| | DGM Misplaced CD - Import DGM Discography of CDs
Japanese pressing of the hard rock act's 2004 album includes one bonus track 'You Wa Shock'. Avalon. DGM Misplaced Songs | 1. | Living on the Edge |
| 2. | Is Hell Without Love? |
| 3. | Through My Tears |
| 4. | Still Believe |
| 5. | Pride |
| 6. | Amazing Journey |
| 7. | New Day's Coming, A |
| 8. | Perennial Quest |
| 9. | You WA Shock (Ai Wo Torimodose) - Bonus Track |
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Purchase Misplaced CD To buy, Click on price to add to cart | Anthrax Among The Living CDs (1987) With DVD; Bonus Tracks; Remastered
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Back in the early months of 1992, alternative rock was exploding. Radio and MTV had finally fully embraced the oft-dismissed genre, but the bands that were receiving most of the airplay were writing straightforward, raw punk-pop songs. After the breakup of Jane's Addiction, another Los Angeles band, Tool, satisfied fans looking for progressive art-rock with an alternative edge. Issued in March of 1992, Tool's debut six-track OPIATE EP showed that the new band was creating its own highly original sound.
Half of the songs stretched over the four-minute mark, which signaled the epic-songwriting direction the band would explore further on such future releases as 1993's UNDERTOW and 1996's AENIMA. ...
| | Casey Neill Portland West CD (2001)
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Recorded live at St. John's Pub, Portland West captures the Casey Neil Trio in great spirits, performing a dozen songs and instrumentals before an enthusiastic crowd. Guitarist/vocalist Casey Neill, flutist/vocalist Hanz Araki, and mandolinist/vocalist Zak Borden tackle original and traditional material with flair and finesse. The driving "Lowground" and the countrified "Blue Nights" circle around love lost and found, while the pensive "Killing Thing," from 1999's Skree, examines the many sides of love. The band gives a Celtic twist to the Carter Family's "Storms Are on the Ocean," and deliver some lively instrumental work on "The Kerfuntan Set." Neill's vocals and political sensibility have often linked him to Billy Bragg, but the acoustic approach of his trio is gentler than his English counterpart. Neill's political edge is also less evident on Portland West, though he does offer a stirring social commentary on "Angola," a story about a man who served 30 years in prison for a crime he didn't commit. Recording live, especially for a group that only has one album under its belt, is perhaps a risky strategy. But certain groups like the Casey Neill Trio just happen to be in their element live. In fact, one can almost recapture the infectious mood by turning up the volume and imbibing in a pint of one's favorite beverage. It should also be noted that most of these songs do not appear on earlier albums, so fans will hear fresh material. Portland West will also appeal to Celtic lovers who enjoy lively performances of great songs. ~ Ronnie D. Lankford, Jr.
Live performance is the true test of a working band - the musicians and their songs are heard "naked" onstage, judged in those moments by a paying audience of instant critics. "Portland West" captures singer-songwriter Casey Neill and his band in the crucible of a club setting, affirming the skills displayed on previous recordings and expanding their range of musicianship, imagination, and emotion.Recorded at the St Johns Pub in Neill's adopted hometown of Portland, Oregon, "Portland West" is unlike most live albums, eschewing the usual "greatest hits" approach for a fresh repertoire that showcases the Neill Trio's distinctive mixture of acoustic Americana, traditional Celtic music, and meaningful original material, most of it previously unrecorded.This CD is Casey's third for Appleseed, preceded by an eponymous solo album in 1998 and by 1999's "Skree," which introduced the Casey Neill Trio. In the year between "Skree" and "Portland West," fiddler Andrea Lawrence left the group and was replaced by Hanz Araki on a variety of Irish flutes, whistles and vocals. He joins guitarist Neill and mandolinist/vocalist Zak Borden in a band of true equals. Borden, the group's arranger has a solo album of his own ("Whistles & Steam"). Araki was a longtime ...
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Art Blakey/Art Blakey & the Jazz Messengers: Art Blakey; Julian Priester (tenor saxophone); Lawrence Evans (bass instrument); Bill Hardman, Billy Harper, Ronnie Matthews.
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Two disc 2006 collection featuring the best moments from this classically based Finnish quartet's first decade, including a handful of tracks from their internationally successful Plays Metallica For Four Cellos. 23 tracks. Universal.
When Finland's Apocalyptica released 1996's self-explanatory Plays Metallica by Four Cellos instrumental album, their convincing classical interpretations of those ubiquitous heavy metal anthems were widely praised for their virtuosic execution and ingenious concept, but similarly dismissed as a one-time curiosity. And cynics were almost proven right when the spread-legged and seated quartet's sophomore outing, Inquisition Symphony (1998), proceeded to repeat the same gimmick, only adding a few instrumental originals and new bands covered (Sepultura, Faith No More, Pantera) amid the expected Metallica tunes, for a significantly less acclaimed and low-selling product. Here's where things got interesting, because the members of Apocalyptica actually realized they were living on borrowed time, accepted the daunting challenge to evolve or perish, and went on to compose most of the material found on subsequent albums Cult (2000), Reflections (2003), and Apocalyptica (2005), while incorporating new elements like drums, bass, amplification for their cellos, and even guest vocalists. All that -- plus embarking on a regular touring regimen that converted enraptured audiences worldwide -- made it possible for that one-time "novelty" band to deserve a two-disc retrospective, like Amplified: ...
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