| | Bone Thugs-N-Harmony Greatest Hits CD Bone Thugs-N-Harmony Discography of CDs
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Personnel: Bone Thugs-N-Harmony; Geraldine Sigler, Mariah Carey, Phil Collins (vocals); Z. Jimmy (harmonica); Virgil "Stinky" Davis (keyboards); The Rkitek (programming); Eazy-E, Felecia, 2Pac, 3LW, Krayzie Bone, Avant, The Notorious B.I.G., Big Chan. Audio Mixers: DJ U-Neek; Ian Boxill; Al (Taz) Machera; Eric Nordquist; Aaron Connor. Recording information: Audio Vision Recording Studios, Miami, FL; Chung King Studios; GTR Media Studios, Inc., Cleveland, OH; Music Grinder; Studio 76, Cleveland, OH; Studio X Productions, Los Angeles, CA; The Backroom, Glendale, CA; The Workshop Recording Studio, North Hollywood, CA. Photographer: Jonathan Mannion. The third time Cleveland's quick rapping Bone Thugs-N-Harmony get compiled by their former label Ruthless starts out clever, but the packaging, lack of input from the band, and too-long run time make it nothing to get excited about. Kicking off with the short and dramatic "Carole of the Bones" is a clever move, but where are the liner notes, and who laid the tracks out in such a lame order? Too many hits upfront weaken disc two's punch and too often likeminded tracks are put right next to one another. All the producer and engineer credits you'd ever want are included, but good luck figuring out which track was on what without jumping on the Internet. Stick with 1998's Collection, Vol. 1 if you want a concise look at Bone, then pick up their E 1999 Eternal if you need more. Bone Thugs never rose above that brilliant album, as the numerous lesser tracks on Greatest Hits point out. There's no love lost between Bone and Ruthless, and with Ruthless handling their history like this, it's easy to see why. ~ David Jeffries The Cleveland, Ohio collective Bone Thugs-N-Harmony began as Eazy-E proteges and early signees to his Ruthless Records. For a brief time, the five-member rap trio eclipsed the always-controversial Eazy, scoring huge crossover hits with its knack for intricate harmonies and a blend of smooth R&B and gospel with a hard-edged street attitude. The group's supreme asset was its five distinctive voices and its unique ability to interweave them into a complex mosaic. Ranging from heartfelt to off-kilter, from rapid-fire to contemplative, Bone Thugs' skills culminated in the surreal single "Tha Crossroads," which spent two months in 1996 atop the pop charts. That seminal hit and over 20 more songs culled from its decade-plus of existence grace Bone Thugs-N-Harmony's two-disc GREATEST HITS, an overflowing collection of the unit's finest tracks. Present are the most memorable moments--the tenacious anthem "Thuggish Ruggish Bone" and the ghostly "1st of tha Month"--alongside such lesser known, but strong tunes as "Thug Mentality" and "Ecstasy." Also on GREATEST HITS is the unlikely, but successful collaboration with Phil Collins, "Home." GREATEST HITS captures the soul of Bone Thugs-N-Harmony's restless spirit. Greatest Hits Music | List Price | $18.98 (You save $5.23) | | Category | Rock/Pop Albums, R&B CDs, Rap, Heavy Metal, Urban Soundtrack, Gangsta, Rap Metal, Greatest Hits Collections | | Label | Ruthless | | Orig Year | 2004 | | All Time Sales Rank | 2484  | | CD Universe Part number | 6796587 | | Catalog number | 25423 | | Discs | 2 | | Release Date | Nov 16, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Michael Seifert; DJ U-Neek; Sean "Puffy" Combs; Rick Taylor; Krayzie Bone | | Personnel | Bone Thugs-N-Harmony Avant 3LW Big Chan
Also: Phil Collins, Mariah Carey, Notorious B.I.G., Krayzie Bone, Tupac, Eazy-E, Felecia |
Bone Thugs-N-Harmony Greatest Hits Songs Greatest Hits Music Review Purchase Greatest Hits CD To buy, Click on price to add to cart | Up In Smoke Tour DVD (2000)
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| | Avenue Q CD (2003)
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$12.09 Music and lyrics written by Robert Lopez and Jeff Marx. Principal cast includes: Jennifer Barnhart, Natalie Venetia Belcon, Stephanie D'Abruzzo, Jordon Gelber, Ann Harada, Rick Lyon, John Tartaglia. Recorded at Right Track Studio, New York, New York on August 10, 2003. "Avenue Q has not been authorized or approved in any manner by the Jim Henson Company or Sesame Workshop, which have no responsibility for its content," reads a disclaimer found, among other places, inside the CD booklet for the original Broadway cast album of Avenue Q. It's an important statement to keep in mind, because, in essence, the show, with songs by Robert Lopez and Jeff Marx, who are also credited with the "original concept," asks what would happen if you crossed the children's television series Sesame Street with the gritty, urban Broadway musical Rent. Or, to put it more plainly, suppose all the puppets on Sesame Street had potty mouths? What if, for example, Bert and Ernie (or, as they are called here, Rod and Nicky [John Tartaglia and Rick Lyon]) were closeted gays ("If You Were Gay")? What if Cookie Monster (sorry, Trekkie Monster [Rick Lyon again]) craved not baked goods, but pornography ("The Internet Is for Porn")? And what if Miss Piggy's name was, instead, Lucy the Slut (Stephanie D'Abruzzo)? It's fair to say that the viewer and listener's reaction to Avenue Q will depend on a visceral response to the "original concept" of a hard R-rated version of Sesame Street. Is it a clever idea, or does it make you want to exclaim, as Kate Monster (Stephanie D'Abruzzo again) does during the show, "Ewww!" and "That's gross!"? The question is complicated by context. Like another heavily satirical show of the early 21st century, Urinetown, Avenue Q began off-Broadway (on March 19, 2003). But then it transferred to Broadway (on July 31, 2003). In an earlier day, such shows might have stayed off-Broadway, where audiences in search of edgy work would seek them out in small theaters in Greenwich Village. Instead, they now come uptown, where it's easy to mistake them for mainstream fare, especially when they win Tony Awards, as Avenue Q did for its score and book as well as an upset victory in the Best Musical category. After those accolades, the show's producers unexpectedly announced that Avenue Q would bypass a national tour in favor of a permanent production in Las Vegas, a decision that may have upset regional theaters, but probably saves many American children from inadvertently hearing a bunch of earnest, friendly looking, familiarly fuzzy puppets proclaim, "Everyone's a Little Bit Racist." Avenue Q is for adult audiences. ~ William Ruhlmann In the late 1990s, the television show SOUTH PARK sparked a trend of using figures associated with children's entertainment, such as puppets and animated characters, in the service of adult comedy. Depending on your viewpoint, this either generates marvelously clever social critique or cheap, tasteless jokes. Adding to the controversy is AVENUE Q, the smash Broadway hit that reads like a thinly veiled SESAME STREET parody, in which a charming puppet world is subverted by smart, bawdy humor about sexuality, pornography, and racism. In ...
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