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R.E.M. - Monster CD Cover Art CD music music CDs songs album

R E M Monster CD

 R E M Discography of CDs

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MONSTER was nominated for a 1995 Grammy Award for Best Rock Album.

A return to big guitars and big statements following the dark, intimate AUTOMATIC FOR THE PEOPLE.

This Classic R.E.M. title features the entire album in Surround Sound with previously unreleased and rare extras and a bonus DVD. New album liners included by Gil Kaufman. The bonus DVD includs rare video performances of "What's the Frequency, Kenneth," "Let Me In," and "I Don't Sleep I Dream."

Recorded at Ocean Way Recording, Los Angeles, California; Criteria Recording Studios, Miami, Florida; Crossover Soundstage, Atlanta, Georgia; Kingsway Studio, New Orleans, Louisiana.

R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass guitar); Bill Berry (drums).

R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass); Bill Berry (drums).

Additional personnel: Bertis Downs (keyboards); Jefferson Holt, Sally Dworski, Ane, Lynda, Lou, Rain.

Rolling Stone (10/6/94, p.84) - 4.5 Stars - Excellent - "...MONSTER is a deeply felt, thematically coherent, consistently invigorating challenge to 'evolve or die,' with all the courage of its convictions..."
Spin (12/94, p.76) - Ranked #6 in Spin's list of the '20 Best Albums Of '94.'
Spin (11/94, p.91) - Highly Recommended - "...this is its most implacable --and convincing--music since MURMUR....Even as MONSTER flirts with unreason and breaks down old taboos, it observes the strict protocols of the forms it plays havoc with..."
Entertainment Weekly (9/30/94, pp.56-57) - "...MONSTER proves no one cranks the amplifiers and mumbles lyrics in quite the same thrilling way as the originators..." - Rating: B+
Q (11/94, p.118) - 3 Stars - Good - "...MONSTER is a balder and starker bit of landscaping and whether everything in the garden remains lovely is up to debate..."
Vibe (12/94-1/95, p.142) - "...Lulled by the aural Prozac of their more melodic tunes, it's easy for one to forget that R.E.M. are a rock 'n' roll band. Their new MONSTER puts them back on the block of their noisy origins and Stipe's buried-in-the-mix lyrics..."
Musician (11/94, p.91) - "...the band hasn't really changed at all: the songs still stress melody over meaning, the playing still emphasizes the unit over the individuals, and the sound remains as fresh as it was a dozen years ago..."
Village Voice (2/28/95) - Ranked #3 in the Village Voice's 1994 Pazz & Jop Critics Poll.
Mojo (Publisher) (p.110) - 4 stars out of 5 - "With '92's AUTOMATIC FOR THE PEOPLE, R.E.M. reached their creative peak."
New York Times (Publisher) (1/5/95, p.C15) - Included on Jon Pareles' list of the Top 10 Albums Of '94 - "...Peter Buck's guitars blare and buzz to carry the pioneering collegiate-rock band into the age of grunge."
New York Times (Publisher) (1/5/95, p.C15) - Included on Neil Strauss' list of the Top 10 Albums Of '94 - "...This is R.E.M.'s big, dumb rock record. Except it's not dumb at all..."
NME (Magazine) (12/24/94, p.22) - Ranked #14 in NME's list of the 'Top 50 Albums Of 1994.'
NME (Magazine) (9/29/94, p.47) - 7 - Very Good - "...At best stunning, at worst merely diverting, MONSTER sounds like the album they 'had' to make, to clear out their system..."
Blender (Magazine) (p.106) - 5 stars out of 5 -- "MONSTER is music of a moment -- '90s alt-rock perfected."
Monster Music


Detailed Monster Music Information



List Price $24.98 (You save $3.63)
Category Rock/Pop Albums, Alternative CDs, Rock
Label Warner Bros. (Record Label)
Orig Year 1994
All Time Sales Rank   36849  
CD Universe Part number 6808378
Catalog number 73949
Discs 1
Release Date Mar 01, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Scott Litt; R.E.M.
Engineer Pat McCarthy
Personnel Michael Stipe - vocals
Mike Mills - bass
Peter Buck - guitar
Peter Buck - guitar
Bill Berry - drums
Bill Berry - drums

Also: Thurston Moore, Los Angeles, Los Angeles, Miami, Atlanta, New Orleans, Georgia, Bill Rieflin, Ane', Bertis Downs, Jefferson Holt, Kingsway Studio, Lou, Criteria Recording Studios, Crossover Soundstage, Lynda, Rain.
Recorded at Ocean Way Recording
, Sally Dworski
Additional Info Wdva; Digipak
R E M Monster Songs


R E M Monster Album Track Listing



1.What's the Frequency, Kenneth?  
2.Crush With Eyeliner  
3.King of Comedy  
4.I Don't Sleep, I Dream  
5.Star 69  
6.Strange Currencies  
7.Tongue  
8.Bang and Blame  
9.I Took Your Name  
10.Let Me In  
11.Circus Envy  $0.99
12.You  
Monster Music


