| | Roxx Outlaws, Fools & Thieves CD Roxx Discography of CDs
 (3 Customer Reviews)
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Our Price: $12.95  CDFor Sale Usually ships in 1-2 days
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Roxx: Joey D'Angeli (vocals); Franky Novello, Randy Ferri (guitar); Mark Scovran (bass guitar); Marco Soccoli (drums). Outlaws, Fools & Thieves Music Roxx Outlaws, Fools & Thieves Songs | 1. | What's a Boy to Do?! |
| 2. | Tell Me |
| 3. | Rockin' Horse |
| 4. | Towing the Line |
| 5. | Give Up Your Heart |
| 6. | Pint of Blues |
| 7. | Mr. Mean |
| 8. | In the Groove |
| 9. | Shy Away |
| 10. | Ball & Chain |
| 11. | Turns of Gold |
| 12. | In the Groove - (Rmix, remix) |
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Outlaws, Fools & Thieves Music Review Average Rating: (4.3 out of 5 stars)   WOW THE HAIR ROCK
THIS TAKES ME BACK TO THE 80'S
WOULD HAVE LOVED TO SEE THEM LIVE...
Submitted by BAD (PHILA,PA)
Was This Review Helpful? Yes No
 trash - and not in a good way
this music should have died in the 80's. A bunch of no talent hacks.
Submitted by maxxbeatz (New York, NY)
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Sweet...
great early Motley Crue inspired hard rock. a must for fans of that era. Sweet CD.
Submitted by John (New York)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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When Fred Anderson entered his seventies in 1999, the Chicago-based tenor sax veteran showed no signs of slowing down. His avant-garde improvisations were as passionate and arresting as ever, and he kept busy owning and operating a Windy City jazz club called the Velvet Lounge. Recorded at his Velvet Lounge in March 2000, this generally excellent CD finds a 71-year-old Anderson leading a piano-less trio that boasts Tatsu Aoki on upright bass and Hamid Drake on drums. Both are fellow Chicagoans, and both of them enjoy a strong rapport with Anderson on extended inside/outside performances such as the 18-minute "Tatsu's Groove," the 19-minute "Smooth Velvet," and the 16-minute "On the Run." Like John Coltrane, Anderson can be long-winded -- and like Coltrane, he is such a wealth of creativity and imagination that his excesses can easily be forgiven. Those excesses, in fact, can even be enjoyable if you are among Anderson's die-hard devotees. Throughout the CD, Anderson never sounds the least bit inhibited; of course, being uninhibited is easier when you're playing at your own club. At his Velvet Lounge, ...
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| | Hammerfall Threshold CD (2006) Bonus Track; Japan
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Following the unnaturally extended layoff enforced by guitarist Oscar Dronjak's motorcycle accident in 2003, Swedish heavy metal traditionalists Hammerfall waited barely a year between their eventual return with fifth album, Chapter V in 2005, and the release of LP number six, Threshold, in 2006. This suddenly rushed release schedule -- though likely resulting from nothing more than a backlog of pre-written material, ready to come out -- takes something of an uncertain turn on Threshold's first few numbers, which comprise a decent but terribly predictable title track; a lackluster autopilot job and a repetitive chorus in "The Fire Burns Forever"; and a lead-footed crawl through "Rebel Inside," which not even Accept-like choral battalions can jolt into life. Indeed, the claim may be redundant when relating to a band whose very talents involve being true to metal's classic sound, but all three simply sound too safe and formulaic. Luckily, salvation comes not a moment too soon when fourth cut, "Natural High," arrives with an energetic burst and surprisingly atypical lyrics to inject a much needed dose of excitement, which is subsequently reprised by additional standouts like "Howlin' with the 'Pac," "Shadow Empire" (boasting the album's best riff), and "Genocide," with its dramatic introductory stops and starts. In fact, with the exception of another, check-your-watch drag-fest called "Carved in Stone," most every remaining track has something memorable to recommend it. "Dark Wings, Dark Words" is the record's ambitious and evocative semi-ballad, "Reign of the Hammer" is a brisk, hardly groundbreaking, but nevertheless welcome instrumental, and the anthemic "Titan" provides a grand finale worthy of the Swedes' majestic habits. In other words, though it lacks the overall consistency of certain previous efforts, Threshold still produces a fair amount of quality goods to appease most Hammerfall fans -- or else it wouldn't have entered the Swedish charts at number one. ~ Eduardo Rivadavia
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