| | Rage Against The Machine/Evil Empire CD - Import Rage Against The Machine Discography of CDs
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Our Price: $26.49  CDFor Sale Limited Availability
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2 CD set that contains their 1992 self titled album along with Evil Empire (1996). Sony. 2005. Rage Against The Machine/Evil Empire Music | List Price | $32.99 (You save $6.50) | | Category | Rock/Pop Albums, Rock CDs | | Label | Sony Music | | Orig Year | 2005 | | All Time Sales Rank |  598028  | | CD Universe Part number | 6811388 | | Catalog number | 1056049 | | Discs | 1 | | Release Date | Jan 01, 2008 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Australia |
Rage Against The Machine/Evil Empire Music Rage Against The Machine/Evil Empire Review
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Buy Rage Against The Machine/Evil Empire CD Purchase Rage Against The Machine/Evil Empire CD To buy, Click on price to add to cart | Rob Zombie Hellbilly Deluxe 2 CD (2010) Deluxe Edition
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As a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon. Returning with his first album since 2006's Educated Horses, after several delays following this record's completion in 2008 -- due to his work on Halloween 2, lack of promotion, and time spent shopping for a new label after 18 years of recording for Geffen -- Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. This could be because it was his first outing to include help from his bandmates (longtime touring comrades guitarist John 5, bassist Piggy D, and drummer Tommy C) but it's probably more attributed to the fact that making songs like these is old hat by now. "Jesus Frankenstein," "Sick Bubblegum," and "Mars Needs Women" are the same schlocky grooves that made up his five previous solo records and six White Zombie records. His trademark "yeah" and monotone hoedown growl are still front and center, the B-horror movie references are still plentiful (Frankenstein, martians, witches, and two songs about werewolves), and the chugging guitars and dark, sleek beats are still trashy enough to be stripclub staples. Chris Baseford's production is thick throughout, ...
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Deluxe four disc (two CD + two NTSC/Region 0 DVD) pressing. Official 2009 release on Universal, only being released in various Latin American countries. The title translates to; 'Pride, Passion, and Glory: Three Nights In Mexico ...
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Digitally remastered by Tom Coyne (Sterling Sound, New York, New York).
Nigerian vocalist Sade Adu has carved out a cosmpolitan niche for herself over the past decade, gathering together elements of cool jazz, samba, reggae, funk and pop all under the pastoral umbrella of her suede-and-velvet voice. A pop stylist with a musical universe all her own, Sade has endured and matured over the past decade, seemingly unaffected by changes in taste and fashion--a movement unto herself.
As her most recent single (Percy Mayfield's "Please Send Me Someone To Love" from the PHILADELPHIA soundtrack) illustrates, Sade's coy caressing voice speaks more of commitment and trust, of relationships in flux ("Nothing Can ...
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After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain."
The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as one ...
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$47.49 | | Susumu Yokota Symbol CD (2005)
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Possibly the most unique item within Susumu Yokota's highly idiosyncratic oeuvre, Symbol finds the multifaceted Japanese electronica master defying and muddying genre distinctions to create sui generis compositions of considerable beauty and strangeness. That's not exactly new territory for Yokota, but this time there's a gimmick: the album is consists primarily of fragments taken from classical pieces, many of them highly familiar, if not always readily identifiable, by the likes of Debussy, Rachmaninov, and Beethoven -- with a particular reliance on Tchaikovsky's "Nutcracker" and Saint-Saëns' "Carnival of the Animals" -- as well as bits of more recent works by John Cage and Meredith Monk, whose unearthly voice becomes a focal point for several of these tracks. But while Yokota cuts, pastes, and plunders the world of art music with a palpable exuberance akin to the mash-up artists, his contemporaries, who were doing similar things with pop, the results are more nuanced than merely novel. Nor is it entirely out ...
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The most useful aspect of Terry Opie’s Catholic Education was the time his teacher brought a Black Sabbath record to class to prove it wasn’t satanic. Hmmm, he thought, I’m not so sure. He showed it to ...
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