| | Maximum Jessica Simpson CD Jessica Simpson Discography of CDs
 (1 Customer Review)
Maximum Jessica Simpson Music Maximum Jessica Simpson Songs | 1. | Southern Belle, A |
| 2. | Making It Happen |
| 3. | With God on Her Side |
| 4. | All - American Princess |
| 5. | First Date |
| 6. | Second Base |
| 7. | New Directions |
| 8. | Wedding Bells |
| 9. | Natural Woman, A |
| 10. | This Is Our Life |
| 11. | Pop Ressurection |
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Maximum Jessica Simpson Music Maximum Jessica Simpson Music Review Buy Maximum Jessica Simpson CD Purchase Maximum Jessica Simpson CD To buy, Click on price to add to cart | Stan Freberg Very Best Of CD (1998)
Maximum Jessica Simpson
 $11.95  
| | Bill Cosby Why Is There Air? CD (1965)
Maximum Jessica Simpson
$5.99
As the comedian's star continued to ascend, Bill Cosby's third long-player, 1965's Why Is There Air?, became his first to crack the Top 20. Family-friendly humor -- along with increased exposure on the mid-'60s TV ...
| | Bob Rivers Twisted Christmas CD (1990)
Maximum Jessica Simpson
$8.39 
| | Dr. Demento Presents The Greatest Christmas Novelty CD Of All Time CD (1989)
Maximum Jessica Simpson
$8.39 
| | Denis Leary Lock 'N Load CD (1997)
Maximum Jessica Simpson
$12.65
Personnel: Denis Leary (vocals, spoken vocals); Chris Phillips (vocals, guitar, ...
| | Weird Al Yankovic Bad Hair Day CD (1996)
Maximum Jessica Simpson
$8.99
| | Hugh Shannon True Blue Hugh CD (1978)
Maximum Jessica Simpson
$11.49
| | Red Buttons Second Banana Symphony: Singing Comedians From TV'S Golden Age CD (2003)
Maximum Jessica Simpson
$12.39
& Mory Amsterdam "Singing Comedians"
Full performer name: Red Buttons/Art Carney/Morey Amsterdam.
Liner Note Author: Joseph F. Laredo.
Recording information: 03/16/1953-05/25/1956.
Photographer: Wayne Knight.
Arranger: Milton DeLugg.
This compilation gathers some rare and otherwise difficult to locate 45-rpm recordings from a trio of comedians primarily known for their work during the "golden age" of television rather than as recording artists. Second Banana Symphony -- Singing Comedians from TV (2003) commences with both respective sides of four mid-'50s singles from vaudeville-style humorist Red Buttons. Elliot Lawrence and his orchestra accompany on the call-and-response "Strange Things Are Happening (Ho Ho Hee Hee Ha Ha)" and the follow-up flip side, "The Ho Ho Song." The audience heard on the track ...
| | Gary Yamane Voices In The Wind CD (2002)
Maximum Jessica Simpson
$9.55
Gary Yamane has been a student of the creative process for 35 years, ...
| | Gailforce Covering A Decade CD (2003)
Maximum Jessica Simpson
$17.09
Gailforce, a Top Female Duo in Florida, Offersan Original Sound and a Radiant Stage PresenceMany of Their Fans Know Them as, "The Girls"DAYTONA BEACH, Florida - With distinctive voices, along with an acoustic harmony of silver and steel, singer-songwriters Gail Delagi and Tina Gordon are truly original. And they are one of the top female duos in Florida.They perform as Gailforce, although their growing number of fans - from all over the United States - simply call them, "The Girls." Their radiant and riveting stage presence coupled with the bond and connection between Gail and Tina is so natural and pleasing that countless listeners are convinced these performers are sisters. And the contrast of their voices and personalities adds another exciting dimension to their performances.Gail and Tina met in 1993 when Gail was performing solo and heard Tina singing (in harmony) in the crowd. Gail invited her on stage - and since then, the two have been performing together.Their unique blend of vocals, acoustic guitars, and flute (along with an occasional harmonica) is synchronized in perfect harmony whether performing originals or cover tunes. Their material includes Country, Rock, Southern Rock, Blues, Folk and Pop. Gail and Tina's sound is original, but fans have likened them to the Dixie Chicks and Indigo Girls.The duo's first CD, entitled Covering a Decade, was released in early 2002. Since the girls had been performing strictly covers for their first 10 years together, they decided to make that the focus of their first recording project. The CD was received enthusiastically by friends and loyal fans who frequent their perfromances, as well as by tourists and other out of town visitors. "Our CD has been very popular with our out-of-town fans. They like the idea of taking our music with them when they leave Daytona Beach," says Tina. "It gives them something to tide them over until their next visit."Many of their fans and followers, from Florida to California to New Hampshire, ...
| | Rick & Bubba Radio Gold Volume 1 CDs (2006)
Maximum Jessica Simpson
$16.69
| | Coorie Cross Heart-Kyoshiro To Eiennosora CD (2007) (Import)
$20.99 | | Blake Lewis Audio Day Dream CD (2007)
Maximum Jessica Simpson
$11.29
Personnel: Blake Lewis (vocals, keyboards); Lupe Fiasco (rap vocals); Mike Elizondo (guitar, keyboards, programming); Dave Katz (guitar, synthesizer); Ryan Tedder (guitar, programming); Ryan Leyva (guitar); Sean Gould (guitars); T.J. Berry (alto saxophone); Chris Poage (baritone saxophone); Kent Halvorsen (keyboards); Blake Healy (synthesizer); Monte Neuble (talk box, vocoder); Jeremy Lightfoot, Sean Hurley (bass guitar); Kevin "Quantize" Sawka, Aaron Sterling (drums); S*A*M, Alex Greggs, Louis Biancaniello, Sluggo, Wayne Wilkins (programming); Chris Kirkpartrick (background vocals).
On the sixth season of AMERICAN IDOL, Blake Lewis raised eyebrows and adulation when he mixed a thorough knowledge of 1980s and '90s pop with beatboxing techniques and a charismatic presentation. AUDIO DAY DREAM, Blake's full-length debut, aptly captures the singer's eclectic approach, mixing in old-school hip-hop, pretty boy balladeering, back-to-the-'80s new wave rock, and groove-driven, blue-eyed soul. It's an odd and rather scattershot mix that doesn't always cohere, but it will certainly appeal to the legions of fans who adored him on AMERICAN IDOL.
Paula Abdul notoriously labeled Blake Lewis as "the contemporary rebel," a seemingly nonsensical assignation that nevertheless had the ring of truth. Compared to everything else on that turgid sixth season of Idol, Blake was contemporary and a rebel. Unlike the obligatory soul throwback Melinda Doolittle, Lewis seemed versed in music made after his birth year, and compared to teen queen Jordin Sparks, he was happy to bend (but not break) the rules, beatboxing as often as he sang. It made for OK TV, pushing him to the forefront of a pack that gleaned its only personality through the skin of Antonella Barba and the hair of Sanjaya Malakar. Blake carried a tune better than those two, but not better than Melinda and Jordin. Where he trumped them was the fact that he seemed to have a sense of himself, a musical identity cobbled together from the scrap yard of '80s MTV -- all learned via VH1 Classic and YouTube, naturally, as he was a toddler when the network launched -- that nevertheless seemed fresh when put against the endless Motown versions and Celine Dion on American Idol, and helped justify Abdul's appellation, at least a little bit. What Blake had that the other contestants didn't was musical ...
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