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Our Price: $14.65 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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Recording information: Art Of Music Studio, Hamburg, Germany (07/2001-08/2001).
Atmosfear: Oliver Wulff (vocals); Boris Stepanov (guitar); Stephan Krus (keyboards); Burkhart Heberle (bass instrument); Olaf Sorgenfrei (drums).
Inside The Atmosphere Music Atmosfear Inside The Atmosphere Songs Inside The Atmosphere Review
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Purchase Inside The Atmosphere CD To buy, Click on price to add to cart | Pagan's Mind Celestial Entrance CD (2003)
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| | Dream Theater Octavarium CD (2005)
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$10.59 As the sole major-label progressive-metal act, Dream Theater invariably set the standard as the flagship band of the genre. With the numerically themed OCTAVARIUM (including eight tracks signifying the band's eighth release) the shred-rock quintet continues to challenge themselves creatively. Opening track "The Root Of All Evil" picks up the thread that began with "The Glass Prison" (SIX DEGREES OF INNER TURBULENCE) and carried forward to "This Dying Soul" (TRAIN OF THOUGHT). Drummer Mike Portnoy's lyrics for these songs read like a set of deeply personal journal entries documenting ...
| | Redemption Fullness Of Time CD (2005)
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$13.45 The seeds for The Fullness of Time were planted with the band's self-titled debut in the summer of 2002. That album features members of Fates Warning, Steel Prophet, and Symphony X. Redemption leader Nick van Dyk prevailed upon his close friend, Fates Warning lead singer Ray Alder, to take the producer's chair.
The band quickly gathered a following in the metal underground, and received rave reviews from the press, which recognized the band for its combination of intensity, progression and melody. The German magazine Rock Hard awarded it 9 out of 10 points. The accolades culminated in a performance at ProgPower in September 2002. Alder also joined the band on stage as a guest performer.
With a newly revised lineup in place, Van Dyk set to work writing and recording the follow-up, and upon hearing the completed music, Alder asked to join the band as its full-time vocalist in the summer of 2004. The band recorded ...
| | Angra Aurora Consurgens CD (2006)
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$14.25 Iron Maiden/Queensr˙che-esque prog metal reaches far and wide throughout the world, as evidenced by the emergence of Brazil's Angra. On their sixth full-length overall, 2006's Aurora Consurgens, you get truckloads of opera-like vocals, finely honed guitar harmonies ...
| | Emma Shapplin Carmine Meo CD (1997)
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| | Cliff Richard Wonderful Life CD (1963) (Import) United Kingdom
Inside The Atmosphere songs
$7.49 Cliff Richard's fifth movie, released in the summer of 1964, was another wonderful knockabout, absurd and adorable in more or less equal doses, and accompanied, of course, by a soundtrack which squeezed every last ounce of effervescence from the plot. The formula was, by now, firmly entrenched. The Michael Sammes Singers twitter, Norrie Paramor produces, and the Associated British Studio Orchestra lavish everything beneath monstrous slabs of sweet strings and wind. Meanwhile, the Shadows rattle along as both an understated backing band and, when the mood hits, frontmen in their own right, throwing two characteristic guitar-led instrumentals into the brew -- "Walkin'" and "Theme for Young Lovers." Equally predictably, the hits flew from the album -- "Theme for Young Lovers" reached number 12 in the U.K., Richard's understatedly grand "On the Beach" made number seven, and both the title track and "Do You Remember" remained favorites long after the movie slipped off the screens. Ah, but there is where comparisons with past soundtracks end. The others were fun because they were so ridiculously enjoyable. This one's fun because...actually, it's no fun at all. It is, however, contrived, condescending, and, for the most part, utterly overblown. Calm down -- it does have a few great moments. "Wonderful Life" itself comes over like something from a Broadway spectacular, all racing orchestration, broad backing vocals, and imbibed with the same timeless bravado which one normally associates with the classics of the 1940s and 1950s. But that, too, is a damning confession. The hit singles aside, there is no denying the audience which Wonderful Life was gunning for -- the mums and dads (and beyond) who still had time for pop, but maybe found the latest crop of superstars a little too outlandish for their tastes. All that long hair, all those suggestive lyrics, all that hand-holding and yeah, yeah, yeah-ing. No such dangers here. The frothy over-excitement of "Home," the stirring big band buoyancy of "A Little Imagination," the string-driven simplicity ...
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