| | Playeros Shine CD Playeros Discography of CDs
Playeros has fused the elements of Latin funk,rock,jazz,blues samba,and flamenco into a Tropical beat sound in both English and Spanish. Their rhythms and melodies run deep into past decades of influences such as Santana,Motown,Spyro Gyra,War,Allman Brothers and Latin classics. The thred tying this variety of styles and sounds together is the Afro-Cuban rhythm. Playeros keeps the Latin percussion in the forefront of their dynamic material, unlike the recent trend where the music is American rock with Spanish lyrics. Their music heard for the first time,seems pleasantly familiar yet their sound is distinctly their own. Playeros has had the pleasure to open for acts such as Santana,Ziggy Marley,Lauryn Hill,Erika Badu,Inner Circle,Duncan Sheik,David Sanborn,and The Rippingtons. Also Playeros got a chance to play for the 2001 Olympic Torch ceremony. Playeros consist of six musicians from a diverse cultural mix of Cuban/Puerto Rican/Canadian/Afro American from Miami. The members are Joedy Pauley/Scott Sherman/Carlos Fernandez/Richard Jay/Al West/and Martin Gallardo. I hope you enjoy our music as much as we enjoyed making it. GOD BLESS YOU ALL Playeros Shine Songs | 1. | Start of Love |
| 2. | Playeros Song |
| 3. | Que Buena Mami |
| 4. | 7 Am |
| 5. | Control |
| 6. | Two Ships |
| 7. | Son Montuno Blues |
| 8. | Angel |
| 9. | Shine |
| 10. | Driving Thru |
| 11. | La Mulata |
| 12. | Spanish Rose |
| 13. | Fiesta |
| 14. | Ballad |
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Shine Review
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Purchase Shine CD To buy, Click on price to add to cart | Diana Krall Quiet Nights CD (2009)
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| | Herb Alpert Whipped Cream & Other Delights CD (1965) Bonus Tracks
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How a good-looking Jewish boy from Brooklyn discovered the secret of success in an updated form of mariachi music is perhaps beyond our scope. Then again, it might not be such a mystery after all. Aside from the obvious example of exotica, much easy listening depends upon more than a touch ...
| | Miles Davis Tribute To Jack Johnson CD (1970) Remastered
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| | Harry James Bandstand Memories 1938-48 CDs (1994)
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This very interesting three-CD set features trumpeter Harry James's Orchestra on a variety of previously unreleased radio broadcast performances. While there are many vocals from Frank Sinatra (in his pre-Tommy Dorsey days), Helen Forrest and Kitty Kallen, it is the instrumentals that are of greatest interest, particularly the earliest tracks which date from the period before James really hit it big. Many of these songs were not recorded commercially by the trumpeter and this strong jazz-oriented set is highly recommended to swing fans. ~ Scott Yanow
Recording information: 04/02/1938-11/30/1948.
Editor: John Jungklaus.
Arrangers: Jack Mathias; Bob Friedlander; Gary Rains; Ernie Wilkins; Paul Villepigue; Claude Lakey; Marge Gibson ; Harry James; Herschel Burke Gilbert; Dave Mathews; Frank Davenport; Jack Haskell; Jimmy Mundy; Johnny Richards ; Juan Tizol; Leroy Holmes; Louie Bellson; Neal Hefti; Nelson Riddle; Andy Gibson ; Paul Weston; Ray Conniff; Russell Garcia; Sam Donahue; Shorty Rogers; Frank de Vol; Thad Jones; Billy May.
Personnel: Harry James (trumpet); Johnny MacAfee (vocals, alto saxophone); Connie Haines, Haymes Forrest, Dick Haymes, Frank Sinatra (vocals); Hayden Causey, Benny Heller, Bryan "Red" Kent, Allan Reuss, Tiny Timbrell (guitar); Alex Nieman, Allan Harshman (violin, viola); Cy Bernard (violin, cello); Sam Freed, Mischa Russell, Jack Gootkin, John DeVoogdt, Gerald Joyce, Nick Pisani, Ray Martinez, Ernest Karpati, Alex Pevsner, Sam Rosenblum, ...
| | Pinetop Perkins Born In The Delta CD (1997)
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BORN IN THE DELTA is an Enhanced ...
| | Fred Hersch Songs Without Words CDs (2001)
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Fred Hersch's sixth release for Nonesuch is a three-CD set, with separate volumes focusing on original works, classic jazz, and, finally, songs by Cole Porter. His suite of six "Songs Without Words" can't help but highlight his background in classical music, but his lyrical pieces still have the "sound of surprise" that differentiates jazz from all other forms of music. Percussionist ...
| | Alice Coltrane Transfiguration CD (1978) (Import) Netherlands
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TRANSFIGURATION features the live performances of Alice Coltrane, who was making music as a pianist before she met her husband, John Coltrane, in the early '60s. Coltrane also played harp and organ.
Alice Coltrane never had an easy time of it with critics. That she was able to pursue her rugged musical vision in the midst of controversy (many claimed she was "the Yoko Ono of the John Coltrane Quartet," in that she replaced McCoy Tyner when Trane decided to shift the focus of his band) is, in retrospect, a heroic act, though, humble as she is, she would never see it that way. This double-LP live set (available on one CD from Sepia Tone) from 1976, recorded at UCLA (and not released until 1978), reveals in total the ambitious and profound free jazz and universal musical frontiers Ms. Coltrane was able to explore in both small and larger groups. The lion's share of the music here features her in a trio setting with bassist Reggie Workman and drummer Roy Haynes. Ms. Coltrane performs on piano and organ. The opening moments of the title track, which opens the album, offer the careening subjectivity through the whole-tone improvisation that Alice Coltrane made her own. Certainly there is the influence of her late husband here, but her sense of phraseological articulation and accent is far different. She moves with one hand over a difficult series of arpeggiattic concerns, creating a strong harmonic line for Workman and Haynes to develop into a rhythmic construct. When a standard modal interlude develops in the rhythm section, Coltrane stretches it to its breaking point until a new one must be developed; it's nothing less than breathtaking. But expectation is thwarted when Coltrane plays a piano solo on "One for the Father," where the depth dynamics of Shostakovich meet the strident harmonic vistas of Stravinsky and Messiaen and engage the profound spiritual emotionalism of gospel music in a seven-minute piece that is so moving, it would seem that the set should end there. But there is so much more. On "Prema," another solo piano piece which opens an Eastern drone in a near-impressionistic (à la Debussy) manner was later overdubbed with a string section, adding more dimension to the droning, whole tones that lie at its ...
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| | Los Portenos Vol. 2-Mas Musica De Viento CD (2006)
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