| | Give Us Moore CD - Import
Reviewer Todd Seely writes about Give Us Moore!, "No matter the genre, one thing is evident - Gary Moore doesn't play for you, he plays to you. Gary's solos are not simply instrumental breaks in the middle of the song. They drive the song forward, with intention, and are an integral piece of the puzzle. The lion's share of the songs chosen for this tribute come from Gary Moore's first few solo albums; they were originally recorded by Moore when most of the musicians involved here were still learning to play. Chris Poland, guitarist for Megadeth and Ohm, contributed to "Parisienne Walkways" on this release and remembers, The first time I ever heard Gary Moore, I just couldn't believe his guitar tone, and how fearless he was. It's that same fearlessness that Jeff Beck has. When Gary Moore's done with a solo, you're kind of breathless." Gary Moore's guitar continues to sing to audiences around the world - from the Emerald Isle, over the hills and far away." Hard Rock, total running time, 74:24
Tributee: Gary Moore. Give Us Moore Songs | 1. | Led Clones - Dogpound |
| 2. | She's Got You - Arabesque |
| 3. | Over The Hills And Far Away - Domain |
| 4. | Empty Rooms - Star Queen |
| 5. | Wild Frontiers |
| 6. | Don't Take Me For A Loser |
| 7. | Thunder Rising - Tony Hernando |
| 8. | The Loner - Joop Wolters |
| 9. | Reach For The Sky |
| 10. | Military Man - Eric Sands |
| 11. | Falling In Love With You - King Of Darkness |
| 12. | Shapes Of Things - House Of Shakira |
| 13. | Out In The Fields - Iron Mask |
| 14. | After The War - Orion Riders |
| 15. | Parisienne Walkways - Mattsson |
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Give Us Moore Review
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From the January 2005 issue of Where\'Yat MagazineOnes to Watch: Egg Yolk Jubileeby Billy ThinnesThrough a nondescript door at an undisclosed location in Metairie, strange music emerges. Following the sound to its source reveals an elaborate ballroom with chandeliers gleaming, the dance floor glistening and the entire premises deserted, save for the reunited members of Egg Yolk Jubilee. The band is practicing, reacquainting themselves with each other and recapturing the musical magic that made them favorites of the discerning New Orleans music consumer from 1996 until the summer of 2002.Egg Yolk Jubilee\'s sound lies somewhere between an acid-tinged Captain Beefheart daydream and the powerful cacophony of a brass band dipped in a clamoring batter of Dixieland, polka, circus funk and the best of prog-rock. \"We never really broke up,\" says trombonist Mike Joseph, explaining the band\'s two-year hiatus. \"We just believe it\'s a good idea to take a break between eating brunch and lunch, so that\'s what we did.\"The band, which seems to be based upon quirky musical ideas, a refreshingly warped sense of humor and a history of friendship among its members that dates back to high school days, creates weird sounds for strange times. That\'s not to say that they are disciples of Ornette Coleman; rather, all of their tunes maintain a sense of rhythmic integrity, but the tempos and genres they dabble in to create Egg Yolk music defy easy categorization. \"We are your all-purpose New Orleans band,\" says Paul Grass, who contributes tenor sax, rhythm guitar and vocals to the band\'s sound. \"We cover all the bases. Wherever we play, the people dig it. We all grew up in the New Orleans area and most of our relatives were musicians.\"The family members that were also musicians could explain the vast array of influences Egg Yolk Jubilee incorporates, and also provide rationale for how crowds as disparate as a wedding party in Old Algiers or a bunch of zonked out hipsters at the Mermaid could both be down with the Jubilee. For instance, a good tune that captures the band firing on all cylinders is their take on \"Brazil,\" an old song that, as guitarist Geoff Douville describes, was written by \"a couple of guys 80-90 years ago and then some other guy made it famous. The Coasters do a version of it. There was some movie in the 1940s that brought it back to public consciousness, and the guy that preceded Desi Arnez on the world scene had a hit with it.\"Such a convoluted explanation of a song that the band rips is entirely apropos for Egg Yolk world. So there\'s the twisted pre-Desi Latin vibe that swirls into their music, and then there are originals like \"Bogul U.S.A.,\" which was inspired by a trip to the Omelet Festival in Abbeville and an unpleasant yet hot chick that trumpeter Eric Belletto encountered.\"The fair Prunella mentioned in the song is based upon this blonde chick I worked with in a bank,\" Belletto says. \"I called her Prunella because she was bitchy and pruney, but she was hot anyway.\"\"Bogul U.S.A.\" as a song has the feel of a rushed and slightly nerve-wracking road trip. The frantic tempo ...
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