| | R E M Monster CD R E M Discography of CDs
MONSTER was nominated for a 1995 Grammy Award for Best Rock Album.
A return to big guitars and big statements following the dark, intimate AUTOMATIC FOR THE PEOPLE.
This Classic R.E.M. title features the entire album in Surround Sound with previously unreleased and rare extras and a bonus DVD. New album liners included by Gil Kaufman. The bonus DVD includs rare video performances of "What's the Frequency, Kenneth," "Let Me In," and "I Don't Sleep I Dream."
Recorded at Ocean Way Recording, Los Angeles, California; Criteria Recording Studios, Miami, Florida; Crossover Soundstage, Atlanta, Georgia; Kingsway Studio, New Orleans, Louisiana.
R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass guitar); Bill Berry (drums).
R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass); Bill Berry (drums).
Additional personnel: Bertis Downs (keyboards); Jefferson Holt, Sally Dworski, Ane, Lynda, Lou, Rain.
Rolling Stone (10/6/94, p.84) - 4.5 Stars - Excellent - "...MONSTER is a deeply felt, thematically coherent, consistently invigorating challenge to 'evolve or die,' with all the courage of its convictions..." Spin (12/94, p.76) - Ranked #6 in Spin's list of the '20 Best Albums Of '94.' Spin (11/94, p.91) - Highly Recommended - "...this is its most implacable --and convincing--music since MURMUR....Even as MONSTER flirts with unreason and breaks down old taboos, it observes the strict protocols of the forms it plays havoc with..." Entertainment Weekly (9/30/94, pp.56-57) - "...MONSTER proves no one cranks the amplifiers and mumbles lyrics in quite the same thrilling way as the originators..." - Rating: B+ Q (11/94, p.118) - 3 Stars - Good - "...MONSTER is a balder and starker bit of landscaping and whether everything in the garden remains lovely is up to debate..." Vibe (12/94-1/95, p.142) - "...Lulled by the aural Prozac of their more melodic tunes, it's easy for one to forget that R.E.M. are a rock 'n' roll band. Their new MONSTER puts them back on the block of their noisy origins and Stipe's buried-in-the-mix lyrics..." Musician (11/94, p.91) - "...the band hasn't really changed at all: the songs still stress melody over meaning, the playing still emphasizes the unit over the individuals, and the sound remains as fresh as it was a dozen years ago..." Village Voice (2/28/95) - Ranked #3 in the Village Voice's 1994 Pazz & Jop Critics Poll. Mojo (Publisher) (p.110) - 4 stars out of 5 - "With '92's AUTOMATIC FOR THE PEOPLE, R.E.M. reached their creative peak." New York Times (Publisher) (1/5/95, p.C15) - Included on Jon Pareles' list of the Top 10 Albums Of '94 - "...Peter Buck's guitars blare and buzz to carry the pioneering collegiate-rock band into the age of grunge." New York Times (Publisher) (1/5/95, p.C15) - Included on Neil Strauss' list of the Top 10 Albums Of '94 - "...This is R.E.M.'s big, dumb rock record. Except it's not dumb at all..." NME (Magazine) (12/24/94, p.22) - Ranked #14 in NME's list of the 'Top 50 Albums Of 1994.' NME (Magazine) (9/29/94, p.47) - 7 - Very Good - "...At best stunning, at worst merely diverting, MONSTER sounds like the album they 'had' to make, to clear out their system..." Blender (Magazine) (p.106) - 5 stars out of 5 -- "MONSTER is music of a moment -- '90s alt-rock perfected." Monster Music | List Price | $24.98 (You save $3.63) | | Category | Rock/Pop Albums, Alternative CDs, Rock | | Label | Warner Bros. (Record Label) | | Orig Year | 1994 | | All Time Sales Rank | 36849  | | CD Universe Part number | 6808378 | | Catalog number | 73949 | | Discs | 1 | | Release Date | Mar 01, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Scott Litt; R.E.M. | | Engineer | Pat McCarthy | | Personnel | Michael Stipe - vocals Mike Mills - bass Peter Buck - guitar Peter Buck - guitar Bill Berry - drums Bill Berry - drums
Also: Thurston Moore, Los Angeles, Los Angeles, Miami, Atlanta, New Orleans, Georgia, Bill Rieflin, Ane', Bertis Downs, Jefferson Holt, Kingsway Studio, Lou, Criteria Recording Studios, Crossover Soundstage, Lynda, Rain. Recorded at Ocean Way Recording, Sally Dworski | | Additional Info | Wdva; Digipak |
Monster Review
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Purchase Monster CD To buy, Click on price to add to cart | R E M Green CDs (1988) Wdva; Digipak
Monster
$21.35 The album that found the band sandwiched between being an important cult band on the verge of major success and being the world's most successful rock band of the 90s. A tricky situation, but this album made the breakthrough and mighty Warner Brothers were behind it. R.E.M. were able to get their folky mandolin material like 'You Are The Everything' accepted on an equal footing with great pop such as 'Stand' or 'Pop Song 89' (which could have been written by Jim Morrison and titled 'Hello I Love You'). 'Orange Crush' is already an FM radio favourite, and the rest is all recent history.
