| | Tom Jones Gold CD Tom Jones Discography of CDs
 (3 Customer Reviews)
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Our Price: $14.89  CDFor Sale Usually ships in 1-2 days
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Liner Note Author: Andrew Sandoval.
Tom Jones Gold is a two-disc, 42-track set that does an admirable job of mixing all his major hits recorded between 1965 and 1975 for the American Parrot label with well-chosen album tracks and B-sides. Interestingly, the U.K. Deram versions of Jones' singles and albums would occasionally differ slightly from the U.S. releases. All eight of those tracks are wisely included on Gold along with remastered favorites like "Delilah," "She's a Lady," "What's New Pussycat?" "Green, Green Grass of Home," "I (Who Have Nothing)" and "Help Yourself." Recommended for those who want to go a step beyond the average greatest-hits package. ~ Al Campbell Purchase Gold CD To buy, Click on price to add to cart | Herman's Hermits Retrospective CD (2004) Digipak
Gold
 $14.49   
Herman's Hermits: Derek Leckenby, Keith Hopwood (guitar); Karl Green (bass instrument); Barry Whitwam ...
| | Alexis Korner Kornerstoned: Anthology 1958-1983 CD (2004) (Import) United Kingdom
Gold
$24.79
| | Beatles Capitol Albums Vol. 1 CDs (2004) Box Set
Gold
$56.89 
| | Engelbert Humperdinck Gold CDs (2005) Remastered
Gold
$14.89 
| | Bruce Cockburn Breakfast In New Orleans, Dinner In Timbuktu CD (1999)
Gold
$10.59
Guests: Margo Timmins, Lucinda Williams On 2 Songs Each
Personnel includes: Bruce Cockburn (vocals, acoustic & electric guitars); Lucinda Williams, Margo Timmins, Jonell Mosser (vocals); Daniel Janke (kora); Richard Bell, Janice Powers (keyboards); Ben Riley, Gary Craig (drums).
Breakfast in New Orleans Dinner in Timbuktu is Bruce Cockburn's 20th studio album. Lyrically, Cockburn doesn't stray from the impressionist poetic lyrics that he's honed over the years, nor does he stray from his favored topics: travelogs, including those drawn from his trips to Third World nations that emphasize his social concerns; reflections on the dynamics of relationships between men and women; and a spiritual mysticism rooted in Christianity. Musically, too, there's a consistency to his folk-jazz-rock amalgam. The album features the vocal contributions of a rotating cast of three women who appear throughout the album. Jonell Mosser sings on two songs, including the single ...
| | Jello Biafra Become The Media CDs (2000) Boxed Set
Gold
$15.89
3-CD;2-CD ...
| | Los Huracanes Del Norte 14 Exitos De Coleccion CD (2000)
Gold
$8.25
| | Copeland Beneath Medicine Tree CD (2003)
Gold
$11.45
| | Marcio Gali Vamos ...Jamais Seremos Tao Jovens Outra Vez CD (2005) (Import) Brazil
Gold
$20.99
| | Tapes 'n Tapes Loon CD (2005)
Gold
$12.19 
With their debut album, THE LOON, Minneapolis quartet Tapes n' Tapes took the indie music world by storm, riding a wave of critical acclaim and enthusiastic word-of-mouth from obscurity to the semi-obscurity that is indie stardom. The album is a collage of fractured, melodic bits artfully combined into wonderfully listenable songs. The structures are unconventional but organic, lending a warmth and even coziness to the album as it reference all your favorite bands, from Pavement to the Pixies to the Talking Heads.
For all the post-punk influences, though, the arrangements and the meandering, seemingly improvised structures also have a slight jam-band feel. "Cowbell" begins by laying down a rhythm that splits the difference between punk and polka before moving into a series of shredded melodies. "Manitoba" is a lullaby of clear-as-bells guitars and lilting vocals that gradually morphs into something stronger and stranger. THE LOON is consistent only in its unpredictability, in having a happy surprise around every corner.
At first, Tapes 'n Tapes' much buzzed-about debut album, The Loon, plays like ...
| | Jojo High Road CD (2006) (Import) Import; United Kingdom; +2 Bonus Tracks
Gold
$14.45
R&B/pop singer JoJo rose to prominence on the television show AMERICA'S MOST TALENTED KIDS, but quickly established herself as more than a child wonder with her 2004 debut. The artist's sophomore effort, HIGH ROAD, builds on the commercial pop of her first album, fusing hip-hop-tinged beats with swirling, soulful grooves, emotive balladry, and singing that's heavy on melisma. The lead-off single, "Too Little Too Late," powered by a big radio-ready chorus, is a case in point. Top-shelf productions from hot producers like Scott Storch, Swizz Beats, and Jermaine Dupri boost the album's already considerable pedigree.
Released when she was just 13 years old, vocalist Jojo's 2004 eponymous debut was a bona fide hit album and garnered the young pop star a legion of equally youthful fans, as well as lead roles in two films, including the 2006 comedy RV alongside Robin Williams. To say that the release of her 2006 sophomore effort, The High Road, finds Jojo on the cusp of superstardom is a bit of an understatement. Featuring production and songs by such in demand hitmakers as Swizz Beatz, Soulshock, and Scott Storch -- the man who made Paris Hilton sound good -- it should come as little surprise that The High Road is a commercially oriented, radio-friendly contemporary pop-R&B album. What may be a surprise is that it is really, really good. These are well-written, catchy pop songs with a healthy dose of hip-hop rhythm that serve as solid launching pads for Jojo's superb vocal abilities. Coming off as a kind of urbanized Jennifer Aniston with the chops of Beyoncé, Jojo is an assured and likeable performer who can somehow embody the yin-yang persona of a suburban cheerleader slinging hip-hop attitude, as she does in the video for the ridiculously ...
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