| | Vengerov CD Brown, Ian / Vengerov, Maxim CDS
 (3 Customer Reviews)
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Concerto, Song, Character Piece, Variations, Etude, Rhapsody, Transcription, Film Score, Scherzo, Caprice, Polonaise, Introduction, Tarantella, Vocalise |
Vengerov Music | List Price | $16.98 (You save $5.33) | | Label | EMI Music Distribution | | Orig Year | 1/11/2005 | | All Time Sales Rank |  13214  | | CD Universe Part number | 6811797 | | Catalog number | 57916 | | Discs | 1 | | Release Date | Jan 11, 2005 | | Recording Time | 1 12 |
Vengerov Classical Review Average Rating: (3.7 out of 5 stars)   Fantastic as allways!!
If you like classical violin this one is for you. Vengerov is still the best violin player in the world.
Submitted by fotobosse (Stockholm, Sweden)
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Great playing by a great violinist
A fantastic recording. Vegerov will allways be one of the best violin players in our time.
Submitted by fantomen (Chicago, IL, USA)
Was This Review Helpful? Yes No  no comment
the worst recording what I've heard.....
Submitted by Jay (New York, NY, USA)
Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Vengerov Songs | 1. Variations on an Original Theme, for violin & piano, Op. 15 (12:54) | | Composer | Henryk Wieniawski (1835 - 1880) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Romantic Period / Variations | | Date Written | 1854 | | Period | Romantic | | Country | Poland | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 2. Cantabile, for violin & piano (or guitar) in D major, (MS 109) (3:49) | | Catalog No. | MS 109 | | Composer | Niccolò Paganini (1782 - 1840) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Romantic Period | | Date Written | 1823 | | Period | Romantic | | Country | Italy | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 3. Liebesleid (Love's Sorrow), for violin & piano (3:29) | | Composer | Fritz Kreisler (1875 - 1962) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Character Piece | | Date Written | by 1910 | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 4. Liebesfreud (Love's Joy), for violin & piano (3:22) | | Composer | Fritz Kreisler (1875 - 1962) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Character Piece | | Date Written | by 1910 | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 5. Polonaise (No. 1) de concert, for violin & orchestra in D major, Op. 4 (6:00) | | Composer | Henryk Wieniawski (1835 - 1880) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Polonaise / Romantic Period | | Date Written | 1852 | | Period | Romantic | | Country | Poland | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 6. Vocalise, instrumental arrangement, Op. 34/14 (6:53) | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Transcription | | Country | Russia | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 7. Rhapsody on a Theme of Paganini (Introduction and 24 Variations), for piano & orchestra in A minor, (3:17) | | Composer | Sergey Rachmaninov (1873 - 1943) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Rhapsody / Romantic Period / Variations | | Date Written | 1934 | | Period | Romantic | | Country | Russia | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 8. Introduction and Tarantella, for violin & orchestra, Op. 43 (5:23) | | Composer | Pablo de Sarasate (1844 - 1908) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Romantic Period / Tarantella | | Date Written | 1899 | | Period | Romantic | | Country | Spain | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 9. Polonaise (No. 2) brillante, for violin & orchestra in A major, Op. 21 (9:10) | | Composer | Henryk Wieniawski (1835 - 1880) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Concerto / Polonaise / Romantic Period | | Date Written | 1870 | | Period | Romantic | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 10. Scherzo-tarantelle, for violin & piano in G minor, Op. 16 (5:00) | | Composer | Henryk Wieniawski (1835 - 1880) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Romantic Period / Scherzo | | Date Written | 1855 | | Period | Romantic | | Country | Poland | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004) | | 11. Schindler's List, film score: Theme (4:06) | | Common Name | Theme, Schindler's List Film Score | | Composer | John Williams (Film Composer) (1932 - ) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Film Score | | Date Written | 1993 | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004)
Composition written: 1993.
Composition revised: United States of America. | | 12. Caprice d'apres l'etude en forme de Valse de Camille Saint-Saens, for violin & orchestra (or piano), (8:20) | | Composer | Eugène Ysaÿe (1858 - 1931) | | Performer | Maxim Vengerov (Violin)
Ian Brown (Piano) | | Genre | Etude / Transcription | | Date Written | circa 1900 | | Venue | Lyndhurst Hall, Air Studios, London, Eng | | Notes | Lyndhurst Hall, Air Studios, London, England (09/17/2004-09/19/2004)
Composition written: Circa 1900.
