| | Iota I Want It Again CD Single - Import Iota Discography of CDs
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Our Price: $7.89  For Sale Limited Availability
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iOTA re-emerges with a new band and a tougher sound. Still uniquely iOTA, this track sees iOTA being backed by a more powerful band than usual. Early Bowie meets T-Rex coupled with iOTA's distinct vocals. Also contains the radio edit of `Breathing'. Blak Yak. 2004. I Want It Again Music | List Price | $10.99 (You save $3.10) | | Category | CD singles Albums | | Label | Phantom | | CD Universe Part number | 6809839 | | Catalog number | 690308 | | Discs | 1 | | Release Date | Nov 09, 2004 |
Iota I Want It Again Songs | 1. | I Want It Again |
| 2. | Breathing |
| I Want It Again Review
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| | Elvis Presley Raised On Rock CD (1973)
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Personnel: Elvis Presley (vocals), James Burton, Reggie Young, Charlie Hodge, Bobby Manuel (guitar), Bobby Wood, Don Sumner (piano), Bobby Emmons (organ), Tommy Hensley, Tommy Cogbill, Donald Dunn (bass), Jerry Carrigan, Ronnie Tutt, Al Jackson (drums), Joe Esposito (percussion), J.D. Sumner & The Stamps, Voice, Kathy Westmoreland, Jeannie Green, Mary Holliday, Ginger Holliday (background vocals). Recorded at Stax Studios, Memphis, Tennessee on July 21-23, 1973, except tracks 2 & 4 recorded at Elvis' home, Palm Springs, Florida on September 22-24, 1973. Originally released on RCA (APL1-0388). Digitally remastered by Dick Baxter (BMG Recording Studios). Personnel: Jeannie Green, J.D. Sumner, Kathy Westmoreland, The Stamps (vocals); James Burton, Reggie Young , Charlie Hodge (guitar); Bobby Wood (piano); Bobby Emmons (organ); Ronnie Tutt, Jerry Carrigan (drums); Joe Esposito (percussion). In July 1973, Elvis returned to Memphis, this time to the source of Southern soul, Stax Studios. Apparently, the very idea of working with Elvis was intimidating and the Stax musicians couldn't overcome their awe, so Elvis had to leave the building. In his absence, the rhythm tracks were laid down. He then returned to add his vocals, a practice only used during the last few years of the soundtracks, when he was too bored to show up and work. From all of this, five songs were attempted and one was completed, and they're instantly forgettable. Elvis returned in December to Stax with a mix of his band and some Nashville cats, recording 18 tracks in a week. In between, he had tried a session at his Palm Springs home that didn't work, although three almost ponderously sincere ballads were completed. All in all, RCA had 30 new Elvis songs, enough quality material for two strong albums of 12 tracks each. Unfortunately, the material was issued as three cheesily packaged albums of a mere ten tracks each. Raised on Rock, Good Times, and Promised Land all have something to offer, but the lesser material dilutes the impact of the strong and the sound ranges from O.K. to atrocious, thus producing more evidence of Presley's growing mediocrity. ~ Neal Umphred In July 1973 Elvis returned to Memphis, this time to the justly famed source of Southern soul, Stax Studios. ...
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$15.05 new york based, vocalist-actress, beth lane, a commanding performer who plays with musicians such as daryl kojak, ron affif and essiet essiet, debuted and released her first cd, lies of handsome men, on de lamarondiere rock records, her own indie label, last june at iridium jazz club. a fiercely independent artist, beth is known to have keen insight and originality in her interpretations. she doesn't sing her jazz standards, she acts them with a shining belted mezzo. alongside her band, led by the very cool jazz pianist, composer, producer, daryl kojak, beth brings a solid strength to her songs. a skilled singer, beth's acting is what breaks your heart with one glance and then she deftly leaves you crying with laughter.combining an uncanny ability to stake her claim on sting and prince, the ever favorite jason robert brown, stephan sondheim and burton lane are fashioned in her own singular vision. the songs range between the haunting melody of ann hampton callaway's never-before-recorded, "do you know how beautiful you are?" to the wacky "you've got to be loved to be healthy & i'm the healthiest gal in town" by jack yellen. beth is wise beyond her years, always vulnerable and constantly revealing. bridging the gap between broadway, jazz, pop and folk, it is impossible to profile beth into only one category. beth is not a jazz singer, or a pop singer, etc. and so forth, beth lane is a rising star.lies of handsome men, was recorded at ppi recording in manhattan, and was engineered, mixed and mastered by ppi's owner, chip fabrizi. "i had never produced an album before" says beth, "but i'm smart and i knew i had to get the best people around me to create not just a marketable product, but, a disc that people would continue to listen to over and over again. although chip takes an assistant producer credit on the cd, beth insists that aside from selecting the material which she did with musical director-pianist, carl danielsen, chip did everything else and is entirely responsible for the quality and edge that everyone seems to be diggin.'george small, a veteran studio pianist, and currently the composer for many of the lifetime biographies on cable, filled in on the ivories when carl couldn't be there. george also created all of the sounds on the synth that make this album sound like there is a 13 piece band. fiercely modest, george never talks about working with john lennon and yoko ono on double fantasy, but chip let the cat out of the bag. "george can execute anything ...
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