| | Magna Carta Gregorian Mystics CD Magna Carta Discography of CDs
 (2 Customer Reviews)
GREGORIAN MYSTICS is a compilation of material by the band Magna Canta, who layer medieval chants over mellow dance beats.
Double disc anthology of the group that puts a modern beat underneath liturgical classics for an uplifting, pleasant experience. Magna Carta Gregorian Mystics Songs | 1. | Hymn |
| 2. | Aethera et Terra |
| 3. | Silentium |
| 4. | Ritmo |
| 5. | Offizium |
| 6. | Agnus Dei |
| 7. | Gregoria |
| 8. | Alleluia |
| 9. | Recordare |
| 10. | Cantandus |
| 11. | Spiritus Sanctus |
| 12. | Sancta Maria |
| 13. | Pater Noster |
| 14. | In Excelsiss Deo |
| 15. | Hiawari |
| 16. | Lux Lucies |
| 17. | Sanctum Chritie |
| 18. | Credo |
| 19. | Russia |
| 20. | Kyrie |
| 21. | Close to Heaven |
| 22. | Celestia Organa |
| 23. | Sequentia |
| 24. | Hymn |
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::: SolyMar* Bio ::: SolyMar* was born and raised on the streets of Bedford Stuyvesant, Brooklyn. As a child the native Brooklynite used to dream of becoming a fixture in the music industry. With songs coming from her heart she started writing while still in High School. She won a literary award and decided that writing was her second passion to singing. SolyMar* started her music career with R&B in 1993 when she met her manager who guided her through vocal coaching. Creating her own sense of style, she learned how to use her vocal ability and started to write songs in collaboration with Hopetown Records. Shortly after developing her writing skills she recorded Jazz R&B tracks like “Can’t You See” and “In The City” through Ripleez Entertainment. Then one day, while working on a “neosoul” Jazz project she met Producer Henry Maldonado and discovered her newly found passion: House Music. Her first House track, “Sunshine” was released by MAW Records. The second release featuring SolyMar*, titled “I See The Light” exposed her enough to be invited to perform at the 2003 Winter Music Conference in Miami. Since then, House tracks featuring SolyMar* include “All I Need”, “Inner Music” and “Control Me” released by Next Dimension Music. Several tracks have appeared on compilation CDs and in many House mixes by DJs throughout the world. SolyMar* now joins BHTC Music with her experience in writing and outstanding vocal technique. House music to be released by BHTC Music awaits her deep and sensual style when recording a track. Without doubt her confidence and skill enables her to tackle all projects within the genre.::: Dave Perez Bio ::: Born in Brooklyn to Cuban parents, Dave Perez has listened to a wide range of music all his life. As a child, listening to Mambo and Salsa taught him to appreciate the different sounds that captivate the soul and beats that move the body. As an adolescent music and mixed cassette tapes were the priority over Brooklyn street life. When he attended college, mixing music at fraternity parties had him spinning records until a handful of people were left. After ...
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Originally inspired to take up playing the blues in our teens, we’ve both been playing ever since – in bands, jams, solo, duos – and sometimes just the two of us together. Living at opposite ends of the country, we don't get to play together as often as we'd like, but when we do, the result is the kind of thing you hear on this album – a mixture of old favourites and new discoveries. It’s also a homage to the men and women who first shaped the blues, and a journey through the country blues, vaudeville and jug band music of the 1920s and 1930s, to the post World War 2, electric blues of Chicago. Recorded in a single session, and mostly in single takes (with some overdubbing for additional vocals and jug), we set out to capture the spirit of one of our live sets, meeting the blues like an old friend – but one full of surprises.Notes on the songs1. Stealing, Stealing An old favourite that we first heard from Jesse Fuller, but originally recorded in 1928 by the Memphis Jug Band with Will Shade on harmonica and vocals. It has what must be one of the best opening lines of any song.2. Big Road BluesA Tommy Johnson song, first recorded in 1928 and one of three of his on this album. He wrote this one night at a party when the girl he wanted to go home with was non-committal. The guitar here is in dropped D tuning capoed up to E.3. Green River BluesOne of two Charley Patton songs on this album, both recorded in 1929. This one rolls along like a Mississippi steamboat; big wheel churning, smoke hanging in the air, and accordion and guitar music drifting across the water….4. I Wonder To MyselfAnother song from Tommy Johnson, this one surviving only as a poor quality 1929 Paramount recording. We think this is the only ragtime number Tommy recorded, and family members tell us that in the studio he had someone to put the kazoo in his mouth for the instrumental breaks. Here Bob had the luxury of a rack to hold his kazoo. Tommy’s lyrics deal with common themes in his songs - coming home to his old mother who is missing him, being drunk and short of money. The lyrics also make a reference to racial segregation (“got to stagger to the rear of some passenger train”), which was rare in 1920s blues recordings.5. Rocking Chair BluesA Big Bill Broonzy song first recorded in 1940 with Memphis Slim on piano. Although Big Bill protests he’s young and tender and needs handling with care, he was 47 at the time. And as for Bob’s age…well, he too is being ironic…...6. Going To GermanyA Canon's Jug Stompers song recorded in 1929 with Noah Lewis singing and playing harmonica. There are various ideas on what is meant by “going to German” – perhaps a reference to army service during the First World War or, more likely, to Germantown on the east side of Memphis. Either way, it's a beautiful and haunting song.7. Me And The Devil BluesOne of our favourite Robert Johnson numbers and one we usually play acoustically. But this time we plugged in for an ‘early Chicago’ sound, Bob playing his Gretsch Synchromatic ...
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sublime but not boring
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