Composition revised: France. |
Vengerov Music Composers on Vengerov CD : Eugene Ysaye, Henryk Wieniawski, Fritz Kreisler, Niccolo Paganini, Sergei Rachmaninov, Pablo de Sarasate, John Williams Genres on Vengerov CD : Character Piece, Concerto, Etude, Film Score, Polonaise, Rhapsody, Romantic Period, Scherzo, Tarantella, Transcription, Variations Performers on Vengerov CD : Ian Brown, Maxim Vengerov Purchase Vengerov To buy, Click on price to add to cart | Kevin Maynor Paul Robeson Remembered CD (1998) (Import)
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Track Listing of songs: Boris Godunov: I have attained the highest power "Boris' Monologue"; Danny Boy "Londonderry Air"; Joshua fit the Battle of Jericho; There is a balm in Gilead; Song of the Volga boatmen; Swing low, sweet chariot; Work;
| | You Can Count On Me DVD (2000) Widescreen
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Set in a small town in upstate New York, YOU CAN COUNT ON ME looks at a brother and sister who grew up together as orphans but now face life with very different perspectives. Sammy (Laura Linney) works at the local bank. Most of her attention goes into raising her 8-year-old son, Rudy (Rory Culkin), and drifting in a tepid romance with Bob (Jon Tenney). The first disruption to her dutiful routine arrives in the form of new bank manager Brian (Matthew Broderick), intent on whipping his employees into shape. Then Sammy's wayward brother, Terry (Mark Ruffalo) shows up after a long absence, and her happiness quickly turns sour when she realizes he has only come to ask for money--again. But with all the elements for a backwater soap opera in place, the story instead becomes a subtle portrait of good intentions and fractured relationships.
First-time director Ken Lonergan was already a noted Hollywood screenwriter (ANALYZE THIS), but he saved this screenplay for himself. Avoiding both big-budget maudlin and low-budget posturing, he steers YOU COUNT ON ME straight to the gut with an artful balance of pain and comedy. A good number of excellent performances, especially by Ruffalo as the screw-up Terry, turn the film into a remarkably honest and moving experience.
J. Smith Cameron, Jon Tenney, Laura Linney, Mark Ruffalo, Matthew Broderick, Rory Culkin - Dir:Kenneth Lonergan A good-hearted drama about a small-town business woman whose irresponsible brother drifts back into her life, causing complications for her and her eight-year-old son. Two Academy Award nominations: Best Actress (Laura Linney) and Best Screenplay.
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$7.59  | | Demonlover DVD (2003) Unrated
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In this dark French thriller directed by Olivier Assayas, Connie Nielsen (GLADIATOR) stars as Diane, an ambitious corporate climber. As Diane ruthlessly cuts down her rivals, she finds herself negotiating an important deal with the imposing Hervé Le Millinec (Charles Berling) and the producers of hi-tech, pornographic Japanese anime films. Eventually, her subversive business techniques lead her into the decadent and mysterious world of "The Hellfire Club," an interactive torture and S&M website. Can Diane maintain control of her increasingly shadowy and confusing situation? And can she continue to eliminate her opponents before they eliminate her?
With DEMONLOVER, Assayas has created a film that is immersed in the seedy and corporate elements of early 21st century pop culture--a world where big business, Japanese animation, and sex violently collide. Nielsen, who speaks fluent French, is compelling as Diane, an ice queen who refuses to allow any emotion to stand in her way. The cast is rounded out by the formidable Berling, Chloë Sevigny in a duplicitous role, and Gina Gershon as a trashy American counterpart to Diane. Alternatively atmospheric and jarring, Assayas' film is enhanced by Sonic Youth's cool, evocative score.
Standard Screen; Soundtrack English
| | Carli Munoz Maverick CD (2005) (Import)
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The defiant album title and the sternly antiwar liner notes might lead you to expect a program of dull and earnest musical sermonizing, or of vapid free-form noodling. That is, if you don't know pianist and composer Carli Munoz, whose work seems always to be so suffused with joy. Not the fierce, manic joy of a Bud Powell or the serene joy of Bill Evans on a good night, but just plain joy -- with every note he plays you get the impression that he's thrilled to be playing and feels blessed to be where he is. On Maverick he's supported by bassist Eddie Gomez and drummer Jack DeJohnette, a rhythm section that any pianist would give his eyeteeth for, and there are guest appearances by saxophonist David Sanchez and clarinetist Don Byron as well. The program is a nice combination of standards and Munoz originals, among which the most exciting is the title track, a long piece with a written structure that recalls "On Green Dolphin Street." But his "Yellow Moon Tune," which closes the album on a sweetly quiet note, is drop-dead gorgeous as well, and features an unusually attractive part for arco bass. Other highlights include beautiful renditions of "You Don't Know What Love Is" and Keith Jarrett's lovely "Margot." Don Byron's solo on "Three Little Steps to Heaven" isn't spectacular, but it's not bad either, and the fact that it's about as close as this album gets to anything resembling an actual disappointment speaks volumes for its overall quality. Very highly recommended. ~ Rick Anderson
Contemporary jazz at its best, this latest release from Carli Mu¤oz assembles a superb band of stylistically unique players performing a collection of originals by the leader, as well as some great American standards. The ideal interplay between Eddie Go
Audio Mixer: Brandon Mason.
Liner Note Author: Carli Munoz.
Recording information: Allaire Studios, Shokan, NY (09/09/2004/09/10/2004).
Authors: New York Times; Van Dyke Parks.
Personnel: Carli Munoz (piano); Carli Munoz (vocals); J
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