| | Magnetic Big Band Repetition CD - Import Magnetic Big Band Discography of CDs
Digitally remastered reissue on the Black & Blue label. 2004. Repetition Music | List Price | $29.99 (You save $2.40) | | Category | Jazz Albums, Jazz Instrument CDs | | Label | Phantom | | Orig Year | 2005 | | CD Universe Part number | 6807254 | | Catalog number | 688738 | | Discs | 1 | | Release Date | Nov 23, 2004 | | Studio/Live | Studio | | Mono/Stereo | Stereo |
Magnetic Big Band Repetition Songs | 1. | Cookin' at the Continental |
| 2. | Don't Forget the Poet |
| 3. | Out of Town |
| 4. | E la Chiamano Estate |
| 5. | June in January |
| 6. | Danse Foliesque |
| 7. | Effendi |
| 8. | Repetition |
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Repetition Review
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Purchase Repetition CD To buy, Click on price to add to cart | Beegie Adair Jazz Piano Christmas CD (1999)
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| | Sonny James 20 All-Time Greatest Hits CD (2002)
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| | Doc Severinsen Brand New Thing CD (1977)
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Here is an overlooked gem from a most unlikely source, recorded in a most unlikely genre -- commercial '70s jazz/funk -- just as the disco era was gathering steam. Tom Scott controlled the production, with Severinsen overdubbing all of the brass choruses and occasionally passing his horns through a phase shifter and wah-wah pedal. The coterie of overworked ...
| | Peter White Glow CD (2001)
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This is a multi-channel Super Audio CD playable only on Super Audio CD players.
More than most jazz lite artists, Peter White flaunts a restless improvisational sense, which is fully evident on Glow. Aside from a few incidental fills tossed into the breeze by this or that horn player, this is entirely White's show. His performance on all these tracks, typically over a backdrop of gauzy major-seventh string pads, provides a lesson in long-form jamming against a steady, sensuous backbeat, with octave passages and a buoyant rhythm feel that echo Wes Montgomery. Despite ...
| | Gene Ammons Greatest Hits: The 70S CD (1998)
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Digitally remastered using 24-bit technology by Rudy Van Gelder (1998, Van Gelder Studio, Englewood Cliffs, New Jersey).
In 1969, Gene Ammons was released from prison, where he'd been incarcerated after a drug conviction, and threw himself into recording like a man possessed. He was undaunted by such changes in jazz as the New Thing/avant-garde, funk, or the rumblings of fusion, and in fact adapted to them effortlessly. (Avant-saxophonist Ellery Eskelin points to him as a major influence.)
This GREATEST HITS package presents a cross-section of his '70s material, during which time he recorded in many settings, from small groups with organ and electric wah-wah guitar, to bands with a string section, working out on searing originals ("Ger-Ru"), and pop standards such as Sinatra's "My Way." On the opener ...
| | Flautista! Herbie Mann Plays Afro-Cuban Jazz CD (1959)
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| | Sima Bina Nava'I CD (1998)
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| | Vaughn Monroe Orchestra 1943-1944 CD (1996)
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| | New Order Singles CDs (2005) Bonus Track; Remastered
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After almost 20 years, New Order finally released a compilation that arguably exceeds 1987's SUBSTANCE with 2005's two-disc SINGLES. In terms of the material's breadth, SINGLES easily trounces SUBSTANCE, as it ranges from '81 to '05 and serves as an excellent overview of the famed post-punk/dance act's entire career. While the band's transition from Joy Division gets a slightly shorter shrift ("In a Lonely Place" is one of the few tracks from SUBSTANCE that's notably absent), the second disc is a wonderfully selected sampling of New Order's occasionally maligned later period.
Arranged chronologically, SINGLES moves from the group's first true steps out of Joy Division's shadow (the surging classics "Everything's Gone Green," "Temptation," and "Blue Monday") to jubilant pop glory (the catchy smash "Bizarre Love Triangle," the dance floor anthem "True Faith") and, eventually, to their status as veteran dance-rock heroes (the eminently assured "Regret" and "Crystal"). Although some fans may be perplexed by versions of songs that differ from SUBSTANCE (particularly "Temptation" and "Confusion"), SINGLES is so comprehensive that ...
| | Ahmad Jamal Pavanne For Ahmad CD (2006) (Import) United Kingdom
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Ahmad Jamal's early recording career is given a reasonably in-depth survey on this 18-track, 72-minute collection of material from 1951-1955. The earliest four of these tracks feature him at the head of a trio with guitarist Ray Crawford and bassist Eddie Calhoun, but the remainder of the set (all recorded in 1955) were cut by the lineup with Jamal, Crawford, and bassist Israel Crosby. It might be tamer and more conventional than Jamal's later material, particularly due to the absence of drums (though there are plenty of popping percussion punctuations). It's still highly respectable early cool jazz, with the accent on covers of standards, though there are a few Jamal originals sprinkled in (including one of his most renowned early compositions, the funky "Ahmad's Blues"). Too, this has his interpretation of "Pavanne," which was likely influential on both Miles Davis' "So What" and John Coltrane's "Impressions." Throughout, it's easy to hear why Davis considered Jamal an important musician, as Jamal's style -- swinging, but with a certain amount of clean intellectual precision -- bore obvious connections to the cool jazz Davis and other musicians were also innovating at the time. The liner notes are threadbare, but at least the track listings include personnel details and recording dates. ~ Richie Unterberger
Ahmad Jamal leads his long-running trio with electric bassist James Cammack and drummer Idris Muhammad for these 2004 studio sessions. Mixing it up with four standards and five originals, the trio sounds as if they have just completed a several-week tour playing these numbers every night. Jamal begins "I'm Old Fashioned" ...
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