| | Bill Bruford Every Step A Dance, Every Word A Song CD Bill Bruford Discography of CDs
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Our Price: $13.65 CDFor Sale Usually ships in 1-2 days
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CD comes with a promotional bonus disc "An Introduction to Winterfold Records"
For fans of Bill Bruford and Michiel Borstlap this CD, which comes from the soundtrack of the simultaneously released DVD, will be a much sought after record of the duos critically well-received concerts of 2002. The CD will also appeal to lovers of modern jazz and spontaneous music created before your very eyes. In this sense this CD will surely prove to be popular. Every Step A Dance, Every Word A Song Music Bill Bruford Every Step A Dance, Every Word A Song Songs Every Step A Dance, Every Word A Song Review
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Purchase Every Step A Dance, Every Word A Song CD To buy, Click on price to add to cart | Bill Bruford Master Strokes 1978-1985 CD (1986)
Every Step A Dance, Every Word A Song
$10.95 Personnel: Bill Bruford (spoken vocals, drums, cymbals, percussion); Jeff Berlin (vocals, bass); Sam Alder, Anthea Norman-Taylor (spoken vocals); Allan Holdsworth, John Clark (guitar); Patrick Moraz (piano); Dave Stewart (keyboards). Producers: Ron Malo, Robin Lumley, Patrick Moraz, Bill Bruford. When you're a drummer playing behind the vocal heights of Jon Anderson, the guitar virtuosity of Steve Howe, or ...
| | Eddie "Lockjaw" Davis Lock, The Fox/The Fox & The Hounds CD (1966)
Every Step A Dance, Every Word A Song
$13.29 2 LPs on 1 CD: LOCK, THE FOX (1966)/THE FOX & THE HOUNDS (1967). Personnel: Eddie "Lockjaw" Davis (tenor saxophone); Ross Tomkins (piano); Les Spann (guitar); Russell George (bass); Chuck ...
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Every Step A Dance, Every Word A Song
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| | Bill Bruford Random Acts Of Happiness CD (2004)
Every Step A Dance, Every Word A Song
$15.69 Random Acts Of Happiness is a very special album not least because it is the most recent album in a long line of quality releases from this band but also because it is the inaugural release on the Summerfold records Imprint which will be followed no doubt by many more Earthworks releases in the future.
Bill Bruford: Bill Bruford (percussion); Steve ...
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Every Step A Dance, Every Word A Song
$13.85 Personnel: David "Fathead" Newman (tenor saxophone); David "Fathead" Newman ; Steve Nelson Quartet, Steve Nelson (vibraphone); John Menegon (bass instrument); John Hicks (piano); Winard Harper (drums). Audio Mixer: Rudy Van Gelder. Recording information: Van Gelder Studios, Englewood Cliffs, NJ (08/14/2004). If ever a musician ...
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| | Lion In Winter CD (1968) Original Soundtrack
Every Step A Dance, Every Word A Song
$5.95 All music written by John Barry. This is a digital recording of the complete 1968 score for THE LION IN WINTER. Original score composed by John Barry. Performed by The City Of Prague Philharmonic; Crouch End Festival Chorus; Nic Raine, David Temple (conductor). Recorded at Smecky Studios, Prague, Czechslovakia and Sony Music Studios, London, England in April 2001. Includes liner notes by Terry Walstrom. All tracks have been digitally remastered using HDCD technology. Composer John Barry drew extensively on Gregorian chant for this music, accompanying a film about 12th century British monarch Henry II. This 2001 recording of the 1968 film score necessarily relies most upon the talents of the Crouch End Festival Chorus, which sometimes performs a cappella, singing in Latin or in wordless melody, once ("The Christmas Wine") in English. There are also many stark fanfares and occasional cues that employ more conventional dramatic ("To the Chapel") or elegiac ("God Damn You") music. So, Barry has not restricted himself to the available musical styles of England in the late 1100s, but he has provided much of that flavor. This recording is slightly longer than the original soundtrack album, and it is augmented with a six-part, 16-minute suite of Barry-composed music from the 1971 film Mary, Queen of Scots. Though it is fair enough to match up the music from two historical films about early Britain, the later one moves history forward 400 years to the 16th century, and Barry's style of writing changes considerably, to a much more calm and romantic set of cues that don't really follow on from what has been heard previously. ~ William Ruhlmann While many of the traditional Barry phrases and sonic textures can be heard throughout this score, there is no hint that the composer was resting on his laurels and doing a journeyman job. Rather, he chose to reach for new textures, inspired by plainchant and driven by the need to match the subtext in the film that involved the influence of the ...
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