| | Franck-Chasseur Maudit CD - Import Ansermet, Ernest / Barenboim, Daniel / Franck CDS
Deutsche. 2004. Franck-Chasseur Maudit Music | Label | Phantom | | Orig Year | 11/15/2004 | | All Time Sales Rank |  68363  | | CD Universe Part number | 6813387 | | Catalog number | 4762800 | | Discs | 1 | | Release Date | Nov 15, 2004 |
Franck-Chasseur Maudit Review
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Purchase Franck-Chasseur Maudit To buy, Click on price to add to cart | Il Divo Christmas Collection CD (2005)
Franck-Chasseur Maudit
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CHRISTMAS COLLECTION is also available with a bonus disc in the limited edition IL DIVO GIFT PACK.
Quickly following up the success of its 2005 self-titled debut, the international ...
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Franck-Chasseur Maudit
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BEETHOVEN'S LAST NIGHT is a rock opera conceived by Paul O'Neill.
Recorded at Soundtracks, Stellar Productions & Studio 900, New York, New York. Includes liner notes by Paul O'Neill.
Personnel includes: Jon Oliva (vocals, piano, keyboards, bass); Patti Russo, Jody Ashworth, Guy Lemmonnier, Jamie Torcellini, Sylvia Tosun, Zak Stevens, Dave ...
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Franck-Chasseur Maudit
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Music composed by Andrew Lloyd Webber. Lyrics by Charles Hart.
It's a testament to Andrew Lloyd Webber's crowd-pleasing compositional skills that the original cast recording of THE PHANTOM OF THE OPERA went on to become the biggest-selling cast album ever. So when the time came to adapt his music for the film version of the monumentally successful theatrical work, Webber enlisted the aid of longtime collaborators Nigel Wright and Simon Lee. They produced an expanded orchestral version of the score, grander and more sumptuous than the original, and assembled a 100-member ensemble to do it justice.
However, the tragic story of the disfigured Phantom and Christine, the beautiful object of his desire, cannot be told without powerful performances of those roles. Gerard Butler and Emmy Rossum quickly dispel any concerns regarding the adequacy of their portrayals. Butler's full-blooded renditions of "The Music of the Night" and the title song are tinged with a dark eroticism, while Rossum's account of "Wishing You Were Somehow Here Again" ...
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“…A glorious voice, a riveting stage presence.” Stuart Hamilton, CBC’s Opera Quiz"Words and music bursting forth!" Alan Neal - CBC, Canada LiveAward winning musicians Doreen Taylor-Claxton and Valerie Dueck are, “Better than ever in this important contribution to Canadian art song.” Jill LaForty - CBC“[Taylor-Claxton’s] voice is clear, beautiful and deserving of more recognition. Dueck is a wonderful performer, and more than supportive to the singer.” - Jean Paul SevillaReview: Richard Todd, Ottawa Citizen Sept 30, 20064 Stars: ExcellentThis CD is part of a project to assist Canadian composers in finding Canadian texts to use in composing art songs. This can be difficult, since many poets consider their work too complete to bear musical settings.Soprano Doreen Taylor-Claxton approached poets who provided samples of their work to Ottawa composers. The results of this worthwhile project are variable but more than a little interesting.Hail is a cycle by John G. Armstrong of 14 monometer poems by Seymour Mayne. They are short, epigrammatic and individually effective. “Light,” for example, is utterly exquisite … Settings by James Wright and Colin Mack of poems by Steven Michael Berzensky and Sharon Singer are more harmonically conservative, but effective. Mack’s “Destiny” is especially affecting. Frédéric Lacroix’s four-song cycle A Nova Scotia Tartan is the most beautiful offering here, not least because of Effie MacIsaac Taylor’s wonderful verse.Soprano Taylor-Claxton and pianist Valerie Dueck put together convincing accounts of the music. Definitely recommended. Richard Todd, Ottawa Citizen, September 30, 2006History:In Need of Song Collaborations assists composers in finding Canadian texts and encourages collaborations between poets and composers. In Need of Song began in February of 2003, when a number of established Canadian poets provided samples of their poems for consideration by composers in the Ottawa area. One of the first collaborations to develop was between John Armstrong and Seymour Mayne. Mayne is recognized for pioneering the “word sonnet” - a variation of the sonnet in which the fourteen lines have been pared down to one word per line. His publication Hail is a series of fifteen word sonnets that roughly follow the months of the year. Armstrong set 14 of these streamlined, graceful texts which appealed to his interest in musical miniatures. Asked why he so favored the miniature, he would only say, “I just like beautiful moments!” The result of this collaboration is an elegant and appealingly dramatic series of “moments.” Richard Todd, Ottawa Citizen, described “Light," "Equinox" and "Dust” as “utterly exquisite.”James Wright has pursued a broad-ranging career as a composer, performer, choral director, teacher and musicologist. The evocative imagery and sonorous qualities of Steven Michael Berzensky’s moving tribute to music spoke to him of his own quest and inspired his jazz-infused setting of “Quilled Sonnet.”In 2004 Colin Mack and Sharon Singer collaborated on The Names of Water. The cycle is based on three poems, “Mist,” “Becalmed” and “Destiny” which use imagery of water in various forms. ...
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