| | Billy Child Sexy Twister CD Billy Child Discography of CDs
Contains 4 tracks.
Recording information: 10/10/1999-10/11/1999.
Photographer: Jaan Urban. Billy Child Sexy Twister Songs | 1. | You Must Die |
| 2. | Follow Me to Die |
| 3. | Barbecue Girl |
| 4. | When the Sun Goes Down |
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Sexy Twister Review
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"Mercury Poisoning" was recorded with the Rumour in 1978 during sessions for SQUEEZING OUT SPARKS.
When Graham Parker issued the Jack Nitzsche-produced Squeezing out Sparks in 1979, many inside the music industry -- from execs to critics -- figured that his next one would be it, since Squeezing just missed, though it was celebrated by nearly everyone who heard it. Two of Parker's first three albums -- Howlin' Wind and Heat Treatment -- were top-notch, hard hitting rock & roll albums full of great songs and mud-slinging pub rock production that connected in England. It felt like only a matter of time. Arista in its infinite wisdom paired Parker with Jimmy Iovine for The Up Escalator in 1980, and for some reason, Iovine decided to slicken up the singer/songwriter and his band rather than the hard-edged production that clicked when he worked with Bruce Springsteen and Tom Petty. While the songs were there, the sound wasn't, and it must have been discouraging for Parker. His moment had come and gone. Parker wasn't about to let fate cheat him, though, and for 1982's Another Grey Area, he teamed with veteran producer Jack Douglas, and placed his band on recording hiatus in favor of a slew of studio musicians including Nicky Hopkins, Hugh McCracken (!), David Brown and George Small among others. Things start well enough with the mid-tempo rocker "Temporary Beauty"; with its Springsteen-esque piano and ondioline courtesy of Hopkins, the rounded lead guitar lines fall into place, wrapping themselves around Parker's voice on the refrains, and it works. Parker nearly spits out his words, full of irony, empathy, piss and vinegar. They even hold up on the title track, which cooks along with a bitter edge, a brisk tempo set by a snare/hi-hat combination and six strings upfront pushing the singer. Female backing vocals to fill it in and the bassline nearly percolates. But Douglas' production begins to wear thin by "Big Fat Zero," despite Parker's fine writing. He doesn't seem to be able to capture the knife edge the band tries to counter the vocals ...
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Through the Looking Glass with Chloe Day By Greg Debonne, musicmanor.comOn a warm summer night when a light breeze weaves its way like a swimming ghost around bodies walking through coastal thoroughfares, Chloe Day opens the door to her secluded complex that sits no more than 100 yards from the ocean.Her cocker spaniel jumps about in the evening calm as she leads me beyond the courtyard into the airy confines of her home. She is barefoot and dressed in red surfer girl shorts with a darker top to match. I sit down on a large futon couch that rests up against a wall under windows opened against the glow of streetlamps and nocturnal skies. After declining her offer for a drink of various kinds, Chloe Day melds herself into a small armchair and slides into an almost supine position. Her body knows the chair and the chair knows her body.____ Chloe Day is a recording artist with two discs released to date, 2003’s The Return Of… and 2004’s Pixie Runway. Pixie Runway has been remixed and remastered for a new digital release on Apple’s iTunes Music Store where it is currently available. The sounds of Chloe Day are at once eclectic and entirely commercial, embarking on an adventurous trip of Rock, Pop, Electronica, Jazz, Trip-Hop, and acoustic Folk-Pop. The songs are a surrealistic dreamscape that embody love, lust, fear, loneliness, beginnings, endings, and a vintage scope of human dissolution. Most recently having come off of a 14 city U.S. tour while in pre-production for her next solo disc, Chloe Day sat down to talk about music, dangerous experience, sexuality, and the darker side of ourselves. She reveals herself as an artist who is comfortable with her own form, and yet not at home with the deepest aspects of herself. Chloe Day is abstract, sensual, soft-spoken, expressive, unsure, confident, deflective; a woman who obscures herself behind sinuous evasions that are truly unveiled only by the songs she writes and the music she performs. The visual interaction of Chloe Day is marked by an unselfconscious sense of physicality. Seemingly ...
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