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Count The Cost Tried And True CD

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Tried And True Music


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Category Rock/Pop Albums, Rock CDs, Punk
Label Give Me Strength
Orig Year 2004
CD Universe Part number 6813052
Discs 1
Release Date Sep 03, 2004
Mono/Stereo Stereo
Count The Cost Tried And True Songs


Count The Cost Tried And True Album Track Listing



1.Goodbye Cruel World
2.Tried And True
3.When Honor Is Lost
4.Watch Them Burn
5.My Cross To Bear
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It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains ...
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Comprised of 18 tracks culled from the singer/composer's first three decades, The Very Best of Enya was pieced together by the artist herself, along with longtime collaborators Nicky and Roma Ryan. Luckily, the trio seems enamored ...
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Universal Records.
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Kissing To Be Clever
Culture Club Kissing To Be Clever CD  (1982) Bonus Tracks

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CD $9.09  4.3 stars Audio Samples Definitive Album
It can be hard to remember with memories of drug busts and increasingly wacky outfits clouding the issue, but the reason Culture Club became as huge as they did was that their debut album, 1982's KISSING TO BE CLEVER, is an unabashedly commercial and often brilliant amalgam of American R&B and British chart pop. Remember, "Do You Really Want To Hurt Me" was a UK hit before anyone even knew who Boy George was, and for good reason. Even though nothing on the album matches that transcendent single, the pop-reggae-soul-dance grooves are always entertaining and often, as on "I'm Afraid Of Me" and the spooky "White Boys Can't Control It," simply excellent. American fans should be aware that this CD contains the original UK edition of the album, which doesn't include the hit single "Time (Clock of the Heart)" and has a somewhat less satisfying running order. Born of the image- and fashion-conscious glam rock of the mid-'70s, the Brit-based Culture Club were perfectly suited to the 1980s with a fresh blend of pop and (at the very least) eye-catching style -- courtesy, for the most part, of flamboyant and ambiguously gendered frontman "Boy" George O' Dowd (vocals). The quartet also featured Jon Moss (percussion), Roy Hay (guitar/keyboard/sitar), and Michael Craig (bass) and quickly became the darlings of the newly launched 24-hour-a-day cable TV phenom known as MTV. Behind George's brash sense of chic, clever wit and more than acceptable vocal talent, their debut, Kissing to Be Clever (1982), was embraced by not only post-disco dance music enthusiasts, but also new wave listeners and pop fans as well. Although the LP itself failed to place within the Top Ten, it spawned a trio of tunes that did make it into the uppermost tier of the singles chart. On the whole, they provide accurate thumbnail sketches of what Culture Club were capable of pulling off musically. "Do You Really Want to Hurt Me" is a noir love song guilded in the warm and languid balladry and instrumentation that would not have sounded too out of place with a 1940's big-band arrangement. The nimble and undeniably catchy "I'll Tumble 4 Ya" bobbles about with a slightly Caribbean feel, replete with steel drums and repetitive syncopated handclaps. "Time (Clock of the Heart)" -- which has been restored to the track list for the Kissing to Be Clever (2003) reissue -- remains a brilliant slice of Culture Club at both their most interesting and pop-oriented. From the light and buoyant Philly ...
Uprhythm Downbeat
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The punk-orthodoxy view of the Members is that after a string of promising reggae-tinged singles, the septet released one fine album in 1979's At the Chelsea Nightclub, then lost the plot completely with the follow-up, 1980: The Choice Is Yours, after which they're ignored with an embarrassed throat-clearing. In point of fact, however, the Members rebounded after their second album (which itself is actually not nearly as bad as many would have you believe, sort of the Members' own version of Sandinista! in its appealing looseness and lack of consistent focus) by ridding themselves of any lingering punk associations and going for a complete sonic makeover. The band joined up with producer Martin Rushent (Human League, Altered Images, the Go-Go's), who was a master of making unpromisingly non-commercial bands have big shiny hit records without losing their souls in the process. Rushent nailed it immediately with the Members, concocting the utterly delightful "Working Girl." A mixture of snarky lyrics about the joys of freeloading and a genuinely transcendent chorus, "Working Girl" is a classic '80s pop single and -- despite the protestations of the punker than thou -- easily the best thing the Members ever did. Yes, including "Solitary Confinement." Sadly, the rest of Uprhythm Downbeat doesn't reach the same heights, but the good outweighs the bad, including an inspired reggae version of Kraftwerk's "The Model," the self-celebrating "The Family" and "Boys Like Us," and another minor hit, "Going West." ~ ...
Pre Acediasts
We Acediasts Pre Acediasts CD  (2008)

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cdu4asppid music 6813052 cdu4pidall cdu4pls7 ver232cdu cdu4all 12/19/2009 9:41:38 AM