| | 13th Floor Elevators Going Up: The Very Best Of CD 13th Floor Elevators Discography of CDs
The twenty greatest mind-blowing hits recorded for the International Artists label between 1966 And 1969 by the pioneering psychedelic rock group. Snapper. 2005.
Liner Note Author: Jon "Mojo" Mills. Going Up: The Very Best Of Music 13th Floor Elevators Going Up: The Very Best Of Songs | 1. | You're Gonna Miss Me  |
| 2. | Slip Inside This House |
| 3. | Fire Engine |
| 4. | Livin' On |
| 5. | She Lives in a Time of Her Own |
| 6. | Reverberation (Doubt) |
| 7. | Earthquake |
| 8. | Tried to Hide |
| 9. | Scarlet and Gold |
| 10. | Nobody to Love |
| 11. | You Don't Know |
| 12. | I Don't Ever Want to Come Down |
| 13. | Levitation |
| 14. | I Had to Tell You |
| 15. | Splash 1 |
| 16. | Gloria - (live) |
| 17. | Rose and the Thorn, The |
| 18. | Baby Blue |
| 19. | Slide Machine |
| 20. | May the Circle Remain Unbroken |
| Going Up: The Very Best Of Review
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Purchase Going Up: The Very Best Of CD To buy, Click on price to add to cart | Flaco Jimenez Ay Te Dejo En San Antonio Y Mas! CD (1986)
Going Up: The Very Best Of album
$14.49 Lyrics translated from the Spanish by Guillermo Hernandaz, Yolanda Zepeda and Jaime Nicolopulos.
Following on from his father Santiago Jimenez' own successful run as a conjunto musician in San Antonio, Flaco Jimenez put together a conjunto of his own in the '50s, eventually becoming one of the most famous figures in Tex-Mex music (also known as Musica Nortena in Mexico). Based on the polkas and waltzes Mexican performers refashioned as rancheras, the Tex-Mex conjunto style features accordion, the 12-string bajo sexto guitar, bass, and drums. Flaco immediately staked his claim in the music with a distinctly imaginative and lively accordion style, finding ...
| | Phil Alvin County Fair 2000 CD (1994)
Going Up: The Very Best Of CD music
$10.69 Brothers Phil and Dave Alvin were the heart of California roots-rockers the Blasters. After songwriter/guitarist Dave's departure for a solo career, Phil kept the group alive, but mostly on a local performance level, not as a recording unit. He released his first solo album in 1986, but it took him eight years to make another.
Like its predecessor, COUNTY FAIR finds Phil Alvin backed by a shifting cast of characters, exploring an eclectic batch of American roots styles, from blues to country to R&B and rockabilly. On several ...
| | Best Of Roger Miller: His Greatest Songs CD (1991)
Going Up: The Very Best Of music CDs
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| | Ramones All The Stuff (And More), Vol. 1 CD (1990)
Going Up: The Very Best Of songs
$12.79 Exploding into the stale vacuum of music in 1976 were four lads from the working-class burg known as Queens, New York: The Ramones! Projecting non-image as image, the Ramones invented worlds with every new song, populating their fantasies with characters like Sheena The Punk Rocker and Suzy The Headbanger. They were successful simply because they knew how to write great rock & roll--all energy, swagger and bravado; no solos, no chops, and no classical themes sprucing up concept albums.
Though Joey Ramone's lyrical concerns often focus on horror movies, there's a song for every occasion, whether you want to sniff some glue, score some horse on "53rd & 3rd," or make out with a "Babysitter." The story goes that The Ramones were originally going to play covers, but discovered it was easier to just write their own songs. In truth, they wrote maybe one or two tunes, then re-wrote them and re-wrote them, creating albums of minimalist anthems and universes out of the same few chords and themes. ...
| | Cry Baby CD (1990) Original Soundtrack
Going Up: The Very Best Of album
$6.49 John Waters' Cry-Baby goes hand in hand with Hairspray, and is a musical film that will probably appeal more to Waters' fans than fans of musical cinema. There is nothing original or exciting about the music on the soundtrack, as energetic as it is, and its bizarre nature is probably due to the scenes from the film rather than its own oddities. Waters describes it as "music that proved kids knew how to be bad before sex, drugs, and rock & roll," yet there seems to be little separation between those attributes and the concoction of lust and loudness here. Songs like "Doin' Time for Bein' Young" and "High School Hellcats" are no different from rock & roll, except that they sound like weak imitations of songs from Grease. Waters, the master of imitation and suburban insult, may very well have planned it that way. What might have changed ...
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