Snow Patrol Final Straw CD

Standard Screen; Soundtrack English; Dolby Digital 5.1 Re; Dual Disc CD/DVD

This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Snow Patrol: Gary Lightbody (vocals, guitar, keyboards, glockenspiel); Nathan Connolly (guitar, background vocals); Mark McClelland (keyboards, bass instrument); Jonny Quinn (drums).
Additional personnel: Fiona McCapra, Alison Dods (violin); Bruce White (viola); James Banbury (cello, piano); Iain Archer (background vocals).
With Final Straw, Snow Patrol mainman Gary Lightbody seems to take all the inspiration he's gathered from the superstar collaborators in his Reindeer Section project and bundle it into a series of earnest bombastic rock ballads. Producer Garrett Lee deserves credit up-front for expanding the band's sound even further from the lush symphonic grandeur of When It's All Over We Still Have to Clear Up. Here, Lightbody and his cohorts traverse the same anthemic territory as Idlewild, with guitars cranked to the max. But where his friend Roddy Woomble of Idlewild soars all over the map vocally, Lightbody prefers the immediate and somewhat indifferent vocal style of another friend, Aidan Moffat of Arab Strap. Indeed, much of Final Straw feels like a middle ground between these two bands, if not for the violins, xylophones, and percussion Lee layers into the mix. Thanks to extra ornamentation, "Gleaming Auction" steps into the swirling realm of Rollerskate Skinny, as wobbly dynamics add interest to punishing guitars. If one gets the sense that Lightbody is shuffling through influences, ranging from all of the above-mentioned bands to Radiohead, Coldplay ("Somewhere a Clock Is Ticking" seems to be a more rocking cousin to Coldplay's "Clocks"), and even Pink Floyd (on the unmistakably Dark Side of the Moon-influenced "Same"), his mastery of mood and adherence to harmonies make for a consistently coherent and compelling 40 minutes. Highlights include the throbbing cacophony that is "Wow" and "Spitting Games," which seems like a cascading Wall of Sound feedback-free descendant of My Bloody Valentine. Final Straw is another strong slab of emotion and invigorating energy from a solid band that mixes its influences into an always heady sonic libation. ~ Tim DiGravina
Scotland's Snow Patrol formed in the mid-1990s, united by a love for both American and British alternative rock. Led by singer/guitarist Gary Lightbody, the band recorded two albums for the revered Jeepster label (home of Belle & Sebastian) before signing with A&M Records. FINAL STRAW, the group's major-label debut, finds Snow Patrol expanding its indie-rock guitar-based sound with greater focus on keyboards, strings, and fuller production values (courtesy of Garret Lee). Lightbody's charming vocals and lyrics provide the band's emotional center, as best evidenced on the wistful opener "How to Be Dead" and the slowly building "Run." Although Snow Patrol knows its way around quiet melancholy, the ensemble is also capable of rocking out ("Spitting Games," "Chocolate"), revealing an aesthetic that places the group squarely in the ranks of Coldplay, Travis, and other Britpop luminaries.

Spin (p.65) - Ranked #23 in Spin's "40 Best Albums of the Year" - "Feel-good Britpop for nonbelievers."
Spin (p.100) - "[A]rena-ready songs about long good-byes with right-angled guitar fuzz."
Entertainment Weekly (4/2/04, p.66) - "[FINAL STRAW] proves the Irish quartet keeps getting better....The band has added pulsing strings and staticky textures to its luscious mix." - Rating: A
Magnet (p.108) - "[A] soaring, super-polished album replete with dreamy anthems, superior pop moments....All in all, pretty crafty. And pretty smart."