| | Dezerter Nielegalny Zabojca Czasu CD Dezerter Discography of CDs
12th full length by one of the most important bands in Polish punk rock. Simple and uncompromising music plus lyrics that tell serious things in a plain way. This album marks the return of the "Mam kly mam pazury" style. Metal Mind. 2004. Nielegalny Zabojca Czasu Music Dezerter Nielegalny Zabojca Czasu Songs | 1. | Intro |
| 2. | Twoje prawa |
| 3. | Spoleczne role |
| 4. | Zabójca czasu |
| 5. | Atak aniolów |
| 6. | Depresja |
| 7. | Glód |
| 8. | Monument |
| 9. | Skaza |
| 10. | Ulica bankowa |
| 11. | Wiekszosc |
| 12. | Oni |
| 13. | Sztuka zycia |
| 14. | Straznik moralnosci |
| Nielegalny Zabojca Czasu Review
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Purchase Nielegalny Zabojca Czasu CD To buy, Click on price to add to cart | Judas Priest Concert Classics CD (2009) Reissue
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$17.79 Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" which are eventually overcome by a guitar crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there's no threat of the album ...
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$13.15 Audio Mixer: Jonas Kjellgren.
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$15.65 Chuck Schuldiner's Death got pretty clinical with the odd time signature, and Atheist got pretty busy with their complex arrangements, but Florida's Cynic simply threw the progressive metal playbook out the window. Their only official recording, 1993's ground breaking Focus, meshed metal and jazz on an unprecedented scale, and explored the creative possibilities of this strange musical hybrid to a degree which has yet to be equaled. For Cynic, the traditional framework of death metal songwriting served as a mere foundation over which the band would take flight, yielding moments of mind-blowing diversity and inspiration (and, occasionally, dumbfounded confusion) on multi-faceted tracks like "Veil of the Maya," "I'm But a Wave To...," and "Textures." Never mind the contrast of time traveling proportions created by their dual vocalists, clashing stone age-style death grunts with robotic computer-processed melodies (the later, a clear influence on digi-metallers Fear Factory). And yet, as suggested by its title, their stunning sonic collages were uncommonly focused and concise, avoiding the time transgressions of most progressive metal to achieve even greater impact. Simply put, Focus remains a wholly original and widely respected release amongst the small progressive metal community, many of whom still regard it as the ultimate statement in the genre. ~ Eduardo Rivadavia
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