Monster Other Versions



R.E.M.
Monster  (1994) 3.2 stars Audio Samples
CD$6.39
Monster Review


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The album that found the band sandwiched between being an important cult band on the verge of major success and being the world's most successful rock band of the 90s. A tricky situation, but this album made the breakthrough and mighty Warner Brothers were behind it. R.E.M. were able to get their folky mandolin material like 'You Are The Everything' accepted on an equal footing with great pop such as 'Stand' or 'Pop Song 89' (which could have been written by Jim Morrison and titled 'Hello I Love You'). 'Orange Crush' is already an FM radio favourite, and the rest is all recent history. This Classic R.E.M. title features the entire album in Surround Sound with previously unreleased and rare extras! The 1988 platinum album, the band's major-label debut now features in-depth liners by Danny Eccleston. The Bonus DVD features include ...
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Most of the songs on NEW ADVENTURES IN HI-FI were recorded live, or during pre-concert soundchecks, on R.E.M.'s 1995 MONSTER tour. NEW ADVENTURES IN HI-FI was nominated for a 1997 Grammy Award for Best Alternative Music Performance. In the wake of the raging, guitar-fueled MONSTER, R.E.M. has made an album dominated by disconsolate ballads and acoustic instrumentation. NEW ADVENTURES has a stately, elegiac feel. It's punctuated by a few all-out rockers, but the overall mood is dusky and introspective. Michael Stipe's stream-of-consciousness imagery has developed into an incisive, poetic style of great power and resonance, from the religious overtones of "Undertow" (which reveals a Can influence) to the breathless travelogue of "Departure." The opener, "How the West Was Won And Where It Got Us," sets a dark tone, with an eerie organ backdrop and a mournful piano providing a staccato riff. Punk goddess Patti Smith guests on "E-Bow the Letter," a wordy ramble that finds Stipe questioning, and ultimately denigrating, "this fame thing." A similar theme is explored on "The Wake-Up Bomb," a MONSTERish raveup that attacks celebrity star trips. NEW ADVENTURES is loaded with musical surprises, including a zippy synthesizer that sparks "Leave," a campy instrumental called "Zither" and various discordant touches throughout. Lyrically and musically, R.E.M. stands its ground throughout, remaining as fresh and innovative as ever. This Classic R.E.M. title features the entire album ...
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Additional personnel includes: KRS-One, Kate Pierson (vocals); Peter Holsapple (guitar, bass); John Keane (pedal steel guitar); David Kampers, David Braitberg, David Arenz, Ellie Arenz (violin); Paul Murphy, Reid Harris (viola); Andrew Cox, Elizabeth Murphy (cello); Kidd Jordan (bass clarinet, alto, tenor & baritone saxophones); Cecil Welch (flugelhorn); Ralph Jones (acoustic bass). Before Nirvana's NEVERMIND closed out the year with the unexpected commercial triumph of grunge rock, R.E.M.'s OUT OF TIME was the sound of alternative music circa 1991. The smash singles "Losing My Religion"--perhaps the only Top Five US single ever to feature the mandolin as its lead instrument--and "Shiny Happy People" were the commercial face of the album. Elsewhere, however, R.E.M. makes a point of moving away from expectations, resulting in intriguing experiments like the surprisingly funky "Radio Song" (featuring rapper KRS-One), the spoken-word ambient chill-out "Belong," and the self-explanatory "Country Feedback." Interestingly, the songs most immediately identifiable as "R.E.M. songs," the jangly rockers "Texarkana" and "Near Wild Heaven," are both sung by bassist Mike Mills. Though it was quickly overshadowed by AUTOMATIC FOR THE PEOPLE during the following year, OUT OF TIME remains a fascinating portrait of R.E.M. at a pivotal point in the group's career. This Classic R.E.M. title features ...
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AUTOMATIC FOR THE PEOPLE was nominated for 1994 Grammy Awards for Album Of The Year and Best Alternative Music Album. AUTOMATIC FOR THE PEOPLE is a true classic of rock in the 1990s. Released shortly after the successful OUT OF TIME, it finds R.E.M. on a creative roll with no shortage of original ideas; yet it also shows the band embracing even further the darker aesthetic shadings hinted at on "Losing My Religion." Bold songs such as the ominous "Drive" and the empathetic "Everybody Hurts" demonstrated that the band were not reluctant to experiment, while "The Sidewinder Sleeps Tonite" and the elegiac Andy Kaufman tribute "Man On The Moon" displayed all of the intelligent pop savvy on which the band's reputation was first built. However, it is on songs such as "Sweetness Follows," "Nightswimming," and "Find the River" that a haunting melancholy emerges that is unlike anything the band previously attained. The songs are sparse yet full of deep emotion and conjure a Southern gothic emotionality that one mind find in amidst the pages of Flannery O'Connor's most redemptive work. AUTOMATIC is not R.E.M.'s most upbeat record, but it is unquestionably ...
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