scope, culminating in the hit singles from 1997's URBAN HYMNS, the aching ballad "The Drugs Don't Work" and the majestic "Bittersweet Symphony." The Verve's songs--especially their singles--were symphonies within themselves, and THIS IS MUSIC ensures the band's brief, important legacy will continue to hold sway.
This is the definitive best of collection from The Verve. The package will consist of singles released from the hugely successful albums "A Strom In Heaven", "A Northern Soul" and "Urban Hymns" as well as various EPs and B-sides.
Audio Remasterer: Tony Cousins.
Photographer: Michael Spencer Jones .
Personnel: London Session Orchestra, Gavyn Wright (strings); Owen Morris (synthesizer, string synthesizer); Paul Anthony Taylor , John Cornfield, Mel Wesson (programming).
Audio Mixers: Chris Potter ; John Leckie.
Uncut (p.170) - 4 stars out of 5 - "The Verve for all their vastness, had a tenderness of touch that rendered them distinct..."
Mojo (Publisher) (p.124) - 4 stars out of 5 - "[A] vitalising, occasionally era-defining force." This Is Music: The Singles 1992-1998 Music This Is Music: The Singles 1992-1998 Review
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This live set from Simon Phillips' 1998 European tour captures the drummer fronting an electric quintet and producing some of the most exciting music in his long career. Phillips, who has held stints drumming for everyone from the Who to Toto, shows not only his powerful chops and tasteful execution, but also his commanding leadership abilities as he drives this tight group through its paces. From behind his massive drum set, Phillips succeeds in offering his own take on modern electric jazz with a very creative rhythmic base.
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In the Virginia courts of 1624, a suit was filed for slander, in which the angry Mr. Utie claimed the said Wm Tyler did call the said Mr. Utie a ffidling Rogue and Rascall… (Oh, horrors!)And in Scotland, an elderly fiddler stomped from the dance floor, exclaiming he’d kept decent company his whole life, but “at this moment Jamie Duncan’s playing ‘Moneymusk’ in four flats, and I say that the man that would do that is fit for any kind o’rascality!!†(Here! Here!)And now a rascally lot of fiddlers and string pluckers is here to provide you with a past history of the very roguish composers and music of Scotland, from the 17th century to the present day. Unlike most traditional music, Scottish fiddle music was written down and published, particularly from the 18th century onward.The sampling of Rogues and Rascals includes one of the earliest identified town fiddlers, Patrick Birnie (1635-1721), who held court from a local ale house. His portrait graces the cover of this recording, and he is described as having a face that mingled “cleverness, drollery, roguery and impudence.â€And our next fiddler, James Macpherson, plays his own farewell prior to being hanged for being a “wagabond, soroner (sorcerer) and Egyptian.â€Other fiddler/ composers include Johnny McGill, John Riddell, Niel Gow, Daniel Dow, Red Rob Mackintosh, William ...
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