| | Best Of Femi Kuti CD Femi Kuti Discography of CDs
The Best of Femi Kuti serves as a fine introduction to the Nigerian Afro-beat composer and bandleader, and the oldest son of the genre's founder, Fela Kuti. It's compiled from his two Barclay recordings, Shoki Shoki (1998) and Fight to Win (2001), and contains about half of each album. His Tabu/Motown album Wonder Wonder is inexplicably shut out despite some excellent tracks -- and the fact that Universal owns both labels! The latter half of the disc contains collaborations with Mos Def ("Do Your Best"), Common ("Missing Link"), and Jaguar Wright ("Fight to Win"). "Beng Beng Beng" is here, as are "Scatta Head" and the burning "'97." Unfortunately, none of the excellent 12" versions are included here, which makes it nonessential for fans. Given the deep influence of hip-hop and modern urban soul on Femi's music, this collection also serves as a sampler of the new, updated, and truly revitalized Afro-beat sound. ~ Thom Jurek
Import exclusive compilation for the Afro-beat superstar. Universal. 2004. Best Of Femi Kuti Songs | 1. | Truth Don Die | $0.99 | |
| 2. | Beng Beng Beng | $0.99 | |
| 3. | What Will Tomorrow Bring / | |
| 4. | Sorry Sorry | $0.99 | |
| 5. | Scatta Head | $0.99 | |
| 6. | Do Your Best - Feat. Mos Def | |
| 7. | Walk on the Right Side | $0.99 | |
| 8. | Traitors of Africa | $0.99 | |
| 9. | 97 | |
| 10. | Fight to Win - Feat. Jaguar Wright | |
| 11. | Missing Link - Feat. Common | |
| 12. | Stop AIDS | $0.99 | |
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Best Of Femi Kuti Review
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Purchase Best Of Femi Kuti CD To buy, Click on price to add to cart | Magnificent Seven DVD (1960) Widescreen; Special Edition; Subtitled
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John Sturges's remake of Akira Kurosawa's 1954 classic THE SEVEN SAMURAI has become an influential film in its own right. A small Mexican village that makes involuntary donations of its harvest to a gang of bandits led by Calvera (Eli Wallach) decides to hire a group of professional gunmen, headed by gunslinger-for-hire ...
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RENEGADE is an ambitious hybrid of genres that occupies a liminal space similar to that of its main character, Mike Blueberry (Vincent Cassel). Building on the conventions of the Western and adding psychedelic elements and the sophisticated - albeit atypical - European sensibilities of director Jan Kounen, the result is a fascinating and compelling existential film about self-definition and the untapped regions of the mind.
The film opens with a teenage Blueberry (Hugh O'Conor), a recent transplant to the southwest from the Cajun territory of Louisiana. He quickly becomes embroiled in a battle with local bad guy Wallace Sebastian Blount (Michael Madsen) when Blount gets violent during a visit to prostitute ...
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Among the scariest movies ever put on celluloid, like its similarly styled sister, RINGU, this tale of death-by-curse is nothing short of blood chilling. With chapters named after each subsequent victim, it plays like a series of increasingly daunting, deadly vignettes. All of the stories surround a haunted house where the evil spirit of a 5-year-old boy still lurks. The first to enter the residence and be cursed is a young hospice worker visiting an elderly client. She finds the boy duct-taped in a closet, where he first appears to her in the form of a black cat, and then shows his human form which is a shockingly ghoulish white face and blackened eyes. Invisible to all except for those who are next to die, his presence seems like a true ...
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| | Nelson Goncalves 50 Anos De Boemia Ao Vivo No Olympia - Serie Ao Vivo CD (1997) (Import) Brazil
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| | Alice Gerrard Calling Me Home: Songs Of Love & Loss CD (2002)
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While Alice Gerrard is well known in traditional music circles thanks to her pioneering work with Hazel Dickens and her editorship of The Old-Time Herald, no one can accuse her of over-recording. Her last solo album, after all, was Pieces of My Heart, released in 1996. Calling Me Home, then, is a welcome addition of what one has come to expect from Gerrard's slender catalog: sensitive readings of old-time classics against a backdrop of spare acoustic music. The success of a song like "Old Virginia Hills" doesn't come from a radical new approach, but from the simplicity of Gerrard's down-to-earth vocal, the guitar and mandolin backing, and the presence of singer Brad Leftwich on the choruses. To borrow an overused term, the results sound natural. On occasion, Gerrard steps away from strict old-time to deliver slightly more modern ...
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EMI. 2005.
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