This Classic R.E.M. title features the entire album in Surround Sound with previously unreleased and rare extras! The 1988 platinum album, the band's major-label debut now features in-depth liners by Danny Eccleston. The Bonus DVD features include ...
| | R E M New Adventures In Hi-Fi CD (1996) Wdva; Digipak
Monster
$16.85 Most of the songs on NEW ADVENTURES IN HI-FI were recorded live, or during pre-concert soundchecks, on R.E.M.'s 1995 MONSTER tour.
NEW ADVENTURES IN HI-FI was nominated for a 1997 Grammy Award for Best Alternative Music Performance.
In the wake of the raging, guitar-fueled MONSTER, R.E.M. has made an album dominated by disconsolate ballads and acoustic instrumentation. NEW ADVENTURES has a stately, elegiac feel. It's punctuated by a few all-out rockers, but the overall mood is dusky and introspective. Michael Stipe's stream-of-consciousness imagery has developed into an incisive, poetic style of great power and resonance, from the religious overtones of "Undertow" (which reveals a Can influence) to the breathless travelogue of "Departure."
The opener, "How the West Was Won And Where It Got Us," sets a dark tone, with an eerie organ backdrop and a mournful piano providing a staccato riff. Punk goddess Patti Smith guests on "E-Bow the Letter," a wordy ramble that finds Stipe questioning, and ultimately denigrating, "this fame thing." A similar theme is explored on "The Wake-Up Bomb," a MONSTERish raveup that attacks celebrity star trips.
NEW ADVENTURES is loaded with musical surprises, including a zippy synthesizer that sparks "Leave," a campy instrumental called "Zither" and various discordant touches throughout. Lyrically and musically, R.E.M. stands its ground throughout, remaining as fresh and innovative as ever.
This Classic R.E.M. title features the entire album ...
| | R E M Out Of Time CD (1991) Wdva; Digipak
Monster
$21.35 Additional personnel includes: KRS-One, Kate Pierson (vocals); Peter Holsapple (guitar, bass); John Keane (pedal steel guitar); David Kampers, David Braitberg, David Arenz, Ellie Arenz (violin); Paul Murphy, Reid Harris (viola); Andrew Cox, Elizabeth Murphy (cello); Kidd Jordan (bass clarinet, alto, tenor & baritone saxophones); Cecil Welch (flugelhorn); Ralph Jones (acoustic bass).
Before Nirvana's NEVERMIND closed out the year with the unexpected commercial triumph of grunge rock, R.E.M.'s OUT OF TIME was the sound of alternative music circa 1991. The smash singles "Losing My Religion"--perhaps the only Top Five US single ever to feature the mandolin as its lead instrument--and "Shiny Happy People" were the commercial face of the album. Elsewhere, however, R.E.M. makes a point of moving away from expectations, resulting in intriguing experiments like the surprisingly funky "Radio Song" (featuring rapper KRS-One), the spoken-word ambient chill-out "Belong," and the self-explanatory "Country Feedback." Interestingly, the songs most immediately identifiable as "R.E.M. songs," the jangly rockers "Texarkana" and "Near Wild Heaven," are both sung by bassist Mike Mills. Though it was quickly overshadowed by AUTOMATIC FOR THE PEOPLE during the following year, OUT OF TIME remains a fascinating portrait of R.E.M. at a pivotal point in the group's career.
