| | Kill-A-Watts Circuit Breaker Love CD Kill-A-Watts Discography of CDs
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The second and final album by Wisconsin punk trio the Kill-A-Watts -- they broke up as the album was being released -- comes complete with a title and graphics straight out of the early-'80s new wave. However, the album shows little of the same influence; it's completely straightforward three-chord punk-pop with alternating male/female vocals, basically indistinguishable from hordes of similar albums that worship at the altar of the Ramones. Though individual songs are pleasant enough in a deliberately amateurish D.I.Y. fashion, the 13 brief tracks (each averaging around 90 seconds) blur together in a rush of adrenaline tempos and yelping vocals, with little to differentiate them from one another. Fans of old-school punk-pop will probably find some entertainment value here, but all but the least demanding will likely find Circuit Breaker Love unsatisfying. ~ Stewart Mason Circuit Breaker Love Music Kill-A-Watts Circuit Breaker Love Songs Circuit Breaker Love Review
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$10.49 There's no shortage of legendary producers in line to work with music world titans U2; when work with Rick Rubin broke off, Brian Eno and Daniel Lanois stepped in. The resulting NO LINE ON THE HORIZON, 2009's offering from the Irish rockers, continues in the grand U2 tradition, as soaring pop anthems like opening single "Get on Your Boots" pair with experimental melanges like "Tripoli," on a striking album featuring ...
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$10.59 Out of print on CD and cassette on A&M [75021 4306] as of 1st Quarter, 1993.
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Following Paul Rodgers' unsuccessful project titled Peace and Andy Fraser's ill-fated Toby, Free rebuilt themselves and released Free at Last in the summer of 1972. The band went right back to what they know best, with Rodgers bearing his blues-rock soul to Kossof's moody electric guitar. Tracks like "Sail On," "Soldier Boy," and "Travelling Man" come out on top as some of the band's most emotive material, proving that their breakup in 1971 had no real effect on their chemistry. "Little Bit of Love" was released in the U.K., peaking at number 13, while the album itself broke the Top Ten there, stalling at number 69 in the U.S. The band's mixture of laid-back blues and gritty, bare-boned rock & roll is as poignant and as expressive as it was on Tons of Sobs or Fire and Water, even though Paul Kossof's ...
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But it is Aslyn's songs themselves that really carry the album. Honest and vulnerable, yet infused with passionate conviction, her tunes resemble short stories packed with detailed slices of life and meditations on love found and lost. Musically, too, the artist mixes it up. "Just Enough," the record's opener, rides a languid groove in the verse before shifting to a memorable chorus. "493-1023," a stirring, piano-driven ballad about the singer's painful childhood, segues into the positive, Stevie Wonder-inspired vibe of "Ain't No Love." "Wally," a narrative about Aslyn's grandparents' marriage, and "Be the Girl," a slinky rocker about self-definition, are two other highlights on this dynamic album.
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