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Purchase Day Of Praise CD To buy, Click on price to add to cart | Art Tatum Tatum Group Masterpieces, Vol. 3 CD (1955)
Day Of Praise songs
 $9.65   (MP3 Available for Download)
| | Art Tatum Tatum Group Masterpieces, Vol. 4 CD (1955)
Day Of Praise album
$9.79 (MP3 Available for Download)
| | Art Tatum Tatum Group Masterpieces, Vol. 5 CD (1955)
Day Of Praise CD music
$9.65  (MP3 Available for Download)
The fifth of eight CDs ...
| | Art Tatum Tatum Group Masterpieces, Vol. 8 CD (1956)
Day Of Praise MP3 Album
$8.39 (MP3 Available for Download)
Recorded in Los Angeles on August 1, 1955. Includes liner notes by Benny Green.
This CD has the same tracks as THE TATUM GROUP MASTERPIECES, VOL. 3 (Pablo 2405-426), except for "Hallelujah" - (alternate take) which is only on the other CD.
Recorded in Los Angeles, California on September 11, 1956. Includes liner notes by Benny Green.
Digitally ...
| | Duke Ellington - In Hollywood: Swing Era DVD (2004)
Day Of Praise music CDs
 $7.15
Bringing together some incredibly ...
| | Duke Ellington Afro Bossa CD (1963)
Day Of Praise songs
$10.19
By the beginning of the 1960s, Duke Ellington and his faithful collaborator, Billy Strayhorn, had been ...
| | Harry Belafonte My Lord What A Mornin' CD (1960)
Day Of Praise album
$6.05 
| | Verity Presents The Gospel Greats Vol. 5: Women Of Gospel CD (2000)
Day Of Praise CD music
$5.95
| | Curio Hybrid CD (Import)
$27.15 | | San Jose Taiko Kodama: Echoes Of The Soul CD (2008)
Day Of Praise MP3 Album
$18.99
| | Angie Stone Unexpected CD (2009)
Day Of Praise music CDs
$13.10  (MP3 Available for Download)
On her second album for Concord's Stax imprint (and fourth overall), Angie Stone delves deeper into funk and hip-hop than on her previous outings. Her last offering, The Art of Love & War, was a critical and commercial triumph for the vastly underrated vocalist, and topped the Billboard chart. With a slew of producers including Sly Williams, Willie "Chuck" Shivers, Karrim King and Fitzroy Reid, Steven "Supe" White, Jonathan Richmond, Jazze Pha, and Stone herself, these dozen tracks continue to reveal her versatility as a vocalist and recording artist; she can sing whatever it is she wants to with equal verve, authenticity, and flair. Despite the slicker and more diverse sounds on Unexpected, the soul quotient is high, even if this isn't strictly a neo-soul album. The new beat consciousness reveals itself most on the title track, which is hard funk at its 2009 best. Cuts such as "Free" might have come right out of the 1990s with their use of careening synths, shimmering hip-hop beats, and colliding loops. But the melody is solid, its chorus and refrain catchy. "I Found a Keeper" is another; its production, arrangement, and structure actually feel like it was recorded in the 1990s -- and is at least reminiscent in spirit to material by the trio MoKenStef. But these are not complaints. Stone's voice is so strident and drenched in soul that even the harpsichord sound on the latter track can't overpower it. The one complaint is the utterly unnecessary use of Auto-Tune on a beautiful song like "Tell Me" -- the synths and dancefloor beats are one thing, but the inclusion of this device just feels plain alien on this track. For fans worried that Stone abandoned her old-school sound completely, they needn't ...
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