This Classic R.E.M. title features ...
| | R E M Up CD (1998) Wdva; Digipak
Monster
$21.79 The departure of drummer Bill Berry in 1997 no doubt unsettled his former R.E.M.-mates, who found themselves straddling not only creative, but personal crossroads. Rather than giving up, the remaining members of R.E.M. reinvented themselves and released UP, a stunning, eloquent album of dark vulnerability and experimentalism. The emotional disquiet Stipe evokes is nearly shocking in its plainspoken lyricism. Songs like the agonized "Sad Professor" and the wary, hypnotic "Suspicion" seem almost too naked for Stipe, who spent years cloaking his words in mumbles and misnomers. For the first time, lyrics are even included in the packaging.
"Hope" is a breathless, galloping piece of pseudo-electronica that raises the ghost of Leonard Cohen's "Suzanne" before ending in a heady roar of noise. The gorgeous jangle of "At My Most Beautiful" is pure poetry, an unabashed disclosure of Buck's giddy reverence for Brian Wilson. Although a drum machine is used at times (Beck drummer Joey Waronker and Tuatara percussionist Barrett Martin also guest on many tracks), an array of disparate sounds, from vibes to violin, infuses the songs with a newfound expressiveness. UP is unlike any other album in the band's long catalogue--a bold, brilliant spark of musical genius and genuine empathetic revelation.
This Classic R.E.M. title features the entire album in Surround Sound with previously unreleased and rare extras and a bonus DVD. The group's first album following ...
| | R E M Automatic For The People CD (1992) Wdva; Digipak
Monster
$21.35 AUTOMATIC FOR THE PEOPLE was nominated for 1994 Grammy Awards for Album Of The Year and Best Alternative Music Album.
AUTOMATIC FOR THE PEOPLE is a true classic of rock in the 1990s. Released shortly after the successful OUT OF TIME, it finds R.E.M. on a creative roll with no shortage of original ideas; yet it also shows the band embracing even further the darker aesthetic shadings hinted at on "Losing My Religion." Bold songs such as the ominous "Drive" and the empathetic "Everybody Hurts" demonstrated that the band were not reluctant to experiment, while "The Sidewinder Sleeps Tonite" and the elegiac Andy Kaufman tribute "Man On The Moon" displayed all of the intelligent pop savvy on which the band's reputation was first built. However, it is on songs such as "Sweetness Follows," "Nightswimming," and "Find the River" that a haunting melancholy emerges that is unlike anything the band previously attained. The songs are sparse yet full of deep emotion and conjure a Southern gothic emotionality that one mind find in amidst the pages of Flannery O'Connor's most redemptive work. AUTOMATIC is not R.E.M.'s most upbeat record, but it is unquestionably ...
| | Business Harry May: The Singles Collection CD (1997)
Monster
$12.29
| | Gary Hoey Bug Alley CD (1996)
Monster
$13.89 Bug Alley is another showcase for Gary Hoey's exceptional instrumental skills, but it falls short of being the crossover breakthrough he is capable of. Part of the problem is Hoey is more interested in playing guitar than recording an ...
| | Colorblind CD (2003) Import
Monster
$19.39
| | Elefante Lo Que Andabamos Buscando CD (2002) Bonus Track
Monster
$9.19
| | Heinz Rudolf Kunze Das Original CD (2005) (Import) Germany
Monster
$9.89
| | Linen By Sonya CD (2005)
Monster
$36.09
| | Los Rieleros Del Norte Linea De Oro CD (2006)
Monster
$7.69
| | Future Chill CD (2006) (Import)
Monster
$26.29
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